An investigation into abuse and missing children at an Indian residential school in Canada ignites a reckoning on the nearby Sugarcane Reserve.
Where's Foster? (2021)
Social workers dispel myths about why children are removed from their biological parents, breaking down their overwhelming workload. Lawyers uncover the harsh reality of young children navigating the legal system. Advocacy organizations try to keep children safe and away from predators. An eclectic array of interviews from foster care alumni explore their connections (or lack thereof) with social workers, the fragile bond with each foster home, how trust can fall apart, and how those unable to adapt spent time in group homes. The film concludes with alumni success stories, working to remove the stigma of foster care.
Showbiz Kids (2020)
A documentary chronicling the shared experiences of prominent former child stars and the personal and professional price of fame and failure on a child.
A Woman and Her Car (2016)
December the 31th, 2003. Lucie decides to write a letter to the man who abused her from the age of 8 to 12 years old and resolves herself to bring it to him in person, wherever he may be.
Rewind (2019)
Digging through the vast collection of his father's home videos, a young man reconstructs the unthinkable story of his boyhood and exposes vile abuse passed through generations.
A Place To Talk (2024)
A Place To Talk covers the idea of speaking out about your mental health. In collaboration with charity mind, we interviewed some members of the team to gain further insight into the work they do for local communities, especially around Bournemouth with the university students in mind. We also sat down and spoke to two university students who shared their issues with their struggles but also helped friends with heir mental health issues.
Shootball (2017)
Manuel Barbero, father of a sexual abuse victim, and Joaquin Benitez, the pederast who abuse the son of Manuel and 20 more children, are the main characters of this documentary. The director of the film approaches these key figures of this story with a work of journalistic investigation. For the first time, a pederast speaks and confesses with his face uncovered in a documentary.
Sought for Satan, found the family (2022)
With the VHS images of his childhood, Miguel tells Fábio a particular story of his experience as a Colombian child and of the first manifestations of Satan in his life.
Girl in the Picture (2022)
A young mother’s mysterious death and her son’s subsequent kidnapping blow open a decades-long mystery about the woman’s true identity, and the murderous federal fugitive at the center of it all.
Aileen: Life and Death of a Serial Killer (2003)
British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
An Open Secret (2014)
An investigation into accusations of teenagers being sexually abused within the film industry.
Mommy Dead and Dearest (2017)
Child abuse, mental illness, and forbidden love converge in this mystery involving a mother and daughter who were thought to be living a fairy tale life that turned out to be a living nightmare.
Lakota Nation vs. United States (2022)
Poet Layli Long Soldier crafts a searing portrait of her Oyate’s connection to the Black Hills, through first contact and broken treaties to the promise of the Land Back movement, in this lyrical testament to resilience of a nation.
Square One (2019)
An investigation into the original 1993 Michael Jackson allegations brought by the Chandler family.
The Rothschild Legacy (2021)
The rags to immense riches story of the Rothschild family - from surviving the Jewish ghettos of WWII, to becoming one of the most powerful banking families in the world.
When Love Turns to Hatred 4 - Domestic Violence on Children (2022)
The four adult heroes and heroines of the film, who were selected in a casting call posted on TV, speak candidly on camera from the very beginning of their memories. Through individual stories, they describe their childhoods, family backgrounds, life at school, and how they spent their free time. The stories complement each other and are intertwined; we see emotions and hear things that reveal the horrific DNA of domestic violence. The documentary addresses the issue of abuse with an emphasis on the entire social environment of the victims and the societal underpinnings. Typical of domestic violence is that victims often hide it within themselves; they do not talk about it, and sometimes they do not even admit it. But in the documentary, they were determined to speak out.
Preschool to Prison (2023)
Preschool to Prison is a compelling examination of how the United States public school system is built and operated like prisons. Zero-tolerance policies are used to justify suspension and arrests that set up a pathway to send children of color and children with special needs from school to prison. Children are being suspended, restrained, dragged, physically manhandled, and subsequently arrested for minor offenses such as throwing candy on a school bus. These personal accounts from people affected by the school-to-prison pipeline give riveting tales about the generational impact on society.
Postcard to Daddy (2010)
As a child, Michael Stock was sexually abused - by his own father. 25 years later he is still looking for inner peace. In conversations with his family and friends and his own reflections, he paints an ever clearer, if contradictory picture of what happened and of the consequences for each of the family members. Old family films seem to show a happy family - excerpts from Michael's first feature film hint at his extreme adult life, overshadowed by his lifelong trauma. Yet in spite of the intense drama, the film doesn't have an atmosphere of anger and hatred but rather a surprising air of hope and love of life. Michael's aim is not to accuse the "perpetrator" but to understand. In the end, he takes his video "Postcard" to his father. With the camera running, he confronts him with his past.