Black-and-white abstract animated short of light, shadows, and reflections by The Dodals (Karel Dodal (1900-1986) in collaboration with his wife, Irena Dodalová).
The Glassworker (2024)
A young glassworker-in-training living with his pacifist father finds his apprenticeship upended by an impending war and the arrival of an army colonel to their seaside town.
Head (1968)
In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.
Summer with Kuro (1990)
Hiroshima, summer of 1945. A young girl named Nobuko saves a starving kitten from crows. She wants to keep the kitten, but her parents dismiss the idea. Nobuko eventually convinces them to let her keep it. She and her brother Makoto name the cat Kuro. Kuro quickly brings joy and laughter to the family. As World War II takes its toll on Japan, it becomes harder for Nobuko and her family to care for Kuro. One August morning, Kuro begins acting strangely...
Perspectrum (1975)
In this animated short, simple geometric forms as thin and flat as playing cards constantly form and re-form to the sound of the koto, a 13-stringed Japanese instrument.
WAR (2023)
A war veteran tells his personal experience in “The War” to a psychiatrist, as a part of a social experiment. But nothing is as it seems…
Trip!-Trap! (2005)
In the darkness of a cave, one man who had never seen even his own figure found a hollow flooded with light. An expression of a chaotic world. This experimental graduation film is a mixture of different animation techniques
Jam (2009)
The idea of JAM was conceived while I was attending the Ottawa International Animation Festival in 2008.After returning to Japan, I soon began making the film and completed it in four months.This film is based on a very simple idea: the increasingly varied the sounds, the greater is the number of creatures. I wanted to rid myself of the frustrating experience of making Devour Dinner, which was highly unsatisfactory from the viewpoint of the movement in the film. My intention in this film was to fill the screen with chaotic movements.
Son of the White Mare (1981)
A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.
Mamori (2010)
Mamori transports us into a black-and-white universe of fluid shapes, dappled and striated with shadows and light, where the texture of the visuals and of the celluloid itself have been transformed through the filmmaker’s artistry. The raw material of images and sounds was captured in the Amazon rainforest by filmmaker Karl Lemieux and avant-garde composer Francisco López, a specialist in field recordings. Re-filming the photographs on 16 mm stock, then developing the film stock itself and digitally editing the whole, Lemieux transmutes the raw images and accompanying sounds into an intense sensory experience at the outer limits of representation and abstraction. Fragmented musical phrases filter through the soundtrack, evoking in our imagination the clamour of the tropical rainforest in this remote Amazonian location called Mamori.
Peace on Earth (1939)
Two baby squirrels ask grandpa to explain what "men" are when he comes in singing "peace on earth, goodwill to men". Grandpa tells the story of man's last war. This classic animation short was an Academy Award Best Short Subject, Cartoons nominee.
Good Will To Men (1955)
A group of young mice is in the ruins of a church, practicing singing for an upcoming service. After singing an adulterated version of "Hark! The Herald Angels Sing," the mice wonder about the last line, "Good will to men." One of them asks the choirmaster, an old mouse, "What are men?" The old mouse explains that they all killed each other off by building bigger and more destructive weapons, first guns, then missiles, then bombs.
Rectangle & Rectangles (1984)
This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.
Calypso (1955)
Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.
Lost Utopia (2007)
The story of Adam and Eve with jazzy music. Short experimental animation without words.
Oh! What a Lovely War (1969)
The working-class Smiths change their initially sunny views on World War I after the three boys of the family witness the harsh reality of trench warfare.
Third Page from the Sun (2014)
Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has become obsolete by the digital dematerialization. A commentary on the fragility of culture.
Animals United (1969)
One day the animals become too colorful: war is constantly going on among the people. When Alois, the lion, learns that the 365th Peace Conference has just failed, the animals decide that it is high time to intervene: they call their own "animal" peace conference. With much courage and even more imagination, they develop a plan so that Frides can finally prevail among the people of the world ...