Thwarted by his despotic uncle from continuing his love affair, a young man's thoughts turn dark as he dwells on ways to deal with his uncle. Becoming convinced that murder is merely a natural part of life, he kills his uncle and hides the body. However, the man's conscience awakens; paranoia sets in and nightmarish visions begin to haunt him.
Related Movies
Bear (1993)
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.
People on Sunday (1930)
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
City Lights (1931)
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
The Gold Rush (1925)
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.
The Passion of Joan of Arc (1928)
A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.
Mistress of a Foreigner (1930)
Tōjin Okichi is a 1930 film by Kenji Mizoguchi based on the novel by Gisaburo Juichiya. Only 4 minutes have survived. The fragment has been published on DVD coupled with The Downfall of Osen (1935) by Digital MEME in 2007.
The Golem (1915)
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
Faust (1926)
God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.
La Dolores (1908)
A small village in Aragón, Spain, at the end of the 19th century. After being caught by her father fooling around with Melchor, an unscrupulous womanizer, being disgraced and losing everything, young Dolores is forced to take to the roads in search of work.
Carceleras (1922)
In a Cordovan farmhouse, Soledad arouses a passion in two men, which will be cause of misfortune for both when the boyfriend of the protagonist in a jealous attack kills the rival in his presence.
Eräs elämän murhenäytelmä (1916)
Arvid falls in love with cabaret singer Lussie and, much to his mother's dismay, marries this adventurous woman. Soon after the wedding, Lussie begins an affair with Russian lieutenant Arnold, which ultimately leads to tragic events.
Alma de Dios (1923)
Eloisa is an orphan, the fiancée of Agustín, who meets her when she arrives in Madrid fleeing her stepmother's mistreatment. She happens to be the mother of an illegitimate child, but in reality the mother is his cousin Irene (with whom he lives, next to his aunt) married to Mr. Adrian. Her aunt Marcelina tries with this lie to save her daughter Irene. After numerous family entanglements, the truth becomes clear and the couple can live together and in peace.
La malcasada (1927)
A silent film centering around bull fighting and general melodrama, which also serves nicely as a documentary with 'cameos' by many Spanish personalities of the time.
El conde de Maravillas (1927)
The Count of Maravillas receives an unusual proposal from a masked woman: to kidnap the valido of King Carlos IV.
Altars of Desire (1927)
Mae Murray plays a willful American lass whose wealthy dad (Robert Edeson) sends her to Paris so that she may pick up some "refinement." Instead, she picks up a fortune-hunting nobleman, played as a frivolous fop by a monocled Andre Beranger. True-blue hero Conway Tearle prevents Murray from making a bigger fool of herself than she already is.
Fascination (1922)
A young woman with a Spanish father and an American mother living in Spain under the supervision of a strict aunt slips out to attend a bullfight. There she becomes fascinated by the toreador Carrita. A lost film.
A Thief in Paradise (1925)
Years of failure and bad luck have made Maurice Blake a beachcomber on an island in the Samoas, earning a precarious living by diving for pearls with Philip Jardine, the disinherited son of a San Francisco millionaire. When Philip is killed by a shark, his half caste common-law wife, Rosa, informs Maurice that Philip had been forgiven by his father, and she persuades him to assume Philip's identity and return to the States - The film is now considered a lost film.
Fanchon, the Cricket (1915)
A young wild girl, Fanchon, lives in a forest with her eccentric grandmother who is suspected by the villagers of being a witch. The unkempt Fanchon suffers from her grandmother's sorceress reputation. One day the girl rescues a boy from drowning and they fall in love, but Fanchon won't agree to marry him unless his father asks her. A year later the boy has fallen very ill and it is only the presence of the enchanting Fanchon that helps to restore his health.
The Fall of the House of Usher (1928)
Convinced that his family is tainted by generations of evil, Roderick Usher is hellbent on stopping his sister Madeline’s wedding to prevent the cursed Usher bloodline from expanding. When her fiancé Allan arrives at the crumbling estate to claim his bride, Roderick goes to ruthless—even deadly—lengths to keep them apart.