Le Mural (2024)

Step Into the Third Dimension (1989)

Nishika 3D cameras were the inexpensive cousins to the Nimslo 3D cameras made in the mid to late 1980's (the Nimslo cameras used glass lenses, while the Nishika ones used plastic lenses). The cameras used regular 35mm film that captured 4 simultaneous images onto 2 frames of film. These images were printed onto photo stock with a lenticular surface bonded to it which allowed 3D to be seen without glasses, like the old kids story books with the 3D covers. The basic 3D camera kit came with this VHS instructional video that was hosted by Vincent Price. It was one of the last things he did.

My aunt Toty (2016)

A look at the life of Toty Rodríguez: An actress who made her career in France during the 60s, a well-known Diva in Ecuador as well as an icon of the women rights. She returns to Paris with her nephew to revisit her past in a town that changed her life.

Preghiera della sera (Diario di una passeggiata) (2021)

The film recounts an experience, that of a director and his two actors at grips with a play: from the first meeting to the initial readings, the rehearsals done at home, the ones done on stage and finally the first performance. But an experience that took place in the peculiar situation in which the whole of Italian culture found itself in the days between the first and second wave of the pandemic, when it really seemed possible to restart and the feeling of euphoria was accompanied by the illusion that the worst was behind us. Once again we were suddenly checked in our desire for beauty, for life.

Mondongo II: Portrait of Mondongo (2024)

“This is a film about the end of a friendship. It wasn’t meant to be. Fifteen years ago, they painted my portrait.” (Mariano Llinás)

Land Without Bread (1933)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Railway Station (1980)

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

Bloodlines: The Art and Life of Vincent Castiglia (2018)

Vincent Castiglia paints in human blood.

The Hunters (1977)

This film joins a hunting-party of inhabitants of the Frobisher Bay Correctional Centre. The stalking, killing and skinning of seal and caribou are featured prominently, with explanations as to the importance of these animals to the Inuit way of life.

New Horizons (2015)

A brief visualisation of NASA’s historic spacecrafts Mariner, Pioneer, Voyager, and Dawn, exploring the solar system, culminating in the New Horizons mission.

Of a Different Order (1998)

About the art explosion in Amsterdam during the 1980's when artists of all sorts found spaces and places and the legendary club RoXY (1987-1999) was created.

Ashes and Snow (2005)

Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.

Steppin' Out (1979)

Short documentary film on the fashionable nightclubs and the trendy pop culture scenes that were famous in London on the late 70's. Released as a support feature to the first Alien (1979) movie.

Home Movies (2017)

In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.

The Living Museum (1998)

At the Creedmoor Psychiatric Center in Queens, New York, Dr. Janos Martin helps treat patients with severe mental illness by encouraging them to express themselves through art, whether in paint, sculpture, or collage. In vivid imagery, brilliant close-ups, and delicate conversations, director Jessica Yu presents the intricate, often visionary, work of these nontraditional artists, allowing the patients to describe their approaches and processes in their own, sometimes tangled, words. With patience and calm resilience, Dr. Martin offers feedback and ideas for best methods to the individual artists, who sometimes scream or are in tears, as he helps them displace their frustrations, and demons, onto canvas. Seen as a collective, these works illustrate the fine line between creativity and distress and illuminate the healing power of expression.

China Strikes Back (1937)

Raw footage received from photographer Harry Dunham revealed never before seen images of Mao Tse-Tung and the Eighth Route Army, inspiring Frontier to collectively shape a new film from desperate images, and to refine its dialectic editing.

Fried Shoes Cooked Diamonds (1979)

After World War II a group of young writers, outsiders and friends who were disillusioned by the pursuit of the American dream met in New York City. Associated through mutual friendships, these cultural dissidents looked for new ways and means to express themselves. Soon their writings found an audience and the American media took notice, dubbing them the Beat Generation. Members of this group included writers Jack Kerouac, William Burroughs, Allen Ginsberg. a trinity that would ultimately influence the works of others during that era, including the "hippie" movement of the '60s. In this 55-minute video narrated by Allen Ginsberg, members of the Beat Generation (including the aforementioned Burroughs, Anne Waldman, Peter Orlovsky, Amiri Baraka, Diane Di Prima, and Timothy Leary) are reunited at Naropa University in Boulder, CO during the late 1970's to share their works and influence a new generation of young American bohemians.

Gli animali (1965)

All Rendered Truth: Folk Art in the American South (2009)

A film documenting the soulful art, environments, and voices of self-taught artists on the back roads of the American South.

South (1990)

A lonesome car. The wind is whistling. A door of an undefined building opens—is it a holiday bungalow, a shed or a ruin? A woman is standing at the window. The heat of an idle day of holiday, perhaps. The South, a place of longing.

An Owl Is an Owl Is an Owl (1990)

Part of Chris Marker’s Bestiaire (Petit Bestiaire) collection, An Owl Is an Owl Is an Owl is a short video meditation on the gaze and movement of owls—sometimes still, sometimes in flight—observed with the quiet, rhythmic attention typical of Marker’s later video work.