I enjoy religion, I appreciate belief systems and how they offer structure to people's lives. I also appreciate how spirituality manifests itself in Asian cultures as this almost earthbound presence guiding people through every day life and when they need an extra bit of help they need only ask whichever deity holds dominion over their desire. Here is an experimental film I made with videos from my iPhone. Shot across Taiwan and South Korea. An experimental film I made with videos from my iPhone. Shot across Taiwan and Korea. My aim was to explore success in how it pertains to every day life, the satisfaction of small moments, spirituality, superstition, and daily rituals.
Logistics (2012)
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
Czechoslovakia on Parade (1938)
This FitzPatrick Traveltalk series short looks at Czechoslovakia before World War II, including images of bridges, churches, and castles in Prague, also a non-military parade through the city.
Cairo 'City of Contrast' (1938)
This Traveltalk series short takes a look at Cairo's landmarks, people, and culture.
Taipeilove* (2019)
Taipeilove* is a documentary on the perception of homosexuality in the Taiwanese society. As Taiwan is the first country in Asia that is in the process of legalizing same-sex marriage, the documentary follows activists, politicians and experts in the Taiwanese society who have been fighting for marriage equality and navigating their lives through the hardship of coming-out, reaction of families, abandonment and finding love.
Period: A State of Purity (2020)
Tibetan Buddhist nuns from the Thupten Choling monastery in the Himalayan foothills discuss their mentruation practices.
Compassion in Exile: The Story of the 14th Dalai Lama (1993)
A portrait of His Holiness, the 14th Dalai Lama, which includes historical footage of China's repression of Tibetan Buddhism in 1959.
An American Family Revisited: The Louds 10 Years Later (1983)
A ten-year update on the Loud family and their reflections on becoming the first reality TV stars. Their experience of becoming media celebrities and the parents' subsequent divorce changed them in many ways. Each family member explains how they were affected by these dramatic life events.
The Remnants (2018)
In October 2015, the evicted residents who had imprisoned on a false charge of killing a policeman assembled in a place for the first time after the Yongsan Disaster six years ago. They had occupied a watchtower against unreasonable redevelopment policies and in protest against violent suppression used by riot police in 25 hours of their sit-in demonstration. Their colleagues had died from an unknown fire, and they became criminals. The delight of meeting again lasts only briefly. The ‘comrades’ rip out cruel words while blaming each other.
Glimpses of Peru (1937)
This Traveltalk series short brings us to Lima, Peru where we see a modern city.
Cavalcade of San Francisco (1940)
This Traveltalk series short celebrates San Francisco, past and present.
Who's Superstitious? (1943)
This short film examines the origins of several superstitions including crossing your fingers, knocking on wood, rabbit's feet, and breaking champagne bottles to christen ships, plus the role of superstitions in the Flying Dutchman tale.
Indian Durbar (1939)
Technicolor scenes from an Indian Durbar, held for the Maharaja of Alwar in Rajasthan.
In the Absence (2018)
When the MV Sewol ferry sank off the coast of South Korea in 2014, over three hundred people lost their lives, most of them schoolchildren. Years later, the victims’ families and survivors are still demanding justice from national authorities.
The Times That Are (1967)
Four years after Pour la suite du monde (1963), director Pierre Perrault asks Alexis Tremblay if he'll agree to travel with his wife Marie to the country of their ancestors, France. In a montage parallel, we follow them in France and listen to them talking to their friends about it.