Black-and-white abstract animated short of light, shadows, and reflections by The Dodals (Karel Dodal (1900-1986) in collaboration with his wife, Irena Dodalová).
Metallica - 2 of One (1989)
2 of One is a video album by American heavy metal band Metallica. It was released on June 6, 1989, through Elektra Entertainment and features two versions of the group's first music video, "One", from their fourth studio album "...And Justice for All". The music video One was directed by Bill Pope and Michael Salomon and was filmed in Los Angeles, California. It features clips from Dalton Trumbo's anti-war film Johnny Got His Gun (1971). All parts of 2 of One are also included on the DVD "The Videos 1989–2004", released in 2006.
Bloodlust (1999)
An attempt to constitute a human / machine dialogue. It shows the filmmaker’s blood as seen / heard with the eyes / ears of the machine which is a film projector with optical sound. He affixed his blood onto clear film leader by cutting into the flesh and then pressing the film leader onto the wound. Additionally he had blood taken with a syringe and afterwards dripped it on the film leader. fresh and clotted blood was used.
Bomb Mania (1959)
Anti-war animation about man's passions for self-destruction by experimenting with dangerous chemicals.
No. 11: Mirror Animations (1956)
Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.
Evolution of the Red Star (1973)
Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow and evolve from the red star. Once the master image is formed, this continuously throbbing, pulsating sight is used to ring changes based on years of optical work. Music and picture work together to create a mood of ecstatic tranquility. The bright colors, beautiful music, surprise at the end, etc. make this a good film for young children. Awards: Sinking Creek Film & Video Festival, 1973; Washington National Student Film Festival, 1974; Brooklyn Independent Filmmakers Exposition, 1974; Vanguard Int'l Competition of Electronic Music for Film, 1974; Humboldt Film Festival, 1974. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
Obmaru (1953)
"Marx was born in Queensland, Australia, and was a landscape painter and model there before moving to San Francisco. However, when she arrived, she found herself in the midst of fascinating non-objective painting and filmmaking activity. She was greatly influenced by the work of Harry Smith and Jordan Belson, and changed her own style to non-objective, receiving graphic inspiration from Jungian brain drawings, symbols in the occult sciences, and the design used by Eastern cultures, all of which being important elements in the San Francisco school mystical school of non-objective art." -Robert Pike, A Critical Study of the West Coast Experimental Film Movement. Preserved by the Academy Film Archive in 2000.
A Fugue (2019)
A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.
Head (1968)
In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.
Dragonfly (1988)
An abstract animation with a motif of a dragonfly, and a complex multi-exposure landscape of a field and a woman's naked body overlap.
Son of the White Mare (1981)
A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.
Clandestine (2003)
A short film released alongside AFI's 2003 album Sing The Sorrow. The four members of AFI search to obtain a mysterious box that bears a resemblance to the album's artwork. There are two separate soundtracks for the film, one composed by AFI guitarist Jade Puget, and one composed by AFI bassist Hunter Burgan.
Oh! What a Lovely War (1969)
The working-class Smiths change their initially sunny views on World War I after the three boys of the family witness the harsh reality of trench warfare.
Peace on Earth (1939)
Two baby squirrels ask grandpa to explain what "men" are when he comes in singing "peace on earth, goodwill to men". Grandpa tells the story of man's last war. This classic animation short was an Academy Award Best Short Subject, Cartoons nominee.
Good Will To Men (1955)
A group of young mice is in the ruins of a church, practicing singing for an upcoming service. After singing an adulterated version of "Hark! The Herald Angels Sing," the mice wonder about the last line, "Good will to men." One of them asks the choirmaster, an old mouse, "What are men?" The old mouse explains that they all killed each other off by building bigger and more destructive weapons, first guns, then missiles, then bombs.
Not Even Nothing Can Be Free of Ghosts (2021)
Rainer Kohlberger’s abstract film was created entirely without a camera. Through digital algorithms, he precisely arranged a rhythm of light and shadow that pulsates off the screen into our physical space with blinding intensity. The presence of light is almost felt as we are sucked into the image to become its ghostly accomplice. As we leave the theatre, the optical vibrations continue to haunt us.
#57 (2017)
A categorical accumulation of abstract patterns. Lines, colours and sounds obey an impenetrable logic. A quiet film that dares to be resolutely experimental. Chaotic equations by the Chinese mathematician Wang Lin are tackled by an analogue computer, a small battery of surplus high-frequency oscillators and Joost Rekveld.