Black-and-white abstract animated short of light, shadows, and reflections by The Dodals (Karel Dodal (1900-1986) in collaboration with his wife, Irena Dodalová).

Thine Own Self (2022)
Torn from their home by a hand in the sky, colorful entities seek freedom from a rigid binary in this short experimental animation.

Summer with Kuro (1990)
Hiroshima, summer of 1945. A young girl named Nobuko saves a starving kitten from crows. She wants to keep the kitten, but her parents dismiss the idea. Nobuko eventually convinces them to let her keep it. She and her brother Makoto name the cat Kuro. Kuro quickly brings joy and laughter to the family. As World War II takes its toll on Japan, it becomes harder for Nobuko and her family to care for Kuro. One August morning, Kuro begins acting strangely...

Fleshworm Dreams (2024)
Fleshworm Dreams is a trippy, kaleidoscopic visual experience that pairs with an abstract, experimental nature record. Think of it like looking through a constantly shifting kaleidoscope—vibrant colors, strange shapes, and mesmerizing patterns swirling together in a beautiful, almost hypnotic way. It’s a chill, weird, and visually stunning ride, where the lines between nature and imagination blur.
humming, fast and slow (2013)
The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.

Head (1968)
In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.

Oh! What a Lovely War (1969)
The working-class Smiths change their initially sunny views on World War I after the five boys of the family witness the harsh reality of trench warfare.

Woman Is My Last Name (2022)
This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.

Shearing Animation (1961)
An abstract animated film inspired by the work of jazz musician Chico Hamilton.

Drums West (1961)
This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.

Barcode III.0 (2013)
A unique journey across a topography created entirely from a form of digital light and shadow—a bristling terrain of poles bending the light in every direction. This film is the remake of Barcode, an abstract road-movie about light and shadows.

Animals United (1969)
One day the animals become too colorful: war is constantly going on among the people. When Alois, the lion, learns that the 365th Peace Conference has just failed, the animals decide that it is high time to intervene: they call their own "animal" peace conference. With much courage and even more imagination, they develop a plan so that Frides can finally prevail among the people of the world ...

Calypso (1955)
Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.

Trip!-Trap! (2005)
In the darkness of a cave, one man who had never seen even his own figure found a hollow flooded with light. An expression of a chaotic world. This experimental graduation film is a mixture of different animation techniques

Perspectrum (1975)
In this animated short, simple geometric forms as thin and flat as playing cards constantly form and re-form to the sound of the koto, a 13-stringed Japanese instrument.

Divisional Articulations (2017)
Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, spawning arrays of divisional articulations in time and space.

Enigma: Nazo (1978)
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

Son of the White Mare (1981)
A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.

Mamori (2010)
Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.