(D)Infinity is a Sci-Fi animation exhibiting chaos and beauty in outer space. Using only graphite and paper the film renders the artist’s own interpretations of dimensional infinity. The universe consists from harmony and balance of the four fundamental forces of nature : Strong force, weak force, gravity, electro-magnetism. If the one of the forces is not in perfect figure relative to other three forces, the universe will collapse. The film (D)Infinity is a visual theory of the phenomenon when mankind’s technological advancement impact the nature of the four fundamental forces, which then lead to the destruction and new beginning of the universe.
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The bell tower rings and the birds fly away. In the countryside on the outskirts of a small village, a dog tied to a very long rope, watches them disappear in the horizon. It’s time for him to go. Prance across fields. How far will his rope allow him to go?
Taco Monde (2005)
"An animated absurdist exploration of North American popular culture and fast food. Made for the 5th anniversary of the Bookmobile project." - Cartune Xprez
LAND (2013)
LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)
Regeneration (2009)
Regeneration is a film about transformation. Starting in a dark place the character reaches toward the divine and breaks into the world of the spirit. Through this act representing an outstretched hand we see that the Holy Spirit represented as a dove is pursuing us even more urgently. The meeting of the two represents the freedom in flight found in trusting fully in the Holy Spirit and is completed with the return to the heart now fully regenerated.
Anthropic Principle (2016)
arc of the natural world’s evolution from the primeval environment to the Anthropocene and back again premiered in program Death is Green at the Whitney Museum of American Art part of Dreamlands: Immersive Cinema and Art 1905-2016 organized by Chrissie Iles
Enough of Myself (2023)
Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.
Chronopolis (1983)
In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.
A Short Vision (1956)
The leaders, the wise men, the leopard, the deer, the owl and the rat all look up in the sky in fear as a strange object flies through the sky.
Time Trip Time (2022)
A mad clock takes the viewer on a trip to a random planet. Which happens to work in a different conception of time than we know. Made in relay process, the results are unexpected and mind tripping.
Threnody (2020)
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Vortex (2017)
A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.
Optimizer Customizer (2002)
A feminine machine, stuffed with modern nano-technology and useless operations is depicted in this mixed-media 2D animation short, highlighting the consequences of consumerism and the downfall of civilized society. The machine reminiscent of a two-dimensional video game, leads to a destructive chain reaction after a strange malfunction, with people turning into clones and robots.
