In the 50 years since he carved his first totem pole, Robert Davidson has come to be regarded as one of the world’s foremost modern artists. Charles Wilkinson (Haida Gwaii: On the Edge of the World) brings his trademark inquisitiveness and craftsmanship to this revealing portrait of an unassuming living legend. Weaving together engaging interviews with the artist, his offspring, and a host of admirers, Haida Modern extols the sweeping impact of both Davidson’s artwork and the legions it’s inspired.

Fluisteraars (2024)
Destroying your own artwork. For many artists it is unmentionable, but Loes Heebink from Kolderveen irreparably destroyed her artwork "Fluisteraars" herself and came up with the idea for a documentary of the same name, directed by Saskia Jeulink.

Sean Penn, l'enfant terrible de l'Amérique (2024)
Sean Penn is almost a living legend. His filmography paints a picture of an 'other America': the lower class, the oppressed and the outsiders. Whether as an actor or director, he turns all the great myths upside down.

Namatjira Project (2017)
From the remote Australian desert to the opulence of Buckingham Palace - Namatjira Project is the iconic story of the Namatjira family, tracing their quest for justice.

A Body Like Mine (2023)
Through post-porn, performance and wrestling, Puck tries to figure out her place in the world.

These were the reasons (2011)
This film takes us into the harsh realm of BC's early coal mines, canneries, and lumber camps; where primitve conditions and speed-ups often cost lives. Then, the film moves through the unemployed' struggles of the '30s, post WWII equity campaigns, and into more recent public sector strikes over union rights.

Canadian Pacific I (1974)
Canadian Pacific I is made up of a series of slowly dissolved shots done from the same framing over several months. The camera frames a window with a railway yard in the foreground, a bay in the space behind it, and misty mountains in the extreme distance. Trains occasionally pass by in the foreground. Huge ships move across the bay. Blue mists hover over the mountain heads.

Bob Ross: Happy Accidents, Betrayal & Greed (2021)
Bob Ross brought joy to millions as the world's most famous art instructor. But a battle for his business empire cast a shadow over his happy trees.

Women in the Shadows (1991)
Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

The Last Stop (2017)
The Élan School was a for-profit, residential behavior modification program and therapeutic boarding school located deep within the woods of Maine. Delinquent teenagers who failed to comply with other treatment programs were referred to the school as a last resort. Treatment entailed harsh discipline, surveillance, degradation, and downright abuse. Years later, the patients who were institutionalized in this facility still carry the trauma they endured, with mixed opinions on the impact of their experience.

This Was the Time (1970)
When Masset, a Haida village in Haida Gwaii (formerly known as the Queen Charlotte Islands), held a potlatch, it seemed as if the past grandeur of the people had returned. This is a colourful recreation of Indigenous life that faded more than two generations ago when the great totems were toppled by the missionaries and the costly potlatch was forbidden by law. The film shows how one village lived again the old glory, with singing, dancing, feasting, and the raising of a towering totem as a lasting reminder of what once was.

Edward Hopper (2007)
Hopper, one of America’s most admired artists, captured the shared realities of American life with poignancy and enigmatic beauty. His iconic images, set in unexceptional places, reveal the poetry of quiet, private moments. Hopper’s influences, which vary from French impressionism to the gangster films of the 1930s, are explored through archival photos, footage of locations he painted in New York and along the New England coast, and interviews with artists Eric Fischl and Red Grooms.

Watchers of the Land (NaN)
What does it mean to connect with your ancestral land? In the Northwest Territories of Canada, young people from the Lutsel K'e Dene First Nation journey across Tu Nedhe Lake (Great Slave Lake) with the Ni Hat'ni Dene guardians to learn about the home that their community relies on—a home that's being opened up as a new national park reserve within the Thaidene Nene Indigenous Protected Area. Now, looking after this land means that the Ni Hat'ni Dene guardians are preserving it not only for future generations here but also for the world.

Jack Kerouac's Road: A Franco-American Odyssey (1987)
Part documentary, part drama, this film presents the life and work of Jack Kerouac, an American writer with Québec roots who became one of the most important spokesmen for his generation. Intercut with archival footage, photographs and interviews, this film takes apart the heroic myth and even returns to the childhood of the author whose life and work contributed greatly to the cultural, sexual and social revolution of the 1960s.

Coast Modern (2012)
A core group of architects embraced the West Coast from Vancouver to LA with its particular geography and values and left behind a legacy of inspired dwellings. Today, architects celebrate the influence established by their predecessors.

American Animals (2018)
Lexington, Kentucky, 2004. Four young men attempt to execute one of the most audacious art heists in the history of the United States.

Andy Warhol (1987)
The first major profile of the American Pop Art cult leader after his death in 1987 covers the whole of his life and work through interviews, clips from his films, and conversations with his family and superstar friends. Andy Warhol, the son of poor Czech immigrants, grew up in the industrial slums of Pittsburgh while dreaming of Hollywood stars. He went on to become a star himself.
AquaBurn (2003)
AquaBurn is an award-winning documentary film by director Bill Breithaupt showcasing "The Floating World" theme of the 2002 Burning Man Festival. AquaBurn features many of the incredible Burning Man art installations, the imagination and originality that went into their creation, and the artists who conceived them. Unlike conventional documentaries on the Burning Man Festival, AquaBurn captures the true feeling and excitement of the event itself, transporting the viewer to a hot, dusty wonderland without ever leaving home.