A documentary centered on the union formed by Bolivian farmers in response to their government's (which was urged by the U.S.) effort eradicate coca crops, and the man who would come to represent them, Evo Morales.
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American Interior (2014)
Two men. Two quests. Two centuries apart. Four ways to experience the search for a lost tribe. Film. Book. Album. App.
Island Shunters (1977)
Short documentary on the shunters in the Darling Island, Sydney, Australia railyard. Filmed in 1977.
Half-Life in Fukushima (2016)
In the aftermath of the Fukushima nuclear disaster, a Japanese farmer ekes out a solitary existence within the radiation red zone.
In Search of Balance (2016)
An exploration of a new paradigm of health, science, and medicine, based on the interconnections between us and nature.
Meat (2018)
Meat is the modern story of the animals we eat, as told by the people who never get to say their piece - from the solitary hunter who believes everyone needs to be educated about their food, to an industrial pig farmer who argues that money isn't his primary driver.
Plutocracy II: Solidarity Forever (2016)
The film, which is the second part of an ongoing historical series, covers the seminal labor-related events which occurred between the late 1800's and the 1920's. Its subtitle refers to a 1915 song composed by Ralph Chaplin as an anthem for unionized workers. The film itself is the cinematic version of that anthem, as it allows us a comprehensive understanding of the need for these early labor unions, and the enormous sacrifices of its members to ensure fairness, safety, and equality in the workplace.
The Flickering Flame (1996)
Documentary following dockers of Liverpool sacked in a labour dispute and their supporters’ group, Women of the Waterfront, as they receive support from around the world and seek solidarity at the TUC conference.
The Greenhorns (2010)
Armed with a camcorder, farmer-filmmaker-activist Severine von Tscharner Fleming spent two years crisscrossing America, meeting and mobilizing a network of revolutionary young farmers resettling the land. 'The Greenhorns' is an ode to their grit and entrepreneurial spirit, an exploration of sustainable agriculture, and an enticement to reclaim our national soil. The ninety minute feature is the culmination of well over 200 hours of original footage from all regions of the United States, as well as original animation by young urban farmer and artist Brooke Budner, and rare agricultural archival footage from the Prelinger Archives. Ultimately, The Greenhorns shows us how farmers can move out of the margins recent history has consigned them to, and back to the heart of the American food landscape.
Henry Browne, Farmer (1942)
Henry Browne, an African American farmer, and his family are profiled in this film. The important job of a farmer during times of war is highlighted, specifically his efforts growing peanuts and cotton. This role is made even more poingnant when they visit the eldest son who is a cadet in the 99th Pursuit Squadron.
Ms Rhymney Valley (1985)
Portrait of a community in the heart of South Wales almost one year into the miners' strike of the 1980s.
Habilito: Debt for Life (2010)
Documents the conflicts and tensions that arise between highland migrants and Mosetenes, members of an indigenous community in the Bolivian Amazon. It focuses particularly on a system of debt peonage known locally as ‘habilito’. This system is used throughout the Bolivian lowlands, and much of the rest of the Amazon basin, to secure labor in remote areas.
Cabbage, Potatoes and other Demons (2017)
1 village, 1.000 tractors, 100.000 tons of cabbages & potatoes each year - which are hardly sold and eventually destroyed. Is there any way out?
Harlan County U.S.A. (1977)
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
Where Do You Stand? Stories from an American Mill (2004)
Traces the story of the 25-year struggle of Fieldcrest-Cannon textile workers to form a union in the face of modernization and globalization.
Northern Minnesota's Labor Wars (2017)
Filmmaker Gary Kaunonen of KCC-TV in International Falls just released a new documentary about a pivotal time in Northern Minnesota’s labor history. It’s called “Northern Minnesota’s Labor Wars.” The years 1916 and 1917 brought major labor uprisings in the mines of the Mesabi Iron Range and the lumber camps of the state’s far northern pine forests. These events not only shaped local history, but became vital turning points in the national and international labor movement.
State of the Union (2023)
A documentary film showcasing the ascension of the state of Virginia from its rank of 51st worst state for labor unions, to 23rd, in a matter of just three years.
Máxima (2019)
A multi-billion-dollar mining project is launched by the American Newmont Mining Corporation and lays claim to the land belonging to Preuvian highlander Máxima Acuña.
Americonned (2023)
The super-rich determines virtually every aspect of the lives of the other 90% of Americans. This film examines the hidden struggles of American families, the calculated political maneuvers of the elite, and the long overdue uprising of American workers. With affection for the middle-class and the outrageous attempt to color them as lazy, the film explores the question: How do we make sure workers are paid what they are worth, instead of believing they are only worth what they are paid?
Puerto escondido (2020)
In 1879, Bolivia lost its access to the sea in a war. When I was a child I did not understand how we had lost it; he thought the Chileans had taken him away in buckets. It is a diary towards interior landscapes, myths, characters and contradictions in a country that relives this loss every day.
