This work is an attempt to overcome alienation amidst the fragmented construction reality of everyday narrative. Rethinking the meaning of reflections and shadows, framed subjects, body movements, screen, as well as sounds that are constructed by connecting the expression of their existence with the history of representation in modern art.
Related Movies
Nostalgia for the Lake (2023)
A vision from Limbo, where the canoeist of the eternal lake floats in his boat, between sleep and wakefulness. When he sleeps, he dreams of the everyday of a parallel time. when he wakes up, the same song haunts him again and again. his boat, “ara” (time, in guarani) travels through time like a shooting star.
Tinebe (2023)
Repetition, delay, suppression, intertwined images. Through the child, father, and mother; the way memories are recalled, the camera's manipulative reduction of photographs, videos against their magnificence in memory.
IDOMU Ⅲ (2021)
8mm experimental film directed by Minoru Shinojima. Shot and edited by Kenji Onishi. For 40 years, Minoru Shinojima has been opposed to mining Mt. Buko and is striving to protect the natural environment and cultural ground that inhabit the local area. Idomu’s will / last request. Spiritual journey with Mt.Buko folklore and mountain Gods (Kami-sama). An important message that the director saw after surviving a near-death experience and depression. ...Why don’t the flowers grow in the right places? Where have all the cute children gone?...
I'm Too Sad to Tell You (1971)
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
Yellow (2020)
In these uncertain, ever evolving and changing times, inspiration and entertainment come from equally bizarre places. People long for togetherness and one thing that always brings out the best in experiencing something together, is food. But what happens when you twist around some of the core ideas of enjoying food, and what “a meal” even means? What if you have a bizarre curiosity to see someone eat really weird food combinations, and actually have someone provide you with that? What if what you’re looking for isn’t comfort and relaxation, but something that will make you question what your self-isolation mind finds as entertainment?
INFRASTRATA (2024)
Amongst the contemplative static shots of decaying architecture weaves an abstract narrative unveiling the life-cycle of a higher perception, too large to perceive. Shot at various sites across south-east England, INFRASTRATA is a study on the concept of super-organisms, and the relationship between structure and nature.
Paradise (2024)
A landscape film about isolation, fear, and the ever-presence of religion in rural Pennsylvania.
Broken Fall (Geometric) (1971)
One of a series of ‘falls’ by Bas Jan Ader that he recorded on film, this work was filmed in West Kapelle, Holland in 1970.
Nightfall (1971)
Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.
Discovering Hamlet (1990)
IN 1988, rising star Kenneth Branagh tackled the role of Shakespeare’s prince of Denmark for the first time in his professional career under the guidance of celebrated actor Derek Jacobi. Narrated by Patrick Stewart, this hour-long film documents how Kenneth Branagh and Derek Jacobi, two intelligent and passionate men, found new depths in Shakespeare’s classic drama, Hamlet. Filmmakers Mark Olshaker and Larry Klein follow the company through four weeks of rehearsals, from the first read-throughs to opening night.
A Poem for My Blanket (2024)
Through a collection of home video footage, the filmmaker undergoes a journey of reconciliation and healing, grappling with their identity in the face of the past.
Blue Man Group: The Complex Rock Tour Live (2003)
Offbeat performance artists The Blue Man Group have finally been captured live on this disc that features concert footage, three full-length music videos and three songs from Blue Man Group's album, "The Complex." The live footage was filmed during Blue Man Group's successful and widely acclaimed August 2003 rock tour, where they wowed 9,000 fans in two sold-out concerts.
Las mariposas vuelan (2022)
One day we visited Mauricio, a young man who daily experiences the metamorphosis of autism.
Mrs. Peanut Visits New York (1999)
A video portrait of the legendary late performance artist, fashion designer and nightlife icon Leigh Bowery. Atlas's camera follows Bowery as he flamboyantly strolls through Manhattan's Meatpacking District, outrageously costumed in a self-made reinterpretation of "Mr. Peanut," the Planter's Peanut mascot. Bowery's molded full-bodysuit, accessorized with a floral print dress, top hat and transparent-heeled platform shoes, draws stares from onlookers. Peanut-related pop songs accompany him on the soundtrack.
Me and My Victim (2024)
Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows the tumultuous romance between its creators, Billy Pedlow and Maurane. In their feature debut, they have created a new genre using a blend of podcast-style audio recordings and visual fragments. "Me and My Victim" is like turning over a rock and witnessing a full ecosystem of bugs scattering in the light. It'll make you cringe, but it'll be hard to look away.
Urute vv (2024)
An intimate glimpse into 3 years of serene moments, compiling video, polaroids and other things that were lying around when editing.
PRESENCE (2023)
Presence narrates the journey of Thati, a woman determined to overcome her anxiety attacks through surfing. She finds refuge in the waves, where the surfboard becomes her ally and personal therapy.
Salvador Dalí at Work (2006)
Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.
“(ಥ﹏ಥ) ✧_My Parents Are CIA Psy0ps_!!!* ಠ_ಠ" (2023)
On a sleepy summer night in 2004, eyes peer into the world-wide-web: traveling between conspiracy sites, malware, porn, and mp3 databases in an attempt to lose (find) themselves. Passing through blog graveyards, broken hyperlinks, and digital spirits, they begin to realize the Internet is so much more. Lost websites, anon forums, and inexplicable pixels singing to a prepubescent soul. An ode to the 2000s webpage and flash game culture.