Hardened by years in foster care, a teenage girl from Brooklyn’s Brownsville neighborhood decides that wrestling boys is the only way back to her estranged father.
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"Taking its title from John Keats’s early 19th-century poem, this highly personal melodrama finds Dulac interrogating the archetype of the femme fatale. La belle dame sans merci follows a famous actress who was once seduced and abandoned by a rich man and subsequently resolved to become a “merciless woman,” forever scheming to hurt others (men in particular) in a ruthless yet captivating manner. Dulac challenges the Romantic archetype embodied in Keats’s poem by way of symbolist mise en scène, self-reflexive narration, and her typically associative approach to editing, locating a modern ambiguity within the stereotypical figures of 19th-century art." - Film Society of Lincoln Center
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Agnes is not satisfied with her life. She wants a change, but her relationship with her single parent father and dominant girlfriend inhibit her to do something about it. When the father introduces his new wife, Annalyn, everything changes. The same-aged Filipino stepmother helps Agnes see a new path. Soon emerges something that no one could have foreseen.
