Black-and-white abstract animated short of light, shadows, and reflections by The Dodals (Karel Dodal (1900-1986) in collaboration with his wife, Irena Dodalová).
Close-Up: an oddyssey (NaN)
Bored with her mundane life, aspiring writer Lucy Simon embarks on a psychedelic road trip to the planet Mars with her brash, unnamed drug dealer behind the wheel. Danger, thrills and cosmic wonder ensues in this existential adventure presented entirely through the use of close-up photography.
No. 11: Mirror Animations (1956)
Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.
Head (1968)
In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.
Oh! What a Lovely War (1969)
The working-class Smiths change their initially sunny views on World War I after the three boys of the family witness the harsh reality of trench warfare.
Gassy's Gas 'n Stuff (2023)
Lulu the dog gets a job at the local convenience store and stays up all night cleaning the back room. Short created for Adult Swim Smalls.
#57 (2017)
A categorical accumulation of abstract patterns. Lines, colours and sounds obey an impenetrable logic. A quiet film that dares to be resolutely experimental. Chaotic equations by the Chinese mathematician Wang Lin are tackled by an analogue computer, a small battery of surplus high-frequency oscillators and Joost Rekveld.
The Little Flying Fish Gets Sick (1982)
The peaceful passage of daily life in the Pacific Ocean is upended in a flash on March 1, 1954, with the first American nuclear test at Bikini Atoll. The far-reaching fallout forever changes the lives of the ocean’s cheerful inhabitants.
Not Even Nothing Can Be Free of Ghosts (2021)
Rainer Kohlberger’s abstract film was created entirely without a camera. Through digital algorithms, he precisely arranged a rhythm of light and shadow that pulsates off the screen into our physical space with blinding intensity. The presence of light is almost felt as we are sucked into the image to become its ghostly accomplice. As we leave the theatre, the optical vibrations continue to haunt us.
On Generation and Corruption (2017)
Borrowing its title from a treatise by Aristotle, the latest film by Makino Takashi is an abstract work that finds its drive in the clash between light and darkness. Entirely composed of superimposed images of Tokyo’s landscape and water sites, the film takes its rhythm from the cycles of repetition that are the pillars of life and civilisation. As light emerges from the chaos, Jim O’Rourke’s ambient drone sets the tone for what is to come.
Dragonfly (1988)
An abstract animation with a motif of a dragonfly, and a complex multi-exposure landscape of a field and a woman's naked body overlap.
Full Moon (2001)
Designed for continuous single or multiple monitor display (as well as video projection), the tape is a collection of computer animated sequences of celestial images spanning time and cultures, moving objects and images in harmonic choreography and spatial play.
Summer with Kuro (1990)
Hiroshima, summer of 1945. A young girl named Nobuko saves a starving kitten from crows. She wants to keep the kitten, but her parents dismiss the idea. Nobuko eventually convinces them to let her keep it. She and her brother Makoto name the cat Kuro. Kuro quickly brings joy and laughter to the family. As World War II takes its toll on Japan, it becomes harder for Nobuko and her family to care for Kuro. One August morning, Kuro begins acting strangely...
Trans/Figure/Ground (2016)
A film about uncanny valleys and the space between. Painted 16mm film undergoes a monstrous transformation becoming neither analog nor digital.