'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire. The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.
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a life size stop motion child puppet races through memories and daydreams reflecting on the cyclical nature of life.
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Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
Some precious things (2021)
During an audio message sent to his daughter, a father reflects on how the recent discovery of dusty reels and scratchy VHS tapes capturing childhood moments has propelled him on a journey of ancient memories and forgotten dreams . Using a blend of personal, public domain, and freely available footage, the film deconstructs reality and reimagines the past, questioning where memory ends and imagination begins.
Midríase (2023)
Is the eye the window of the soul? - Mydriasis is a movie that reflects about the early discoveries of queerness and its impact on the self perception of a person.
Pinnacles (2022)
Resulting from an ancient volcanic eruption, revered as sacred by the Chalun and Matsun Native American Tribes as the home of the Firebird/Thunderbird (California Condor) a supernatural being of power and strength. Pinnacles represents transcendent moments, spiritual guidance and forging new timelines within interpersonal landscapes.
Seven Easy Pieces (2007)
For Seven Easy Pieces Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own, interpreting them as one would a musical score. The project confronted the fact that little documentation exists from this critical early period and one often has to rely upon testimony from witnesses or photographs that show only portions of any given performance. The seven works were performed for seven hours each, over the course of seven consecutive days, November 9 –15, 2005 at the Guggenheim Museum, in New York City. Seven Easy Pieces examines the possibilities of representing and preserving an art form that is, by nature, ephemeral.
Phantasia (2024)
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Reflections on Dutch Capitalism; Zero Sugar version (2021)
In "Reflections on Dutch Capitalism: Zero Sugar Version," Lakaaysha van Ewijk delves into how capitalism molds identity and desire, using an Italian expat's journey in the Netherlands as a lens. The film critiques the deep entanglement of consumer habits with our sense of self, showcasing the absurdities of a system where products shape identities. Through a narrative rich in symbolism, it probes the paradoxes of consumer culture versus the quest for authenticity, compelling viewers to question the impact of capitalist values on human nature and societal bonds.
From 9 to 5 (NaN)
Passing vignettes of the lives of workers and citizens, what home means to them, and inter-city transportation...
Something Walks in the Woods (2023)
A viral video shows a mysterious figure walking along the edge of the woods each day, and filmmaker Bill Howard sets out to spend a night there to find out exactly what it is.
Woman Is My Last Name (2022)
This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.
Matsuchiyo - Life of a Geisha (2018)
Matsuchiyo - Life of a Geisha’ is a documentary about one of the last surviving true geisha in Japan. The story begins with Matsuchiyo’s wartime childhood. She and her mother were the only two surviving members of the family. Matsuchiyo joins an “Okiya” (a traditional geisha agency), to pay the family debts and support her ageing mother. In her adulthood, Matsuchiyo becomes one of the top geisha in the city of Atami and experiences romance, tearful farewells, being a mistress of married men, motherhood and tragic deaths. Today, in her 80’s, Matsuchiyo the geisha, is as motivated and inspiring as ever. She still delivers a mesmerising performance on stage. ‘Matsuchiyo - Life of a Geisha’ is narrated by her own son and film director, Ken Nishikawa, and it is adorned by hundreds of beautiful pictures from Japan’s bygone era. This film illustrates the trials and tribulations of the ultimate Japanese cultural enigma that is - The Life of a Geisha.
Meteor (NaN)
A mysterious rumble splits the sky and reverberates in the middle of the forest. A man delves into its depths to discover its origin and answer the questions presented by the universe.
Time Piece (1965)
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.
Godard by Godard (2023)
Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.
