Community First! Village is designed to lift the chronically homeless off the streets of the Austin, TX, offering them a place to call home, helping them to heal from the ravages of life on the streets, and allowing them to rediscover a purpose in their lives. This documentary explores the events that cause homelessness and the heartwarming stories of being welcomed into a nurturing environment where dignity and self-worth are restored.
In Between (2019)
In rural Kosovo, identical houses are built for family members working abroad, in the hope that they will one day return to settle in their old homeland.
Countdown (2004)
Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obscurity and has now been relegated to the margins of society, as a result of specific political circumstances. Countdown is a film about the limits of memory, the effects of the implacable passage of time, and a hope that surpasses time.
The Corporation (2003)
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
Cry Sea (2007)
Every day 500 high-tech fishing boats enter Senegalese waters and catch whatever they can find. Every day 15,000 Senegalese wooden pirogues go out to sea and search for what is left to feed 600,000 people. All this is done under agreements between the European Union and the countries West Africa.
LFG (2021)
Three months before the 2019 World Cup, the U.S. Women’s National Soccer Team filed a gender discrimination lawsuit against the United States Soccer Federation. At the center of this no-holds-barred account are the players themselves–Megan Rapinoe, Jessica McDonald, Becky Sauerbrunn, Kelley O'Hara and others–who share their stories of courage and resiliency as they take on the biggest fight for women's rights since Title IX.
The Afterlife (NaN)
A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.
Homefront (2019)
Stories of injury, fear, humour and falling in love from soldiers caught up in conflicts from World War II, Vietnam and Afghanistan. Discover the people behind the new sculptures in Greensborough War Memorial Park.
The Hermits (2019)
In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.
We Can Be Heroes (2024)
Sometimes, finding your tribe requires a bit of magic. For attendees of a live action role-playing (LARP) camp in upstate New York, the deeply accepting environment has given neurodivergent, queer, and self-proclaimed "nerdy" teenagers the space and community for self-discovery that they have never found anywhere else. As the campers immerse themselves in this imaginative world, they discover inner strength, heal from past traumas, and emerge as the heroes they are meant to be, both in the fantasy realm and in real life.
S.P.I.T.: Squeegee Punks In Traffic (2001)
We follow Roach, a 17-year-old ex-junkie and squeegee punk living on the streets of Toronto and Montreal. As part of the filmmaking process, he's been given a camera to document his world. The footage he gets is urgent, because there's a war against squeegee kids. This documentary is from the point of view of the kids themselves, in order to provide alternative voices. Roach's camera is positioned behind "enemy" lines: living in derelict buildings, squeegeeing for money, being hunted by police.
21 Years: Richard Linklater (2014)
A journey through the professional life of innovative film director Richard Linklater: 21 years creating films, carving his signature in pop culture; an analysis of his style and motivations, through the funny and moving testimonies of close friends and collaborators, actors and other filmmakers.
Finding Hope Home (NaN)
The story of Pastor Lucy and her husband Duncan Ndegwa, who began feeding and sheltering children from the streets of Nairobi, Kenya in 1996.
Young At Heart (2008)
Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.
Someone Like Me (2021)
After 11 strangers unite to help a gay youth escape life-threatening violence in Uganda, the unexpected pandemic and conflicting opinions over his best interests test the limits of their commitment and jeopardize his fresh start in Canada.
The Wild Parrots of Telegraph Hill (2003)
A homeless musician finds meaning in his life when he starts a friendship with dozens of parrots.
Tender (2014)
A big hearted community celebrates life by fronting up to death. Set against the stunning backdrop of the industrial seaside town of Port Kembla, a feisty and resilient community group have determined to take back the responsibility that most of us leave to someone else — to care for their own dead. Scattered throughout are stories that cut to the core revealing why this small band have decided to take on a practice that for most is taboo. As their plans for community-based funerals gather momentum one of their own is diagnosed with a life-threatening illness. Tender is at once a heartbreakingly beautiful and beautifully funny glimpse of an extraordinary community taking on one of the most essential challenges of human life … its end.