When a young woman is shot by an undocumented immigrant on Pier 14 in San Francisco, the incident ignites a political and media furor that culminates in Donald Trump’s election as President of the United States. In the eye of this storm, two public defenders fight to reveal the truth.
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When CIA Analyst Jack Ryan interferes with an IRA assassination, a renegade faction targets Jack and his family as revenge.
Never a Backward Step (1966)
This feature documentary is a profile of Canadian press tycoon Roy Thomson, whose single-minded attention to business brought him riches, power, and even a baronetcy in England. A native of Timmins, Ontario, Thomson had a tremendous career as publisher, television magnate, financier, and owner of many newspapers, including leading London dailies. The film is a frank study of an equally frank man.
Bruno & Bettina (2018)
Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.
Absolute Power (1997)
A master thief coincidentally is robbing a house where a murder—in which the President of the United States is involved—occurs in front of his eyes. He is forced to run, while holding evidence that could convict the President.
Primary (1960)
Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
Red Corner (1997)
An American attorney on business in China, ends up wrongfully on trial for murder and his only key to innocence is a female defense lawyer from the country.
Murder at 1600 (1997)
A secretary is found dead in a White House bathroom during an international crisis, and Detective Harlan Regis is in charge of the investigation. Despite resistance from the Secret Service, Regis partners with agent Nina Chance. As political tensions rise, they learn that the crime could be part of an elaborate cover-up. Framed as traitors, the pair, plus Regis' partner, break into the White House in order to expose the true culprit.
Bulworth (1998)
A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
Midday Event (2017)
In 1981, Islamic Republic intelligence agents work to track down MEK operatives trying to assassinate Iranian officials in the aftermath of the resignation of President Banisadr.
The Unmaking of Boris Johnson (2022)
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The Vizconde Massacre: God, Help Us! (1993)
A gruesome look into the infamous and seemingly neverending 1991 Vizconde murder case in the Philippines where a woman, her teen daughter, and a 6-year-old were all viciously stabbed to death while the husband was away in America on business.
Vantage Point (2008)
During an historic counter-terrorism summit in Spain, the President of the United States is struck down by an assassin's bullet. Eight strangers have a perfect view of the kill, but what did they really see? As the minutes leading up to the fatal shot are replayed through the eyes of each eyewitness, the reality of the assassination takes shape.
Sonatine (1993)
Murakawa, an aging Tokyo yakuza tiring of gangster life, is sent by his boss to Okinawa along with a few of his henchmen to help end a gang war, supposedly as mediators between two warring clans. He finds that the dispute between the clans is insignificant and whilst wondering why he was sent to Okinawa at all, his group is attacked in an ambush. The survivors flee and make a decision to lay low at the beach while they await further instructions.
RFK (2004)
David Grubin's probing and perceptive biography reassesses the remarkable and tragic life of Bobby Kennedy, whose early life was spent in the shadow of his elder brother John. After JFK's assassination, he discovered his own identity in the forefront of American politics before his career was also tragically curtailed by an assassin's bullet.
Oona and Me (2005)
Documentary about ex-Labour MP Oona King. Only the second black female MP and one of the most media friendly of the 'Blair Babes', her support for the Iraq War alienated her from her Muslim constituency in London's East End, and led to her defeat by George Galloway and his anti-war Respect Party in the 2005 election. King asked her childhood friend Nora Meyer to make a film about the issue but Meyer was also opposed to the war and wonders if her friend's youthful radicalism has been dulled. (Storyville)
Ministry of Truth (2007)
Filmmaker Richard Symons asks members of the British government to support his campaign for truth in the Houses of Parliament, and attempts to get a pledge from MPs that they will never tell a lie. (Storyville)
Visions of Europe (2004)
Twenty-five films from twenty-five European countries by twenty-five European directors.
M for Malaysia (2019)
M for Malaysia documents the 2018 Malaysian General Elections when the people of Malaysia, led by a 92 year-old former Prime Minister, overthrew one of the longest ruling governments in the world. Despite endless barriers thrown at them, the tense campaign pushed on with the most surprising result in the country’s history.
The Jackal (1997)
Hired by a powerful member of the Russian mafia to avenge an FBI sting that left his brother dead, a psychopathic hitman known only as The Jackal proves an elusive target for the people charged with the task of bringing him down: a deputy FBI director, a Russian MVK Major, and a jailed IRA terrorist who can recognize him.