This feature documentary studies one of the city’s most visible yet most anonymous character: the taxi driver. Filmed by day and night, the film offers an entertaining and sometimes comical look at the drivers, fleet operators and dispatchers who are expected to deliver passengers, parcels… and even babies.
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Taxi to the Dark Side (2008)
An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.
Guitar (1988)
A vibrant kaleidoscopic tribute to the guitar that meshes dance, mime, visual art, and virtuoso performances to create a spectacular yet intimate celebration of the instrument. For one exciting week the city of Toronto plays host to the International Guitar Festival. The streets echo with the sounds of the instrument as the great masters from every tradition gather to play for each other -- John Williams from England, Leo Brouwer from Cuba (classical), Turibio Santos from Brazil (folk), Vladimir Mikulka from Czechoslovakia (avant-garde), Rik Emmett and Kim Mitchell from Canada, Steve Morse from the USA (rock).
Abegweit (1998)
A day-to-day record of the construction of the Confederation Bridge linking Prince Edward Island to the mainland, Abegweit reveals some of the innovations that made this mammoth project one of the most impressive engineering feats in Canadian history.
Merci Bocuse (2019)
A young and ambitious team of chefs face the life-changing challenges of competing in the world's most prestigious culinary competition.
Black Ice (2023)
This incisive, urgent documentary examines the history of anti-Black racism in hockey, from the segregated leagues of the 19th century to today’s NHL, where Black athletes continue to struggle against bigotry.
The End Of The Line: Rochester's Subway (1995)
"The End of the Line - Rochester's Subway" tells the little-known story of the rail line that operated in a former section of the Erie Canal from 1927 until its abandonment in 1956. Produced in 1994 by filmmakers Fredrick Armstrong and James P. Harte, the forty-five minute documentary recounts the tale of an American city's bumpy ride through the Twentieth Century, from the perspective of a little engine that could, but didn't. The film has since been rereleased (2005) and now contains the main feature with special portions that were added as part of the rereleased version. These include a look at the only surviving subway car from the lines and a Phantom tun through the tunnels in their abandoned state, among others, for a total of 90 minutes of unique and well preserved historical information.
Inside Grand Central (2006)
In the heart of New York City stands Grand Central Terminal. Explore the magnificent secrets of this iconic landmark as we take you inside the heart, soul and amazing engineering of this superstructure. From railroad cars to rush hours, we unlock the colorful tales of its past, present and future.
Faceless (2012)
Faceless is a documentary film about the workings of an inpatient psychiatry unit, seen through the eyes of both the patients trying to get well and the staff trying to help them.
Ridin' the Dog (1989)
The world-famous Greyhound bus is almost as old as the Wild West. It is a symbol of North America, of progress, and of nostalgia. Reporter Studs Terkel travelled 2,000 miles across the United States by Greyhound. From Seattle to Chicago, he observes his fellow-passengers. He meets a number of travelers who appear to be very interesting people: a Native American boxer on his way to his birthplace in Montana, a bar owner who was a bank robber in a former 'career', a 99 year old woman who is still running a busy hotel, and, of course, a pedigree cowboy. The spectator of this film listens to their personal stories, watches the beautiful scenery, and is treated to famous feature film fragments in which the Greyhound bus plays a part. Seven states and two time zones later, he is back in his cinema seat.
Days of Black and Yellow (2019)
New York cab and black car drivers are facing economic and emotional hardship in a city dominated by ride-share apps. As these long standing industries are decimated by economic and political forces, drivers are forced to cope or fight back.
Solace in the Dark (2011)
A retrospective documentary on 9/11 in connection with the 2001 Toronto International Film Festival.
La Camioneta: The Journey of One American School Bus (2013)
Every day dozens of decommissioned school buses leave the United States on a southward migration that carries them to Guatemala, where they are repaired, repainted, and resurrected as the brightly-colored camionetas that bring the vast majority of Guatemalans to work each day. Since 2006, nearly 1,000 camioneta drivers and fare-collectors have been murdered for either refusing or being unable to pay the extortion money demanded by local Guatemalan gangs. LA CAMIONETA follows one such bus on its transformative journey: a journey between North and South, between life and death, and through an unfolding collection of moments, people, and places that serve to quietly remind us of the interconnected worlds in which we live.
The Re-Up (2012)
A backstage and on-stage look at Nicki Minaj's career during the Pink Friday Tour, festivals, and more.
There's No Place Like This Place, Anyplace (2020)
Over the course of over six decades, Honest Ed's became a Toronto Landmark. The neighbourhood it left behind when it closed its doors in 2016 reflects on its history and legacy.
Cunnamulla (2000)
Cunnamulla, 800 kilometres west of Brisbane, is the end of the railway line. In the months leading up to a scorching Christmas in the bush, there's a lot more going on than the annual lizard race. Here, Aboriginal and white Australians live together but apart. Creativity struggles against indifference, eccentricity against conformity.
Crash 'n' Burn (1977)
Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".
Warrendale (1967)
This ground-breaking cinéma-vérité classic documents five weeks in the lives of twelve residents of a home for emotionally disturbed children. It is the first in the form that King later described as actuality drama. All the action is spontaneous and undirected, with neither interviews nor narration. The theme is the outrage of life. The children asked the filmmakers, Why is it that whenever pictures of us are put in the papers, our faces are blacked out. What is so awful about us that we cant be seen? They wanted to be filmed so that they could be seen.