
Good Morning (1959)
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

The Gay Divorcee (1934)
Seeking a divorce from her absentee husband, Mimi Glossop travels to an English seaside resort. There she falls in love with dancer Guy Holden, whom she later mistakes for the corespondent her lawyer hired.

Follow the Fleet (1936)
When the US Navy fleet docks at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister, Connie. But it's not all smooth sailing—Bake has a habit of losing Sherry's jobs for her and, despite Connie's dreams, Bilge is not ready to settle down.

Flying Down to Rio (1933)
An American bandleader woos a Brazilian beauty who is already engaged to his employer. His friends try to help him, while learning the local dance, The Carioca. The first pairing of Fred Astaire & Ginger Rogers, and their only pre-Code film.

Road to Utopia (1946)
While on a ship to Skagway, Alaska, Duke and Chester find a map to a secret gold mine, which had been 'stolen' by thugs. In Alaska to recover her father's map, Sal Van Hoyden falls in with Ace Larson, who secretly wants to steal the gold mine for himself. Duke, Chester, the thugs, Ace and his henchman chase each other all over the countryside—for the map.

Crazy House (1943)
Ole Olsen and Chic Johnson are Broadway stars who return to Universal Studios to make another movie. The mere mention of Olsen and Johnson's names evacuates the studio and terrorizes the management and personnel. Undaunted, the comedians hire an assistant director and unknown talent, and set out to make their own movie.

Tartuffe, or The Imposter (1983)
Royal Shakespeare Company's televised adaptation of Moliere's play with Antony Sher in the title role of Tartuffe.
Balkan Perestroika (1990)
A modernized comedy of Branislav Nusic's novel, about the life and work of a "small manufacturer", his professional and familial relations.

Josette (1938)
Two young men try to wrest their father from the clutches of a gold digger but by mistake think the woman is a young nightclub singer with whom they both fall in love.

L♡DK (2014)
Aoi Nishimori's parents moved to another city for work, but Aoi didn't want to transfer to a new high school. She stays behind and lives in an apartment by herself. Shūsei Kugayama moves in next to Aoi's apartment. Shūsei is a very popular student at their high school. Due to a mistake, Aoi makes the sprinkler go off in his room. Until Shūsei's room is fixed, he stays with Aoi.

Anna's Dream (2002)
After a gymnastics accident leaves her paraplegic, 18-year-old Anna Morgan returns to high school. Because of time lost due to her injury and rehab, she is repeating her junior year, with her sister Beth. The film covers her adjustments to her new life, and her classmates' problems in dealing with her wheelchair. In a series of small vignettes, it also gives a picture of her family, good and bad, and her parents' efforts to support their kids while dealing with their own fears.

Wildcats (1986)
High school track coach Molly McGrath knows just as much about football as anyone else on the planet. When a football coach's position becomes vacant, she applies for the job, despite snickers from fellow staff members and her former husband.

Full of It (2007)
A teenager tells outrageous lies at his new high school, only to have them suddenly come true.

The Band Wagon (1953)
A Broadway artiste turns a faded film star's comeback vehicle into an artsy flop.

Easter Parade (1948)
On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.