A documentary film about to resist the brutal action taken by Pakistan occupy army against general people of Bangladesh (previously East Pakistan) in between 26 March, 1971 and 16 Dec, 1971.
Tunes of Nostalgia (2020)
A paralyzed man and a deaf son both seriously affected by the war, lives a life dependent of each other while they both reminisce of their past .
Mujib: The Making of a Nation (2023)
Biopic on the father of the nation of Bangladesh, Sheikh Mujibur Rahman. The film will showcase his growing up as a child to his standing up against all injustice in his youth to fighting for the independence of his country. How he led a country to it's independence with his inspirational presence and fight for the justice.
Damal (2022)
The film tells the story of the legendary 'Shadhin Bangla Football Team' founded during the 1971 Liberation War of Bangladesh. They played friendly matches across India to raise funds which would be used in the war. The film also portrays the personal lives of few players of the team and their struggle and losses during the war. Though the film is inspired by true events, it takes cinematic liberty and mixes fiction with reality as well.
Spartacus '71 (2005)
A story of a family during the 1971 Liberation War in Bangladesh and their family getting punished by the ruthless Pakistani soldiers. Mahbub, a Bengali himself, is supporting Pakistan in order to save himself.
The Clay Bird (2002)
A family must come to grips with its culture, its faith, and the brutal political changes entering its small-town world.
Kabul, City in the Wind (2019)
The film is a sobering, intimate and warm account of daily life in Kabul during the silent intervals between suicide bombings. The bombings that happened, and those that will, define life for the film's characters; a father who works as a bus driver, and two young boys whose policeman father is away due to murder threats.
F. You All: The Uwe Boll Story (2018)
Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they're good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.
Cinque mondi (2016)
Roberto Benigni, Bernardo Bertolucci, Gabriele Salvatores, Paolo Sorrentino and Giuseppe Tornatore talk about their idea of cinema.
The Amazing Adventures of Wally and the Worm (2017)
Leading up to the 1996-97 playoffs, Chicago Bull's coach Phil Jackson sent an intern trainer Wally Blase to oversee the rehab assignment of superstar forward Dennis Rodman. What ensued was part "Get Him to the Greek", part "Almost Famous" and ultimately forged a lifelong bond between these two unlikely characters.
Lugosi: The Forgotten King (1986)
A one hour documentary on the life of one of Hollywood's neglected horror icons, hosted by fear fan extraordinare Forrest J Ackerman & interviews with Hollywood legends John Carradine, Ralph Bellamy, Carroll Borland and B-movie producer Alex Gordon.
John (2020)
John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.
Carmina (2020)
Carmina, a 20-year-old girl, hopes to have a night like any other in the city, which unexpectedly turns into an introspective, cathartic journey into her turbulent past when she accepts an invitation from a man much older than herself to visit his apartment. This direct film experiment captures an overwhelming real-life patriarchal dynamic.
Sister J (2022)
Lim Jaechun, who worked as a factory worker for 30 years and was suddenly laid off, spent 10 years in a tent as a sit-in. Director Lee Soojung calls her ‘sister J’. 10 years into the fight for reinstatement, Jaechun now writes, plays guitar, and sings while living in a tent. She says her personality has changed after 7 years of being laid-off from “originally timid” to being very lively. Sister J deals with a struggle for reinstatement, but it is actually a film about a single person, as stated in the title. This documentary brings artistic vitality to the ‘4,464 days’ Sister J spends on the site, with lines and music driven from the forms of the play into the cinema.
Sasang: The Town on Sand (2021)
This is a film about workers, a film about the poor who were dragged out of homes and about his father. Director Park films his father who has lived as a laborer all his life, his weakened body, and nine years of time flowing over it. Park brings an impartial view of his father’s life. His father does not try to impart a particular value in front of the camera. What remains is to wonder where this cruel reality comes from.
Song Hae 1927 (2021)
Song Hae 1927 is a documentary about the character all Koreans know. Song Hae is the oldest active celebrity at 94 and the longest-running host of the ‘National Singing Contest.’ He has been a singer, comedian, actor, and radio DJ, but never a star. Song Hae 1927 shows a backstage face we’ve never seen. His closed eyes and serious look seem like a good place to hide sadness and pain. Song Hae is a man of few words. To the death of his wife, he only said, ‘I wish I had had a chance to say goodbye to him.’
Good Light, Good Air (2021)
The title Good Light, Good Air is oddly paradoxical. Keenly working at the point where his artistic identity and persistent attention on modern Korean history meet, director Im in this film focused on where the history of oppression and struggle intersect between Gwangju and Buenos Aires. In both cities, a great number of people who fought against the dictatorship were slaughtered and disappeared. The people of both societies still live with that trauma. When the testimonies of the victims of the two cities cross over, the film gives us chills as the eerie history of the two is very similar. Through Good Light, Good Air, director Im asks us how we will remember the past from where we stand right now.