A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.
The Good Shepherd (2006)
Edward Wilson, the only witness to his father's suicide and member of the Skull and Bones Society while a student at Yale, is a morally upright young man who values honor and discretion, qualities that help him to be recruited for a career in the newly founded OSS. His dedication to his work does not come without a price though, leading him to sacrifice his ideals and eventually his family.
Path to War (2003)
A powerful drama of soaring ambition and shattered dreams that takes a provocative insider's look at the way the USA goes to war—as seen from inside the LBJ White House leading up to and during the Vietnam War.
Manufacturing Consent: Noam Chomsky and the Media (1992)
A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.
To End All War: Oppenheimer & the Atomic Bomb (2023)
Explore how one man's relentless drive and invention of the atomic bomb changed the nature of war forever, led to the deaths of hundreds of thousands of people and unleashed mass hysteria.
White Light/Black Rain: The Destruction of Hiroshima and Nagasaki (2007)
Steven Okazaki presents a deeply moving look at the painful legacy of the first -- and hopefully last -- uses of nuclear weapons in war. Featuring interviews with fourteen atomic bomb survivors - many who have never spoken publicly before - and four Americans intimately involved in the bombings, White Light/Black Rain provides a detailed exploration of the bombings and their aftermath.
Art & Copy (2009)
The personal odysseys of some of the most influential advertising visionaries of all time and the stories behind their campaigns.
Mise Éire (1959)
Mise Éire ("I am Ireland") is a 1912 Irish-language poem by the Irish poet and Republican revolutionary leader Patrick Pearse. In the poem, Pearse personifies Ireland as an old woman whose glory is past and who has been sold by her children. The poem inspired this 1959 film of the same name by George Morrison. Here, Morrison painstakingly assembled historical footage of the events surrounding the 1916 Rising from archives across Europe and deals with key figures and events in Irish Nationalism between the 1890s and the 1910s. The narration is by Liam Budhlaeir and Padraig O'Raghallaigh and the musical score is by Seán Ó Riada.
The Right Stuff (1983)
As the Space Race ensues, seven pilots set off on a path to become the first American astronauts to enter space. However, the road to making history brings forth momentous challenges.
Helvetica (2007)
Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.
The Codes of Gender (2010)
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
Breakpoint: A Counter History of Progress (2019)
An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.
Generation Sputnik (2016)
From 1957 —the year in which the Soviets put the Sputnik 1 satellite into orbit— to 1969 —when American astronaut Neil Armstrong walked on the surface of the moon—, the beginnings of the space conquest were depicted in popular culture: cinema, television, comics and literature of the time contain numerous references to an imagined future.
Mission to Mir (1997)
This film shows how far we have come since the cold-war days of the 50s and 60s. Back then the Russians were our "enemies". And to them the Americans were their "enemies" who couldn't be trusted. Somewhere in all this a young girl in Oklahoma named Shannon set her sights on becoming one of those space explorers, even though she was told "girls can't do that." But she did.
Victory Through Air Power (1943)
This is a unique film in Disney Production's history. This film is essentially a propaganda film selling Major Alexander de Seversky's theories about the practical uses of long range strategic bombing. Using a combination of animation humorously telling about the development of air warfare, the film switches to the Major illustrating his ideas could win the war for the allies.
Trinity and Beyond: The Atomic Bomb Movie (1995)
"Trinity and Beyond" is an unsettling yet visually fascinating documentary presenting the history of nuclear weapons development and testing between 1945-1963. Narrated by William Shatner and featuring an original score performed by the Moscow Symphony Orchestra, this award-winning documentary reveals previously unreleased and classified government footage from several countries.
How the Beatles Rocked the Kremlin (2009)
In August 1962, director Leslie Woodhead made a two-minute film in Liverpool's Cavern Club with a raw and unrecorded group of rockers called the Beatles. He arranged their first live TV appearances on a local show in Manchester and watched as the Fab Four phenomenon swept the world. Twenty-five years later while making films in Russia, Woodhead became aware of how, even though they were never able to play in the Soviet Union, the Beatles' legend had soaked into the lives of a generation of kids. This film meets the Soviet Beatles generation and hears their stories about how the Fab Four changed their lives, including Putin's deputy premier Sergei Ivanov, who explains how the Beatles helped him learn English and showed him another life. (Storyville)
K-19: The Widowmaker (2002)
When Russia's first nuclear submarine malfunctions on its maiden voyage, the crew must race to save the ship and prevent a nuclear disaster.
Lions for Lambs (2007)
Three stories told simultaneously in ninety minutes of real time: a Republican Senator who's a presidential hopeful gives an hour-long interview to a skeptical television reporter, detailing a strategy for victory in Afghanistan; two special forces ambushed on an Afghani ridge await rescue as Taliban forces close in; a poli-sci professor at a California college invites a student to re-engage.
Gestern und heute (1938)
Nazi propaganda film contrasting Germany in the days before Adolf Hitler became Chancellor with the Germany of "today" and how much better it is.
Charlie Wilson's War (2007)
In the 1980s U.S. Rep. Charlie Wilson, Texas socialite Joanne Herring and CIA agent Gust Avrakotos form an unlikely alliance to boost funding for Afghan freedom fighters in their war against invading Soviets. The trio's successful efforts to finance these covert operations contributes to the fall of the Soviet Union and the end of the Cold War.