A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.
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The film portrays two of the most important producers of a movement born in the early 2000s, as well as the testimonies of some of its signatures dancers. In addition, it shows the initiative of Abstractor Collective to rescue and export the authenticity of a catchy rhythm that begins to count amongst its followers important producers and artist of the international electronic scene.
Pas de Deux (1902)
A joyful Pas de Deux, performed by Clara Rasmussen and Margrethe Andersen. Clara Rasmussen/Wieth/Pontoppidan (1883-1975) was to become one of the most famous actresses of Danish silent cinema; one of her most notable performances is in Dreyer’s 'Leaves from Satan’s Book' (1921), in which she plays Siri in the last of the four sections. (Stumfilm.DK)
Butoh: Body on the Edge of Crisis (1990)
"Butoh: Body on the Edge of Crisis" is a visually striking film portrait shot on location in Japan with the participation of the major Butoh choreographers and their companies. Although Butoh is often viewed as Japan's equivalent of modern dance, in actuality it has little to do with the rational principles of modernism. Butoh is a theater of improvisation which places the personal experiences of the dancer on center-stage. By reestablishing the ancient Japanese connection of dance, music, and masks, and by recalling the Buddhist death dances of rural Japan, Butoh incorporates much traditional theater. At the same time, it is a movement of resistance against the abandonment of traditional culture to a highly organized consumer-oriented society.
Ingmar Bergman Through the Choreographer's Eye (2016)
Four of Sweden's most innovative choreographers travel to Ingmar Bergman's home on Fårö to explore and get inspired. The result is a unique contemporary dance film.The renowned Swedish choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg and Joakim Stephenson, with principal dancers Jenny Nilson, Nathalie Nordquist, Oscar Salomonsson and Nadja Sellrup from the Royal Swedish Ballet, interpret Ingmar Bergman through four unique dance performances reflecting on human relations and intense feelings. The dances are linked together with images of the epic natural beauty of Fårö and Bergman's poetic home Hammars, including the voice of the master himself - Ingmar Bergman - revealing his thoughts about movements and music.
Moving Together (2023)
Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.
Our Stories, Ourselves (2013)
Sixty-six adolescents, residents of Favela da Maré, were selected to participate in a dance show led by the choreographer Ivaldo Bertazzo, which incorporated their own daily experiences. Ten years later, directors David Meyer and Helena Soldberg search for some of the participants of this experience.
Paulette (2021)
A short documentary following Paulette Harwood, a 90-year-old former Radio City Music Hall Corps de Ballet soloist, as she teaches the final classes in a school she's run for sixty years.
Before The Spotlight (2025)
Behind every electrifying performance lies a story of sacrifice and passion. Before the Spotlight journeys behind the scenes of the dynamic Dauntless Movement Crew, diving into the lives of three of its standout members, Sienna, Chris and Manu. In a tough industry defined by fierce competition, fleeting opportunities and constant audition cycles, these performers are faced with uncertainty. To challenge them further, the risk of financial instability is significant in a high demanding economy. Yet, their passion grows stronger, fuelled by the support from the community. But what makes the risk worth it?
The Real 'Billy Elliot' Diaries (2005)
Documentary following the actors playing the role of Billy in Billy Elliot the Musical as they prepare for their West End debut.
Bumpa (2025)
This documentary will explore the Afro-Caribbean dance, ‘whining’ alongside the practice of twerking to analyze respectability politics, pressures to accommodate whiteness, and gendered criticism of sexual expression within the Black diaspora. Using archival footage of West African dance, expert opinion from dancing and gender studies professors, and the active participation of partygoers in a dance experiment, Watkins will paint the picture of the defiance, autonomy, and ancestral veneration intrinsic to these traditional movement styles.
Whose Utopia (2006)
A three-part film by Cao Fei. Part one, 'Imagination of Product', shows workers and machines at the OSRAM lightbulb factory in China's Pearl River Delta. In the second part, 'Factory Fairytale', dancers and musicians appear in the factory, as work continues around them. Finally, 'My Future is Not a Dream' consists of portraits of the factory workers facing Fei's camera.
Ali's Story (NaN)
Living as listening: For DJs, life revolves around records. Around sounds. Every life is a story, every DJ is a narrator. Every stack of records is an endless collection of stories, of myths, of memories. Can we know someone’s life through their records? For some, we can even know their impact. These records changed Ali Coleman’s life. This is Ali’s Story.
