Facing deteriorating machines and the advance of new technologies, Argentine printing presses are closing up their shops. A group of young designers has rediscovered this great technical innovation in the history of the written word – the typesetting printing press – but the technique is difficult to learn, passed down from master to apprentice. The last press mechanic in the country will be in charge of teaching them so that this historic technique endures.

Manufactured Landscapes (2006)
MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.
The Voice Beneath the Sea (1956)
A documentary about the laying of the first transatlantic telephone line.

Everything Must Change: Piet Zwart (2012)
A fascinating documentary about Piet Zwart (1885–1977), an idiosyncratic and stubborn designer, who lived for innovation and prepared the way for the international success that is now known as Dutch Design. Piet Zwart worked as an interior and industrial designer, commercial typographer, photographer, critic and lecturer, playing a key role in defining the design climate in the Netherlands in the Twentieth Century. He is especially known for designing the famous ‘Piet Zwart’ kitchen for the Dutch company Bruynzeel: a kitchen that could be easily produced and consisted of standardized elements. His versatility and influence on present-day designers led the Association of Dutch Designers to award him the title of “Designer of the Century” in 2000.

Helvetica (2007)
Helvetica is a feature-length independent film about typography, graphic design and global visual culture. It looks at the proliferation of one typeface (which will celebrate its 50th birthday in 2007) as part of a larger conversation about the way type affects our lives. The film is an exploration of urban spaces in major cities and the type that inhabits them, and a fluid discussion with renowned designers about their work, the creative process, and the choices and aesthetics behind their use of type.

Classic British Cars: Made in Coventry (2021)
Find out how the cars were crafted and discover the secret family stories behind the most famous marques including Riley, Standard, Triumph and Jaguar. Legendary racers Rosemary Smith, Pat Quinn and Norman Dewis share their memories of competing Coventry’s cars in some of the world’s most dangerous motorsport events. And, meet the people passionate about preserving the city’s extraordinary motoring heritage.

Kainai (1973)
On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.

Québec...? (1967)
This short documentary film is a fascinating portrait of urban and rural Quebec in the late 1960s, as the province entered modernity. The collective work produced for the Quebec Ministry of Industry and Commerce calls on several major Quebec figures.
In Black and White (1951)
An attempted evocation of the tradition of British printing, in a series of dramatised impressions: the discovery of a new method of printing in France and its development in England. The beauty of language is illustrated by excerpts from the works of Shakespeare and Dickens.

Fur Trade (1946)
This short film from 1946 presents an outline of the fur trade's history and the commercial use of fur in Canada. A thirst for fur by the kings and courts of the Old World positioned the fur trade as part of the country's industrial economy. Fur farming and conservation became increasingly important, although the lonely life of the trapper remained the same. This film offers a view of both.

A Century of Energy (2015)
Manoel de Oliveira's final work revisits one of his earliest films and celebrates a century of industrialization in Portugal.

Design Canada (2018)
Through the lens of graphic design, “Design Canada” follows the transformation of a nation from a colonial outpost to a vibrant and multicultural society. What defines a national identity, is it an anthem? A flag? Is it a logo or icon? How do these elements shape who we are? In the 1960s and 1970s, these questions were answered by an innovative group of Canadian designers, who used design to unify the nation.

Jobs for All! (2021)
A highly choreographed review of the Industrial Age as we know it today – an intense and playful roller coaster ride that demands the viewer confronts how “work works.” Culled entirely from archival footage, the film unfolds in the filmmakers’ trademark, and humorously critical, cinematic voices.

That's the Price (1970)
What happens to two dying coal towns in British Columbia when an American corporation provides a contract for millions of tons of coking coal? The film follows the consequences for the towns of Natal and Michel, suggesting that industrial growth has its price, especially with regard to the environment.

Steel Town (1944)
Documentary examining the steel industry in Youngstown, Ohio during World War II. Focuses on steel production, including the smelting process, slagging and the blast furnace. Workers reflect upon their lives and the importance of their jobs. Emphasizes the importance of teamwork in the mills and on the plant's labor relations committee to help win the war. Preserved by the Academy Film Archive in 2012.

Máquinas de palabras (2023)
Portrait of a Mexico City neighborhood where pages and pages are printed, and little by little, words appear. Máquinas de Palabras is a performance created in March 2023 in Mexico City, and is the result of a collaboration between Labo K (Rennes-based film laboratory) and LEC (Laboratorio de Cine Experimental) in Mexico City. A portrait of a Mexico City neighborhood where pages and pages are printed. And little by little, words appear... "From the deliberate use of found images to films that make uncompromising use of raw material, the camera and the plants will take our eyes... Pupils will certainly be illuminated by the projector... How can moving images stay in our heads?"