A paralyzed man and a deaf son both seriously affected by the war, lives a life dependent of each other while they both reminisce of their past .
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Border (1997)
Amidst the 1971 Indo-Pak war, a company of 120 Indian soldiers stationed at the border region of Longewala in Rajasthan must defend their post through the night against two thousand Pakistani troops armed with tanks. Based on the true events of the Battle of Longewala.
Bay of Blood (2023)
March 25th 1971, a horrific 'Genocide' was unleashed on the unarmed civilians of East Pakistan. This was done by their own Pakistani Army. An estimated 3 million people were killed, 10 million people were displaced to India as refugees and 400,000 women and girls were raped by the Pakistani soldiers. But Pakistan was not alone in perpetrating this violence. The then-American president and the National Security Advisor were supporting the Pakistani dictator. The cold war triggered this geopolitical escalation. Finally, India pressurized by the 10 million refugees within its borders, went to war with Pakistan. and joining forces with the local rebels, the Mukti Bahini, helped liberate Bangladesh. Cradled in the blood of innocents, a new nation was born in the closing days of 1971. "Bay of Blood", brings this 50-odd-year-old story to life.
Damal (2022)
The film tells the story of the legendary 'Shadhin Bangla Football Team' founded during the 1971 Liberation War of Bangladesh. They played friendly matches across India to raise funds which would be used in the war. The film also portrays the personal lives of few players of the team and their struggle and losses during the war. Though the film is inspired by true events, it takes cinematic liberty and mixes fiction with reality as well.
Mujib: The Making of a Nation (2023)
Biopic on the father of the nation of Bangladesh, Sheikh Mujibur Rahman. The film will showcase his growing up as a child to his standing up against all injustice in his youth to fighting for the independence of his country. How he led a country to it's independence with his inspirational presence and fight for the justice.
Bengal Memory (NaN)
A Bangladeshi American undertakes a journey to learn about the liberation war in his native country, traveling there for the first time in nearly two decades, and uncovering the controversial role the U.S. played in a forgotten genocide that occurred there over 50 years ago. From 1971 to the present day, this is a story of Bangladesh’s independence, a family’s journey immigrating to America, and the cognitive dissonance of a person belonging to both homelands. Driven by interviews with his father and other family members, along with experts and witnesses, archival videos, declassified recordings, and animations, BENGAL MEMORY is a unique and untold oral history through a personal lens.
Women and War: Trauma and Triumph of Women in '71 (1999)
Narir Kotha is an exploration of the experience of women in the Bangladesh Liberation War of 1971. During the war, thousands of women were systematically raped and tortured by the Pakistan Army and their collaborators. But they were not only victims of sexual violence, they were also in the front lines of the popular resistance against the occupying Army, as fighters and martyrs. Narir Kotha is an attempt to explore some of these stories, through the words of the women themselves.
Stop Genocide (1971)
A documentary film about to resist the brutal action taken by Pakistan occupy army against general people of Bangladesh (previously East Pakistan) in between 26 March, 1971 and 16 Dec, 1971.
The Clay Bird (2002)
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Spartacus '71 (2005)
A story of a family during the 1971 Liberation War in Bangladesh and their family getting punished by the ruthless Pakistani soldiers. Mahbub, a Bengali himself, is supporting Pakistan in order to save himself.
FilmmaKErs (2020)
Is it more difficult for a woman to direct a movie? To finance it? To be respected by her team? Does she have a different way of looking at the world? Does cinema have a gender? In our two previous documentaries, we had already asked these very contemporary questions to 20 female and 20 male directors in France. But we have been eager ever since to expand the borders of our work, to question women filmmakers around the world. That is what this film has achieved, from Asia to Africa and Europe… All the women we met were funny, sincere, committed, concerned, and all looking for the best possible way to exist in an environment always governed by men. All FilmmakErs and living witnesses of the dysfunctions that still exist in the film industry.
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A short film about Tay, a ladyboy, and his daily life, traveling to and from school, and silently touching up his makeup in front of the mirror.
Sweet Blues: A Film About Mike Bloomfield (2013)
You know, I like sweet blues... I want to be singing. I want to be sweet," said music legend Mike Bloomfield of his searing, lyrical guitar playing. His awesome instrumental prowess is on full display in this raucous documentary celebrating the legacy of a hard-living, finger-fretting renegade. Described by fellow icon Al Kooper as "not just another white boy [but] someone who truly knew what the blues were about," Bloomfield drew on African American tradition while burnishing his licks with a radical compositional approach reflecting the social and cultural upheaval of the 1960s.
Rebellion (2019)
As the 'one country two systems' policy in Hong Kong has slowly eroded, resentment among the territory's citizens has steadily grown. What began as a series of spontaneous protests against an extradition law in March 2019 has now escalated in to a full-blown popular uprising that shows no signs of abating. ABC Four Corners reports from the frontline of the action, capturing extraordinary footage of the growing tension and violence.
Etched in Bone (2018)
Drawing on original footage from National Geographic, Etched in Bone explores the impact of one notorious bone theft by a member of the 1948 American-Australian Scientific Expedition to Arnhem Land. Hundred of bones were stolen and deposited in the Smithsonian Institution in Washington DC, until it became known to Arnhem elders in the late 1990s. The return of the sacred artefacts was called for, resulting in a tense standoff between indigenous tribespeople and the Department of Anthropology at the Smithsonian.
