New York-based tech company Clearview AI is working to identify and compile the faces of every human being on the planet. The firm claims that its database will serve as a force for good, helping to solve crimes and prevent espionage. But what if Clearview AI’s powerful facial recognition software, that could potentially be used for mass surveillance and profiling, fell into the wrong hands? What if it already has?
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Game Over: Kasparov and the Machine (2003)
Garry Kasparov is possibly the greatest chess player who has ever lived. In 1997, he played a match against the greatest chess computer: IBM's Deep Blue. He lost. This film depicts the drama that happened away from the chess board from Kasparov's perspective. It explores the psychological aspects of the game and the paranoia surrounding IBM's ultimate chess machine.
HAK_MTL (2019)
Does privacy still exist in 2019? In less than a generation, the internet has become a mass surveillance machine based on one simple mindset: If it's free, you're the product. Our information is captured, stored and made accessible to corporations and governments across the world. To the hacker community, Big Brother is real and only a technological battle can defeat him.
Frontline: In the Age of AI (2019)
A documentary exploring how artificial intelligence is changing life as we know it — from jobs to privacy to a growing rivalry between the U.S. and China. FRONTLINE investigates the promise and perils of AI and automation, tracing a new industrial revolution that will reshape and disrupt our world, and allow the emergence of a surveillance society.
Total Trust (2023)
By exploring the relationship between the watched and the watching, our film uncovers the trauma and hope engendered by the Chinese all-surveilling state and lends a voice to those that stand in resilient defiance of such blatant abuse of power.
My AI Lover (2021)
Follows Yo, Siyuan and Mia, three young women who, using the mobile application Replika, have formed romantic relationships with virtual partners. This short documentary captures the richness of these bonds, from philosophical questions to intimate moments to the real sense of security and companionship afforded by these artificially intelligent lovers.
Star Wars Kid: The Rise of the Digital Shadows (2022)
Ghyslain Raza, better known as the “Star Wars Kid,” breaks his silence to reflect on our hunger for content and the right to be forgotten in the digital age.
Jizai (2024)
In a laboratory, a child is the object of a mysterious experiment. Aided by a robotic prosthesis – or is it the other way round? – the child receives sense data from our world. What does an AI need to feed on to push the limits of human abilities?
A Terrible Beauty (2024)
What makes a body human? This science-fiction fable shot in China foreshows the rise of AI. Time behaves fluidly as we travel into the near future in the company of an unusual pair: Blue and her friend, a mannequin named Lucy.
iHuman (2019)
Artificial Intelligence (AI) is possibly the most powerful technology of our time. It has the potential to solve humanity’s biggest challenges yet some fear AI will be our downfall. iHUMAN follows pioneers at the frontline of the race to develop the ever more sophisticated AI to find the questions we need to ask at this crucial point in history.
Until the End of the World (2024)
This is an artificial intelligence (AI)-generated film that envisions the Middlesbrough Collection as a sleeping repository of the past and present. Perks and Stewart used the Collection and displays as source material, asking three groups to imagine the dreams of the Collection through creative writing, meditation, observation exercises and karaoke. The resulting material was inputted into ChatGPT to generate a script and then fed into an AI moving image platform, Pictory AI, which translated it into a sequence of moving images from existing databases.
The Gig Is Up (2021)
A very human tech doc, uncovers the real costs of the platform economy through the lives of workers from around the world for companies including Uber, Amazon and Deliveroo. From delivering food and driving ride shares to tagging images for AI, millions of people around the world are finding work task by task online. The gig economy is worth over 5 trillion USD globally, and growing. And yet the stories of the workers behind this tech revolution have gone largely neglected. Who are the people in this shadow workforce? It brings their stories into the light. Lured by the promise of flexible work hours, independence, and control over time and money, workers from around the world have found a very different reality. Work conditions are often dangerous, pay often changes without notice, and workers can effectively be fired through deactivation or a bad rating. Through an engaging global cast of characters, it reveals how the magic of technology we are being sold might not be magic at all.
Nothing to Hide (2017)
NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.
A.I. At War (2021)
In the war zones of Mosul and Raqqa, then in Paris during the Yellow Vests uprising, filmmaker Florent Marcie confronts Sota, an AI robot, with the tragedy of mankind. As the story unfolds, the relationship that develops between man and machine questions our human condition and our future.
Abendland (2011)
Some things can be seen more clearly at night.. . A film poem about a continent at night, a culture on which the sun’s going down, though it’s hyper alert at the same time, an “Abendland” that, often somewhat self-obsessively, sees itself as the crown of human civilization, while its service economy is undergoing rapid growth in a thoroughly pragmatic way. Nikolaus Geyrhalter takes a look at a paradise with a quite diverse understanding of protection. Night work juxtaposed with oblivious evening digression, birth and death, questions that await answers in the semi-darkness, a Babel of languages, the routine of the daily news, and political negotiation: All this has been captured in images with a wealth of details that make us look at things in a new way. The longer you consider a word, the more distant is its return gaze: ABENDLAND.
