A vast, timely, and often chilling investigation into the idea and practice of democracy, ranging from Ancient Greece and Renaissance Europe to civil rights, fears of voter fraud, and the spectre of authoritarianism.
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Mauna Kea: Temple Under Siege (2005)
Although the mountain volcano Mauna Kea last erupted around 4,000 years ago, it is still hot today, the center of a burning controversy over whether its summit should be used for astronomical observatories or preserved as a cultural landscape sacred to the Hawaiian people. For five years the documentary production team Nā Maka o ka 'Āina ("the eyes of the land") captured on video the seasonal moods of Mauna Kea's unique 14,000-foot summit, the richly varied ecosystems that extend from sea level to alpine zone, the legends and stories that reveal the mountain's geologic and cultural history, and the political turbulence surrounding the efforts to protect the most significant temple in the islands: the mountain itself.
Ocean (2002)
A Road-Movie on rails, Ocean offers both a journey between Montreal and Halifax, as well as a sensory evocation of the intimate experience of travelling.
Fannie Lou Hamer’s America (2022)
The film explores and celebrates the lesser-known life of a Mississippi sharecropper-turned-human-rights-activist and one of the Civil Rights Movement’s greatest leaders. Throughout the 1960s, Fannie Lou Hamer established a legacy of civil rights and human rights activism that remains relevant to this day – especially among Black youth.
The Landfill (2012)
Trash becomes energy at a small New York landfill where people are thinking differently about garbage.
Venus and Serena (2012)
Venus and Serena takes an honest and unfiltered look into the remarkable lives of sisters and tennis legends Serena and Venus Williams. Through the prism of one year in their lives, the film tells the untold story of how these two great stars came to be and how they struggle to stay on top.
Making Montgomery Clift (2018)
Classic film star and queer icon Montgomery Clift’s legacy has long been a story of tragedy and self-destruction. But when his nephew dives into the family archives, a much more complicated picture emerges.
Shepard & Dark (2012)
An indelible portrait of the complex relationship between playwright and actor Sam Shepard and his close friend Johnny Dark as they prepare forty years of their correspondence for publication, stirring up old memories both good and bad.
Shouting Fire: Stories from the Edge of Free Speech (2009)
A documentary look at the changing interpretations of the first amendment of the U.S. Constitution - laws and court cases that have alternatively broadened and narrowed the amendment's protection of free speech and assembly. The film's thesis is that post-9/11 the government has seized unprecedented license to surveil, intimidate, arrest, and detain citizens and foreigners alike. The film also looks back to the Pentagon Papers' case and compares it to cases since 9/11 dealing with high school students' speech and protesters marching in New York City during the 2004 Republican convention. Comment comes from a range of scholars, pundits, and advocates.
Oma & Bella (2012)
Oma & Bella is an intimate glimpse into the world of Regina Karolinski (Oma) and Bella Katz, two friends who live together in Berlin. Having survived the Holocaust and then stayed in Germany after the war, it is the food they cook together that they remember their childhoods, maintain a bond to each other and answer questions of heritage, memory and identity. As the film follows them through their daily lives, a portrait emerges of two women with a light sense of humor, vivid stories, and a deep fondness for good food. Created by Oma's granddaughter Alexa, the film captures their ongoing struggle to retain a part of their past while remaining very much engaged in the present.
A Great Day in Harlem (1994)
Art Kane, now deceased, coordinated a group photograph of all the top jazz musicians in NYC in the year 1958, for a piece in Esquire magazine. Just about every jazz musician at the time showed up for the photo shoot which took place in front of a brownstone near the 125th street station. The documentary compiles interviews of many of the musicians in the photograph to talk about the day of the photograph, and it shows film footage taken that day by Milt Hinton and his wife.
Apocalypse: A Bill Callahan Tour Film (2012)
A collection of live performances and a glimpse of the road from the American leg of Bill Callahan's 2011 Apocalypse tour.
East Side Story (1997)
A look at Communist musicals that strove to be ideologically correct - and entertaining, besides.
Moon Over Broadway (1997)
A documentary portrait of the backstage efforts to stage the play Moon Over Buffalo on Broadway.
Love, Marilyn (2013)
Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.
Coverup: Behind the Iran Contra Affair (1988)
Coverup: Behind the Iran Contra Affair is the third feature-length documentary produced by the Empowerment Project. The shadow government of assassins, arms dealers, drug smugglers, former CIA operatives and top US military personnel who were running foreign policy unaccountable to the public, revealing the Reagan/Bush administration's plan to use FEMA to institute martial law and ultimately suspend the Constitution. Strikingly relevant to current events.
Canned Dreams (2012)
Canned Dreams shows the multi-branching network of the modern food industry. The Finnish consumer buys a can in the grocery store, but where from far away do the raw materials and packaging materials for the preserves come from - and through how many hands? The film not only traces the various stages of the production process, but gives a voice to the people who work as part of it.
Who Killed Vincent Chin? (1987)
This film recounts the murder of Vincent Chin, an automotive engineer mistaken as Japanese who was slain by an assembly line worker who blamed him for the competition by the Japanese auto makers that were threatening his job. It then recounts how that murderer escaped justice in the court system. Restored by the Academy Film Archive and The Film Foundation, in association with the Museum of Chinese in America. Restoration funding provided by the Hobson/Lucas Family Foundation, with additional support provided by Todd Phillips.
Attenborough and the Giant Egg (2011)
David Attenborough returns to the island of Madagascar on a very personal quest. In 1960 he visited the island to film one of his first ever wildlife series, Zoo Quest. Whilst he was there, he acquired a giant egg. It was the egg of an extinct bird known as the 'elephant bird' - the largest bird that ever lived. It has been one of his most treasured possessions ever since. Fifty years older, he now returns to the island to find out more about this amazing creature and to see how the island has changed. Could the elephant bird's fate provide lessons that may help protect Madagascar's remaining wildlife? Using Zoo Quest archive and specially shot location footage, this film follows David as he revisits scenes from his youth and meets people at the front line of wildlife protection. On his return, scientists at Oxford University are able to reveal for the first time how old David's egg actually is - and what that might tell us about the legendary elephant bird.
Privilege (1990)
Privilege is an intelligently conceived, boldly anarchic, and wickedly insightful exposition on the culturally ingrained and socially divisive malaise of isms that artificially define and characterize empowerment in contemporary society: ageism, sexism, economic elitism, and racism. Yvonne Rainer conveys texture through the intercutting of archival footage, video, and film - as well as compositional layering through the film-within-a-film structure, elliptical (and self-referential) fusion of past and present, and the filmmaker's idiosyncratic penchant for superimposed typed text.
Sink or Swim (1990)
Through a series of twenty six short stories, a girl describes the childhood events that shaped her ideas about fatherhood, family relations, work and play. As the stories unfold, a dual portrait emerges: that of a father who cared more for his career than for his family, and of a daughter who was deeply affected by his behavior. Working in counterpoint to the forceful text are sensual black and white images that depict both the extraordinary and ordinary events of daily life. Together, they create a formally complex and emotionally intense film.