Set against the vibrant spectacle of the jaripeo, a symbol of Mexican cowboy tradition and machismo, this story unveils a hidden world of queer desire and quiet rebellion. As glances and gestures disrupt the rigid norms of masculinity, the rodeo becomes a stage for our protagonists to navigate identity, community, and the search for belonging in an oppressively traditional space.

Muxes (2022)
Highlighting the unique culture of the Zapotec people of Oaxaca, Mexico, this groundbreaking documentary chronicles the lives of those who identify as muxes, a widely recognized third gender.

The Story of the Weeping Camel (2004)
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

"An Untitled Film" by George Alshevskij-Jones (2024)
“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.

Negra (2020)
I was about seven years old the first time someone called me \"black\" on the street. I turned around to see who they were talking to, until I realized they were talking to me.

Santa Fiesta (2016)
SINOPSIS / SYNOPSIS Every year in Spain, some 16,000 Fiestas are organized, during which animals are used. Honoring the Holy Virgin and the Patron Saints, and with the blessing of religious and political authorities, entire towns -including children- are involved in celebrations of unbelievable cruelty. 60,000 animals are hence abused each year during these “Fiestas of Blood”.

Victorian Queens (2022)
Victorian Queens takes a deep dive into the weird, wonderful and utterly unique landscape of Melbourne's drag community.

STRATA INCOGNITA (2023)
STRATA INCOGNITA, is a trans-scalar and trans-temporal journey across the geographies that articulate soil as an agro-industrial infrastructure, but also as an ecosystem and a somatic archive of crimes, memories and myths.

Queercore: How to Punk a Revolution (2017)
A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.

Los otros californios (2011)
Isolated in Mexican South Baja California desert, exciting and fragile, rancher´s life is showed by amazing as unknown characters.

Safe Space (2023)
Following the lives of Queer creatives behind Norwich’s queer collaborative ‘Stripped Sets’. We discover the reasoning behind the need for safe spaces, and the stories that come with them. Through live events, photoshoots and history, we see the process in creating such an important event.

How I Learned to Love the Numbers (2014)
A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

Dear Rodeo: The Cody Johnson Story (2021)
Dear Rodeo: The Cody Johnson Story, a brand-new cinematic feature-length documentary, is the much bigger picture, recounting Johnson’s real-life journey from the dusty rodeo arenas of rural Texas to some of the biggest musical stages in America. Every emotion Johnson felt over the past 20 years – whether he was standing in the back of the chute at the rodeo or singing about it in front of 75,000 fans – is captured vividly in this big screen experience, with all the highs and lows that come from the dreams you cling to and the dreams you ultimately let go of. Featuring interviews with Reba McEntire, Taya Kyle (the widow of “American Sniper” Chris Kyle), and more, this evocative and celebratory film is a love letter to everyone who has had to abandon a dream in order to find true purpose.

A Modern Man (2017)
You could be forgiven for mistaking Charlie Siem for James Bond. Whether he's driving an orange Porsche to his cliff-top Monaco mansion, ordering martinis or looking suave in a designer suit, he is a man on a mission. It isn't to hunt down SPECTRE, but to find perfection in everything he does. Whether it's performing on stage, recording albums, or selecting a suit, Charlie demands the best, of himself and others. Despite an entourage dubbed ‘Charlie's Angels', he's lonesome, and complains that people can't relate to him. Danish filmmaker Eva Mulvad, with patience and panache, delves into this life of privilege to find commonalities of ambition and desire.

The Last Taboo (2025)
Hard to imagine, but true: According to current estimates, out of 500,000 active male football professionals worldwide, under ten (10) are openly homosexual. While homosexuality hardly plays a role in other areas of life today, the topic seems to be completely taboo in professional football. The feature-length documentary THE LAST TABOO lets those who broke exactly this taboo tell their very personal stories alongside Thomas Hitzlsperger. Like the British professional footballer Justin Fashanu (*1961 in London; † 1998 in London), who broke this taboo for the first time in 1990 and paid for it with his life. His niece Amal tells his story. Marcus Urban, on the other hand, was about to make the jump to the Bundesliga as a teenager and, by deciding to come out, he also went against his big dream. The stories of the US professional Collin Martin and the British player-coach Matt Morton, on the other hand, suggest that normality is not far away.

Instagram Is (2013)
In a culture immersed in technology, Instagram is reviving adventure, face to face community and real relationships. Through sharing the stories of friends old and new, "Instagram Is" sets out to discover the answer to the question "How can something so digital get people out from behind their devices and into the analog world?"

The Desert Wagon (2024)
A couple of artists travels through the Mexico desert to present their puppet show.

A Long Way From Heaven: The Rainbow Y Story (2024)
The true story of the students of Brigham Young University's queer underground, as they lit the school's iconic "Y" in rainbow colors. But, A Long Way From Heaven does a lot more than tell the story of the Rainbow Y. It outlines the history of queer treatment at BYU - the good (where it exists), the bad, and the very, very ugly. The film combines new, original footage with a huge variety of historical images, videos, newspaper articles, and other mixed media from every conceivable source to tell the story of BYU's queer students, and the bravery and risks they constantly take to make their voices heard.

My Village in Nunavik (1999)
Shot during three seasons, Kenuajuak's documentary tenderly portrays village life and the elements that forge the character of his people: their history, the great open spaces and their unflagging humour. Though Kenuajuak appreciates the amenities of southern civilization that have made their way north, he remains attached to the traditional way of life and the land: its vast tundra, the sea teeming with Arctic char, the sky full of Canada geese. My Village in Nunavik is an unsentimental film by a young Inuk who is open to the outside world but clearly loves his village. With subtitles.