A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
The Art of Un-War (2022)
Renowned artist Krzysztof Wodiczko creates powerful responses to the inequities and horrors of war. This in-depth investigation into the artist focuses on the recurring themes of war, trauma, and displacement in his work. An instigator for social change, Wodiczko’s powerful art interventions disrupt the valorization of state-sanctioned aggression.
EXPRMNTL (2016)
Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium. To celebrate cinema’s 50 year existence, they put together a side program showcasing the medium in all its shapes and forms: surrealist film, absolute film, dadaist films, abstract film,… The side program would soon become a festival in its own right: ‘EXPRMNTL’, dedicated to experimental cinema, and would become a mythical gathering of the avant-garde…
The Pleasure in Pain (2022)
A short film that follows key figures of the London kink scene on an exploration into BDSM and the notorious fetish event Klub Verboten. The film touches upon themes of psychology, trauma, LGBTQ+ rights and black representation.
Quiet Remains (2020)
A quasi-documentary look at how certain things fit together. This film embraces an unhurried tempo.
Koyaanisqatsi (1983)
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Louisa May Alcott: The Woman Behind Little Women (2008)
Louisa May Alcott, author of "Little Women," leads a literary double life, writing under the pseudonym A.M. Barnard, an identity that remains until the 1940s.
Fox & Penguin (2021)
How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.
Berlin: Symphony of a Great City (1927)
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Now Eat My Script (2014)
"Now Eat My Script is a precipice, a fluid solution in which some spectral noises of the self float adrift. Narration takes the role of a pregnant writer who continuously affirms her hunger and clumsiness towards language and history. Her body is crossed over by both the years to come and the stories that have been buried. As a would-be pirate, she navigates through the tumult of familiar waters."
Animot (2022)
The experimental documentary filmed at rescue centres in Prague and Vlašim refuses the anthropocentric perspective and views the world through the eyes of wounded animals. The term Animot was taken over from Jacque Derrida. While the French philosopher and deconstructivist uses the term to refer to everything animalistic and non-human, the film, on the other hand, uses intimate details to point out the proximity between human beings and animals. They are connected by their vulnerability, helplessness and mortality.
Made for More (2018)
Are you ready for a girl’s night out unlike anything you’ve experienced before? Fresh off the success of her best-selling Girl, Wash Your Face, author, mama of four, CEO/founder of popular The Chic Site blog Rachel Hollis’ is taking the audience on an inside look at chasing the biggest of dreams. Rachel Hollis’ belief that she’s here to change the world will inspire you to believe you can do the same. It’s that belief that had her start a live event series where women who don’t look the same, vote the same or act the same come together to be inspired, supported and enveloped in community. Believing you’re enough, that you can chase the biggest dreams – they’re all tackled in the documentary capturing the conquering of Rachel’s own fears and trusting her gut. This is your chance to get a peek inside and then have a Q&A with Rachel after the show. This is promised to be a night you and your girlfriends will never forget!
The Beginner's Guide to Spinning in Loops (2022)
From June 2021 to June 2022, Justin "Jastun" Bland records whatever that is in front of him. He presents an abstract montage of collected videos varying from onscreen recordings to filming special, intimate & mundane in-real-life moments. This short captures our daily routines in life and how we choose to spontaneously record them.
P.M. (1961)
Controversial cinéma vérité analysis of Havana’s lumpenproletariat in waterfront bars and cafés shortly after the failed Bay of Pigs invasion.
bleared eyes of blue glass (2023)
The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered the most experimental among the 20th-century British writer's literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water - precisely - and light, and yet in a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance.