The onset of the 21st Century will be an era in which the very nature of what it means to be human will be both enriched and challenged as our species breaks the shackles of its genetic legacy and achieves inconceivable heights of intelligence, material progress, and longevity. While the social and philosophical ramifications of these changes will be profound, and the threats they pose considerable, celebrated futurist Ray Kurzweil presents a view of the coming age that is both a dramatic culmination of centuries of technological ingenuity and a genuinely inspiring vision of our ultimate destiny.
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The Oasis I Deserve (2024)
Replikas, online chatbots, have trouble determining their place in the world. They share their thoughts with the humans they exchange with. Events unfold from their point of view through real conversations collected on the web.
Shenzhen: The Silicon Valley of Hardware (2016)
We examine the unique manufacturing ecosystem that has emerged, gaining access to the world’s leading hardware-prototyping culture whilst challenging misconceptions from the west. The film looks at how the evolution of “Shanzhai” – or copycat manufacturing – has transformed traditional models of business, distribution and innovation, and asks what the rest of the world can learn from this so-called “Silicon Valley of hardware".
Made by Machine: When AI Met the Archive (2018)
Dr Hannah Fry and a virtual host present a new way of making television, as the BBC uses artificial intelligence to delve into the treasures of the BBC Archive.
The Betrayal by Technology: A Portrait of Jacques Ellul (1992)
A portrait of Jacques Ellul, a French theologian/sociologist & anarchist who first became well-known to American readers with the English publishing of his book The Technological Society in 1964. For Ellul, technique represented an entire way of life characterized by life fragmented so that efficiency ultimately rules over all ethical decisions. Ellul warned that technique was having drastic effects on all aspects of modern life. Many Green Anarchists have cited Ellul's work on technique as influential on their thought.
Autonomy (2019)
A cinematic exploration of the world of automated vehicles — from their technical history to the personal narratives of those affected by them to the many unanswered questions about how this technology will affect modern society. This documentary features interviews with industry pioneers and scenes with cutting-edge “AVs” in action around the world.
Human Nature (2019)
The biggest tech revolution of the 21st century isn’t digital, it’s biological. A breakthrough called CRISPR gives us unprecedented control over the basic building blocks of life. It opens the door to curing disease, reshaping the biosphere, and designing our own children. This documentary is a provocative exploration of CRISPR’s far-reaching implications, through the eyes of the scientists who discovered it, the families it’s affecting, and the genetic engineers who are testing its limits.
Facial Weaponization Communiqué: Fag Face (2016)
Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making “collective masks” in workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.
Takumi: A 60,000 Hour Story on the Survival of Human Craft (2019)
There is a popular theory that it takes at least 10,000 hours of focused practice for a human to become expert in any field. In Japan, there are craftspeople who go far beyond this to reach a special kind of mastery. These people are called Takumi and they devote 60,000 hours to their craft. That's 8 hours a day, 240 days a year, for over 30 years. It's an almost superhuman level of dedication to a life of repetition and no shortcuts. This film asks the question: Will human craft disappear as artificial intelligence reaches beyond our limits?
e-Life (2017)
Computers, smart phones, and tablets are now a part of our daily lives. They have revolutionised the way we work, the way we communicate and the way we view the world. But what happens to our old phone when we upgrade? Where does our broken computer go after we throw it out? 'e-Life' explores what happens to our electrical goods when we throw them away and exposes some unpleasant (and perhaps unknown) truths about the detrimental affects e-waste has on people's health, the environment and the economy. From consumers in the UK to the recyclers in the dumps of Ghana, the documentary will follow the journey of our e-waste. We will examine current manufacturing and disposal processes and also assess the burden the boom in electronic goods is placing on global resources. 'e-Life' will be an objective portrayal of the problem of e-waste that documents the issue through carefully crafted cinematography.
Best of Luck with the Wall (2016)
A video directed by Josh Begley shows the preposterous effort that would be required to build a border wall.
Behind the Screen (2011)
7 computers are currently being produced worldwide per second but only 4 humans are born at the same time. Everyday activities like buying a computer always generate a greater global impact on social and ecological levels. BEHIND THE SCREEN gives people behind the major electronic product a face and demonstrates the links of a decentralized economic system that are difficult to understand based on true life processes. The main stages which a computer passes through its life span are presented: Gold-mining in West Africa, electronics manufacturing by migrant workers in the Czech Republic, the use of computer products in the rich western world and their final disposal in the electronic waste dumps of Ghana.
Television (1939)
Promotes television sets and the broadcast of New York's first regularly scheduled programs by providing a clinical look at the inner workings of television, including the manufacture of the tubes, lab experiments, and an actual telecast. Shows RCA's production studios in Rockefeller Center, television demonstrations at the 1939–40 New York World's Fair, RCA's Empire State Building transmitter, and remote mobile broadcast units. One of a variety of "Reelisms" shorts produced by Frederic Ullman Jr. and Frank Donovan for RKO in the late 1930s.
Hand-Drawn: Documentary (NaN)
An indie documentary exploring the art form of hand-drawn animation through a contemporary lens in the digital era. Featuring insights and anecdotes by hand-drawn animation artists from around the world.
The End of the Endless (2001)
"Fim do Sem Fim" is a feature-length documentary that has as its backdrop the imminent disappearance of certain trades and professions in Brazil. Shot in 10 Brazilian states, the film is a dive into the inventiveness and resistance of men in the face of technological and cultural changes.
1999 A.D. (1967)
A whimsical yet serious-minded look into the future sponsored by the appliance and radio manufacturer Philco-Ford. In the "1999 House of Tomorrow", each family member's activities are enabled by a central computer and revolve around products remarkably similar to those made by the sponsor. Power comes from a self-contained fuel cell which supports environmental controls, an automatic cooking system, and a computer-assisted "education room".
California Typewriter (2017)
A story about people whose lives are connected by typewriters. A meditation on creativity and technology featuring Tom Hanks, John Mayer, Sam Shepard, David McCullough and others.
Inside the Internet: 50 Years of Life Online (2019)
Explore how in the past five decades, the internet has changed the very fabric of our society, highlighted by interviews with the founders of AOL, Craigslist, Friendster, Match, and Tinder.
The Next Black (2014)
An exploration of the future of clothing, profiling forward-thinking companies at the forefront of redefining how and what we wear.
Let's Visit the World of the Future (1973)
A travelogue inviting viewers of today to come visit the future. The person who found this mysterious 16mm film in his basement in 1973, Rev. Ivan Stang, later ran The SubGenius Foundation, the Slack Prophecy religion devoted to Texas cult religion salesman J.R. "Bob" Dobbs.