After her gender identity was denied in her homeland, Lee Li, a transgender asylum seeker, was forced to leave her country, family, and language to embark on a journey toward belonging, freedom, and self-empowerment.
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Walfang im südlichen Eismeer (1939)
The escort vessel with the harpoon searches for whales. The sailor on the observation mast points to a whale. The whale is hit with the harpoon. The prey is pulled into the main ship with winches, where it is cut up and processed immediately.
Du 5éme des Arts de Shiraz (1971)
The creation of Iannis Xenakis’ « Persephassa » at the Shiraz-Persepolis Art Festival. There are only a few archives left of this piece, for its ring-like disposition around the audience made it difficult for people to record it or take pictures of it. When it was created in Persepolis, each percussionist was settled on the stump of a column of the Palace of Darius. The distance between them could go as far as 164 feet (50 metres).
Der Blinde und sein Hund (1951)
The film offers three excerpts from the life of a working blind person. It shows in particular the extent to which the guide dog can replace the blind person's lack of sight and how this results in a relationship of loyalty between man and animal of rare intimacy.
AIDS: What Everyone Needs to Know (1985)
The film provides information about the course and symptoms of AIDS, the effect of AIDS viruses on the immune system, the routes of infection, the main risks of infection and the protective measures against them.
The Abyss (2021)
Through the memory of the marble quarrymen, the inhabitants of the mountains, collectors and family members, the short film explores the mystery of the life and works of the Tuscan artist Filippo Dobrilla.
Lynx (2021)
In the heart of the Jura mountains, a call resounds through the forest. The silhouette of a Eurasian lynx creeps through the trees. A male is looking for its mate. Suddenly a call answers back. It is the beginning of the story of a lynx’s family we will follow over the seasons. While it is rare to come across this private feline, it is exceptional to discover its daily life in the wild.
Polonia: ¿zona libre de LGTBI? (2021)
Jon Sistiaga takes an immersive trip to Poland, a country divided into two zones: on the one hand, the urban and pro-European, and on the other, the rural and ultra-Catholic, still anchored in the traumas of the war and the post-war period. Is Poland a homophobic country or does it have a homophobic government? How does the European Union allow this situation?
Francis Ford Coppola's Live Cinema (2018)
An insider's look into Francis Ford Coppola's latest Live Cinema project, Distant Vision.
El mercado de la inocencia (2018)
Over the last two decades, Medellin has gone from being globally known as a drug traffic and extreme violence destination to becoming a thriving cosmopolitan city. Progress and peace have resulted in an exponential increase of tourism, but have also caused unexpected collateral damage: the rise in sex tourism in this Colombian city. Many of the illegal networks run by foreigners in the United States and Europe, offer Medellin guided tours that include underage prostitutes in their packages available for online purchase.
An Obese World (2020)
As obesity progresses inexorably, Sylvie Gilman and Thierry de Lestrade investigate the causes of this planetary plague and reveal the fight waged in certain countries to stem it.
Cursed: The True Nature of Hereditary (2018)
A featurette that sheds light on the filmmaker’s approach, and how he turned a character-driven domestic drama into one of the 2018’s most harrowing cinematic experiences.
Banheiro dos Campeões (2024)
A map explores cruising spots in Natal/RN, where there are always champions in the bathrooms.
The Making of Sexy Beast (2001)
A brief promotional featurette about the film including comments from most of the cast, as well as from director Jonathan Glazer.
Refuge(e) (2019)
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
No Other Choice (2012)
An undercover documentary film produced and directed by British filmmaker Dominic Brown, about the struggle of the indigenous Sahrawi people of Western Sahara. The documentary covers the current human rights and political situation of the Sahrawi. There are several interviews recorded with human rights victims including an elderly lady who had been attacked in her home the previous day by Moroccan security forces. There is also a focus given to the alleged vested interests of countries in the region, particularly France. The film states that the French Government's close relationship with Morocco, their trade deals and their use of veto over the terms of the UN mission in Western Sahara are major factors.
Old Women's House (1957)
This film is focused on elderly women spending their last years of life in a nursing home in Krakow. The discreet heroine of the film is an elderly lady whose check-in is recorded by the camera. Thanks to this, we gain access to intimate situations, for example a sudden acceleration of the heartbeat in the middle of the night. The camera follows the women around the clock, starting from their morning prayer.
Il culto delle pietre (1967)
In Raiano, Italy, the feast of S. Venanzio is celebrated every year. Beside the official celebrations, the most secret and oldest ceremony is the "Cult of Stones": the devotees enter the caves where the saint used to live according to tradition, and rub their bodies on the stones to heal from evil.
Hacking at Leaves (2024)
Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.