Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
Breathless (2018)
A committed synchronized swimmer tries to win the championship and the heart of the coach.
Hack Your Own Leg (1988)
An unusually artistic experimental film from Latvia that moves in the sphere of the creation and the world of ballet. Narrated, interpreted and acted by Juris Strenga. - And God said, Let the water teem with living creatures, and let birds fly above the earth across the vault of the sky.
Underwater Guest (1995)
Mounting of the film by Dmitry Frolov on the basis of documentary frames of performances of Russian ballet dancers and lifeless margins of the Russian outback. Symbolizes the slowly naked and dying Russian world.
Woman (1968)
Between four walls of her apartment, a girl enjoys in intimate idleness and being her true self.
The Water Map (2024)
The Water Map is an essayistic journey through the ethnography and landscapes of the Region of Murcia. These places are in the process of disappearing due to the increasing and abundant agricultural exploitation. Water has marked the territory and the culture of the area, and with its disappearance, the memories of four characters fade away.
Unpublished Visions (2021)
Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on the screen Galician artists working in disciplines of different nature. The result is four pieces around the creative process of these artists. Lois Patiño film their parents working on their paintings in their studio in Vigo, Jaione Camborda films dancer Janet Novás rehearsing for one of her pieces, Xisela Franco follows film director Margarita Ledo revisiting the location of her latest film Nation and Alfonso Zarauza reflects on the relationship between actress-director by putting together the work of Melania Cruz in two of their collaborations.
A Choreography of Violence (2018)
A woman must safe herself and escape from a bizarre black room where she waltz with her biggest fear and trauma. A Choreography of Violence is a short experimental film that tells a story about love gone wrong, domestic violence, and freedom. The story is told through contemporary dance, with no dialogue, for the entirety of the film.
REVIEW OF INNER SPACES (2020)
Nina is 35 years old; her husband is 53. She loves him so much that she longs to have a child with him... Max also loves her. He is even flattered that Nina is very jealous, but he does not want a child because he is afraid that the child will call him grandpa... The real reason for the conflict is that Max will soon be killed and only he knows that fact. The film is a reflection of the emotions and experiences of two lovers, inspired by real events that happened in a provincial town in 2007.
Manufractur (1985)
A tangled network woven with tiny particles of movements broken out of found footage and compiled anew: the elements of the "to the left, to the right, back and forth" grammar of narrative space, discharged from all semantic burden. What remains is a self-sufficient swarm of splinters, fleeting vectors of lost direction, furrowed with the traces of the manual process of production.
The Arrival (1999)
The first of Peter Tscherkassky's Cinemascope trilogy of short films is a fragmented glimpse of images pulsating with chaotic rhythm as they fight white margins for room in his palette. Mirrored frames being split by white margin and trying to reassemble again like the poles of a magnet, a train approaching station and colliding with itself in white-hot blistering chaos.
Vers Madrid! (The Burning Bright) (2012)
This film is a newsreel, which presents some views, scenes and mo-ments of the class struggle in Madrid. The “Movimiento 15-M” is the first major “movement” in the beginning of the 21st century. A deep movement, trans-border and trans-historical which reactivates and works ideas and concepts that were long thought to be forgotten: demos, logos, revolution ...
Used Innocence (1989)
Using experimental narrative structure as his vehicle, Benning recreates the sensationalized and controversial circumstances surrounding Lorencia Bembenek, aka "Bambi", former "Playboy bunny" turned cop, turned accused and convicted killer who disappeared after a daring escape from prison. The film shows the evolution of Benning's and Bembenek's relationship presented through their actual letters read in voice over which depict the filmmaker's curiosity with the subject as it evolves from intrigue to a love obsession.
Fata Morgana (2013)
Following Bellavista and Totó, Peter Schreiner completes his informal trilogy of epic, black-and-white digital-video essay-films with the utterly monumental Fata Morgana. Shot in the Libyan desert and in an abandoned building in Lausitz, Germany, it features a man (Christian Schmidt), a woman (Giuliana Pachner, from Bellavista) - and, glimpsed now and again, a guide (Awad Elkish.) They talk, they fall silent. Winds blow. The sun shines. The camera runs. What gradually takes shape is nothing less than a painstakingly concentrated attempt to understand the human condition through the lens of cinema. A lofty ambition, and one that demands a considerable leap of faith on the part of the audience: this film is sedate, "difficult", challenging, often apparently impenetrable. But anyone who has seen Schreiner's previous films will be aware that he is by any standards a major artist, one that can be trusted to find places that other directors may not even suspect exist.