Beth Moore-Love is perhaps the greatest living artist working in America today. Her works can be found in private collections throughout the United States and Europe. She is a national treasure and yet, she is virtually unknown. Filmmaker Larry Wessel is determined to change that with his nine year labor of love.
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Hokusai Up Close: Paintings from the Freer Gallery of Art (2023)
In 2018 Japan’s NHK television network was given unprecedented access to the Freer Gallery of Art’s collection of works by Katsushika Hokusai so they could film the details of paintings using a state-of-the-art 8K video camera. The resulting documentary is hosted by actor Iura Arata and features commentary from the James Ulak, former curator at the National Museum of Asian Art, and Tim Clark, former curator at the British Museum. The film’s intended premiere in April 2020 was canceled due to the pandemic. We are proud to finally screen it. Explore masterpieces at a never-before-seen level of detail and enjoy new insights into the artist’s genius.
Handbook of Movie Theaters’ History (2019)
Handbook of Movie Theaters’ History is a documentary about the history, the development in the present days and the future of movie theaters in the city of Turin, Italy. It mixes the documentary language with comedy and fiction, and is enriched by interviews to some of the most important voices of Turin cinematography. The film follows the evolution of movie theaters by enlightening its main milestones: the pre-cinema experiences in the late 19th Century, the colossals and the movie cathedrals of the silent era, the arthouse theaters, the National Museum of Cinema, the Torino Film Festival, the movie theaters system today and the main hypothesis about its future.
Revolution: New Art for a New World (2017)
Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.
J'accuse! (NaN)
Jack Henry Calverley's angry and frustrated reaction to the closing, demolition and rebirth as a parking garage that happened to the Main Art Theater in Royal Oak, MI.
Circus (2022)
We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?
Fernand Pouillon, Le roman d'un architecte (2003)
Constructing freestone buildings on the cheap, Pouillon made a name for himself at the end of the 1940s in Aix-en-Provence and Marseille, shaking up his peers who only dreamed of towers and concrete bars. In Algiers, until Independence, he built in record time thousands of homes for the poorest, real urban projects inspired by traditional forms. In the Paris region, to build comfortable buildings quickly and well, nestled in the greenery, he becomes a promoter: this too adventurous bet leads him to prison and retains his reputation. Not very explicit about this complex affair, but seduced by a contemporary architecture that combines technical inventiveness and ancient references, Christian Meunier films by multiplying the angles of view. Today's lively atmospheres are interspersed with archive footage, while Pouillon's writings are read off. Moved, his collaborators evoke a demanding and generous man, with an infectious passion.
Minted (2023)
A fascinating look at the intersection of art, commerce, and digital ownership through the rise and crash of the NFT market.
The Kingdom of Dreams and Madness (2013)
Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.
Visite à Oscar Dominguez (1947)
This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.
Beatrice Wood: Mama of Dada (1994)
Up until the end of her life, Beatrice Wood continued to influence younger artists with her definitive, free-wheeling ways. She was central to the American Dada movement and was the last surviving member of this group. In this program she recalls her friends Man Ray, Picabia and others, and her ex-husband Marcel Duchamp. She died in 1999 at 105 years of age.
Deborah Stratman to Nancy Holt: For the Time Being (2021)
A video letter to Nancy Holt, made in homage to a shared interest in terminal lakes, framed views, monuments and time. Filmed on and around the Great Salt Lake, Mono Lake and Meteor Crater.
The Art of Antony Gormley (2009)
The Art of Antony Gormley features the documentary Antony Gormley and the 4th Plinth, produced for Sky Arts, which reveals the background to this living monument and explores its origins in the sculptor's beautiful and mysterious art. Works created across more than two decades were filmed in HD for this visually sumptuous and thought-provoking documentary.
Logistics (2012)
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
Botticelli – Inferno (2016)
The Renaissance master Botticelli spent over a decade painting and drawing hell as the poet Dante described it. The film takes us on a journey through hell with fascinating and exciting insights into Botticelli's art and its hidden story.
Being and Becoming Chua Ek Kay (2012)
The film offers exclusive and intimate insights into how and why the classically trained artist risked rejection to revolutionize the traditional Chinese ink art form in Singapore.
Chuck Close (2007)
Chuck Close, an astounding portrait of one of the world's leading contemporary painters, was one of two parting gifts (her second is a film on Louise Bourgeois) from Marion Cajori, a filmmaker who died recently, and before her time. With editing completed by filmmaker Ken Kobland, Chuck Close lives the life and work of a man who has reinvented portraiture. Close photographs his subjects, blows up the image to gigantic proportions, divides it into a detailed grid and then uses a complex set of colors and patterning to reconstruct each face.
Nothing Changes: Art for Hank's Sake (2018)
How far would you go to pursue your passion? At 87 years old, Hank Virgona commutes to his Union Square studio six days a week and makes art. Despite poor health, cancer, lack of revenue and obscurity as an artist, Hank is unrelenting in his quest to understand how life and art are the same.
The New Modernists: Folds Blobs + Boxes, Architecture in the Digital Era (2001)
The New Modernists: Folds, Blobs and Boxes, Architecture in the Digital Era approaches the topic of artistic technological advances, and the modern architects who were educated with this new influx of electronic techniques. In this detailed portrait we visit the exhibition entitled Folds, Blobs + Boxes at the Carnegie Museum of Art where ten architect/designers discuss their approaches to digital architecture with curator of the exhibition, Joseph Rosa. By abandoning the traditional notions of aesthetic beauty, scale and proportion, a new freedom has formed amongst these contemporary creators.