In the 50 years since he carved his first totem pole, Robert Davidson has come to be regarded as one of the world’s foremost modern artists. Charles Wilkinson (Haida Gwaii: On the Edge of the World) brings his trademark inquisitiveness and craftsmanship to this revealing portrait of an unassuming living legend. Weaving together engaging interviews with the artist, his offspring, and a host of admirers, Haida Modern extols the sweeping impact of both Davidson’s artwork and the legions it’s inspired.
Coco Chanel Unbuttoned (2023)
The story of original influencer Coco Chanel, whose designs still represent the zenith of female sexuality, style and power.
Fakir (2019)
The feature-length documentary Fakir portrays the success of fakirism in Brazil, Latin America and France. This circus art origin show is presented and analyzed through archives that reveals the success of these presentations with their pain resistance championships and the great public presence, including politicians and government officials. Fakir spans current footage from contemporary artists who keep this art alive in performances and shows.
Jordan River Anderson, The Messenger (2019)
The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.
There's Something in the Water (2019)
Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.
Now Is the Time (2019)
When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.
The Whale and the Raven (2019)
Director Mirjam Leuze’s The Whale and The Raven illuminates the many issues that have drawn whale researchers, the Gitga’at First Nation, and the Government of British Columbia into a complex conflict. As the people in the Great Bear Rainforest struggle to protect their territory against the pressure and promise of the gas industry, caught in between are the countless beings that call this place home.
Foster Child (1987)
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.
Post New Bills: The Story of Green Patriot Posters (2014)
A short documentary illustrating how art can influence public perception towards environmental issues. Green Patriot Posters is a highly acclaimed multimedia design campaign that challenges artists to deepen public understanding and ignite collective action in the fight against climate change. So far, it has reached five million people through print media, public space and digital culture. The film features interviews with key Green Patriot Posters contributors (Shepard Fairey, Michael Bierut, DJ Spooky, Mathilde Fallot) and its founders (The Canary Project, Dmitri Siegel).
The Past Is a Grotesque Animal (2014)
A personal, accessible look at an artist - Kevin Barnes, frontman of the endlessly versatile indie pop band of Montreal - whose pursuit to make transcendent music at all costs drives him to value art over human relationships. As he struggles with all of those around him, family and bandmates alike, he's forced to reconsider the future of the band, begging the question - is this really worth it?
The Artist’s Garden: American Impressionism (2017)
Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.
Haida Gwaii: Restoring the Balance (2015)
The conflict over forestry operations on Lyell Island in 1985 was a major milestone in the history of the re-emergence of the Haida Nation. It was a turning point for the Haida and management of their natural resources.
Dear Jinri (2023)
"Dear Jinri" explores the daily concerns and thoughts of actress and singer Sulli, whose real name is Choi Jinri, where she talks about her childhood, career and more in this interview she gave in 2019.
The Stand (2024)
On a misty morning in the fall of 1985, a small group of Haida people blockaded a muddy dirt road on Lyell Island, demanding the government work with Indigenous people to find a way to protect the land and the future. In a riveting new feature documentary drawn from more than a hundred hours of archival footage and audio, award-winning director Christopher Auchter (Now Is the Time) recreates the critical moment when the Haida Nation’s resolute act of vision and conscience changed the world.
Double M Country (2023)
Carrie Davis was part of the child removal system near the end of the Sixties Scoop. With guidance from her uncle Emmett Sack and the community, Carrie reconnects to their land, language, and culture.
The Diamond King (2025)
Dick Perez, official Baseball Hall of Fame artist for over 20 years, painted the game's history and every inductee - a project he continues in his 80s. This childhood immigrant's portraits changed commemoration of America's iconic pastime.
Mary Two-Axe Earley: I Am Indian Again (2021)
After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day. Kahnawake filmmaker Courtney Montour honours this inspiring leader while drawing attention to contemporary injustices that remain in this era of truth and reconciliation.
Andy Warhol (1987)
The first major profile of the American Pop Art cult leader after his death in 1987 covers the whole of his life and work through interviews, clips from his films, and conversations with his family and superstar friends. Andy Warhol, the son of poor Czech immigrants, grew up in the industrial slums of Pittsburgh while dreaming of Hollywood stars. He went on to become a star himself.
AquaBurn (2003)
AquaBurn is an award-winning documentary film by director Bill Breithaupt showcasing "The Floating World" theme of the 2002 Burning Man Festival. AquaBurn features many of the incredible Burning Man art installations, the imagination and originality that went into their creation, and the artists who conceived them. Unlike conventional documentaries on the Burning Man Festival, AquaBurn captures the true feeling and excitement of the event itself, transporting the viewer to a hot, dusty wonderland without ever leaving home.