The stars of Europe's ascendant chip music movement demonstrate the repurposing of old videogame and home computer hardware like Nintendo's GameBoy and NES, Atari's ST, and Commodore's Amiga and C64 into tools by which they have created a new sound, a modern tempo and an innovative musical style.
SubBerlin - Underground United (2008)
The original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell. Its low ceilings, industrial decor and generally unhinged atmosphere created an unprecedented platform not only for techno in Berlin, but also for the scene taking shape across the Atlantic in Detroit.
Intellect: Techno House Progressive (2003)
Documentary about the hard working DJs and producers who have brought electronic dance music to the forefront of nightlife around the world. Featuring over 35 world class artists from Derrick Carter to Paul Van Dyk.
IRIS: A Space Opera by Justice (2019)
This is a 60-minute film of Justice’s 2017-2018 live show, recorded in an empty and invisible space without an audience, focusing exclusively on the impressive production and music. The show has been seen by millions of people around the world. It revolves around a floating structure comprised of 13 independent moving frames, each one featuring 4 rotating panels of LEDs, mirrors and traditional warm lights which offer infinite combinations. The structure is in constant evolution over the duration of the show and proposes several new visual landscapes on every track performed. The footage is captured with the precision and patience of a rigorous documentary about the cosmos.
Algorithmes - vers un monde manipulé (2023)
By observing the technological developments of artificial intelligence in several countries, this film sheds light on the advantages and limits of algorithms and their repercussions on the lives of citizens. Whether at the level of the State, the police, universities, or companies, artificial intelligences should be used as a tool, but very often become a substitute for the work of the individual. There are many abuses: manipulations, addictions, or centralization of power. What can governments and States do to best regulate these technological advances?
Electronic Vibrations: A Sound Changes the World (2022)
The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.
Discovering Electronic Music: Revised (1983)
A short educational documentary on early electronic composition and synthesizers.
Microchip Wars (2023)
When the pandemic hit it highlighted how much Western countries rely on the chip industry. Today Europe, America and China are involved in an intense commercial struggle to dominate this sector that is so strategic for the future. From Taiwan to Shanghai, via Brussels and San Francisco, investigative journalist Nicolas Vescovacci went to meet the most influential players in this microchip war, which is redefining world geopolitics.
Commercial Entertainment Product (1992)
The video debut of experimental musicians and culture jamming artists Emergency Broadcast Network.
Revolution OS (2001)
REVOLUTION OS tells the inside story of the hackers who rebelled against the proprietary software model and Microsoft to create GNU/Linux and the Open Source movement.
Revolution of Sound - Tangerine Dream (2017)
‘Tangerine Dream is science fiction!’ declares band leader Edgar Froese who died in January, 2015 aged 70. For almost fifty years he and his band ‘Tangerine Dream’ explored sound and its effect on our emotions. This film about one of Germany’s first electronic bands kicks off with the young Berlin musicians who were as inspired by the space age of the 1960s, with its rocket launchings and visions of the future, as they were by their own heartbeat, on which Froese also based compositions. Aided by the Moog and other synthesisers Froese (and various band members) revolutionised popular music. His explorations took him into the worlds of classical, new and film music. He preferred to visualise moods rather than create clearly structured songs. A blend of amateur footage, interviews with band members, relatives, friends and colleagues such as Jean-Michel Jarre that creates a comprehensive portrait of an artistic pioneer.
COOCUYO (2017)
COOCUYO. To quote a Cuban comedian: “where does the Cocuyo hide its battery?”, just thanks to its peculiarity, Desiderio uses this cockroach as a perfect metaphor to describe his protagonists: with their green lights during the night and virtually impossible to find during the day. In his movie, he tries to find the battery of the Cocuyo living and looking for the “day-time” part, creating a path made by portraits and with an anti-narrative style. These scenes are far away from the Electronic music, or partly at least; all in a very natural context and without a defined screenplay. http://www.coocuyo.com/
Electric Callboy Hypa Hypa European Tour 2022: Live in Ludwigsburg (2022)
German Electro Metalcore sensation, Electric Callboy, live sold-our show from Ludwigsburg, Germany!
Armin Only: Imagine (2008)
Armin Only is a Dutch all-night dance event featuring solo performance by Armin van Buuren. The event consists of various genres of electronic dance music (but most predominantly Trance Music), light, laser and firework shows and supporting acts of singers/vocalists like Racoon (2005 edition), Ilse de Lange (2006 edition) and Audrey Gallagher performing 'Big Sky' by John O'Callaghan.
The Triumph of the Nerds: The Rise of Accidental Empires (1996)
It happened more or less by accident; the people who made it happen were amateurs; and for the most part they still are. From his own Silicon Valley garage, author Bob Cringley puts PC bigshots and nerds on the spot, and tells their incredible true stories. Like the industry itself, the series is informative, funny and brash.
The Sound Is Innocent (2019)
As if directing a science-fiction film, Johana Ožvold dissects the story of electronic music. From the pioneer sound engineers working behind the Iron Curtain, through the French avant-garde composers, up to the post-modern creators of digital sonic artefacts, the first-time filmmaker summons an abstract landscape that is haunting and yet achingly beautiful. A voice appears from old television screens forgotten in the maze of some futuristic archive where past and future seem to coexist in a complex and multi-layered way.
Kraftwerk and the Electronic Revolution (2008)
Kraftwerk's vision of a keyboard-driven world of clicking metronomic rhythms and digitised sound bites may have been the stuff of avant fantasy in the 1970s (the decade that saw the band's first groundbreaking albums), but it is a reality in the new millennium. Their visionary style is explored in KRAFTWERK AND THE ELECTRONIC REVOLUTION, a study of the group, their career and their emergence as the most influential electronic band in the world.
I'm Tryna Tell Ya (2014)
A documentary of Chicago Footwork and Juke scene. "In spring 2012 We went to Chicago to document the Footwork Scene. When we got home and started reviewing the footage we realised we had just filmed our first full length documentary. A scene ingrained in the lineage of the City itself, filled with effervescent dancers, storytellers and beatmakers. It was singlehandedly the most unique and in-depth tour we had ever experienced. Featuring key players on the scene, such as DJ Rashad, DJ Spinn, Manny, Traxman & Arpebu. The team navigated through the Windy City living with the GHETTOTEKNITIANZ of Teklife. They slept on floors, sofas and in dodgy motels with their charming hosts. All the while managing to obtain un-seen footage from the finest Producers, Footworkers and the good people of Chi-Town. It’s taken our team a long and painstaking while to put this together. We hope to do the people who shared their homes, talent and ultimately their lives with us, proud."