Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
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From Pompeii to Xenia (2003)
From Pompeii to Xenia puts in echo times of innocence struck by disaster: the lightning tornado which had beaten down on the American city of Xénia in 1974 answers, at thousands of kilometers in distance and centuries apart, the mythical eruption of Vesuvius in 79. The extended panorama, derived through the crossing of history and from an intimate story and urban sociology, is the cinematic reconstruction of a personal history: of its historical and geographical conditions to its processing.
Second Shift (1999)
A correctional officer’s daily routine of gaining access into a correctional facility.
A Week in the Hole (2001)
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Window (1976)
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The Day When... (1997)
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The Five Obstructions (2003)
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Closed Beaches (NaN)
Beaches are closed during the COVID-19 pandemic. Nevertheless, the middle class must survive the tropicals.
Feeler (2016)
16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.
I, Apostate (2018)
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Maniac Summer (2009)
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Genova Genova (1984)
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Nuuk (2004)
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