Documentary filmed on the occasion of the “2003, Odyssey in Space Zero” operation inside the Spazio Zero Theater in Rome. The document, filmed between 21 October and 30 November 2003, recounts the representation of Fotofinish not as a single and continuous work, but as the evolution over time of the moods and movements of the actors who, replica after replica, have developed an awareness of the space and arrived at the joy of staging.
Oh butterfly, what dou you dream of when you flap your wings? (2020)
The work of taxonomists hides more secrets than can be perceived.
Last Minute Habit (2024)
Saga, a kid tasked to make a film project, procrastinates, a lot. A habit that keeps coming back into his life continues to put him in rock bottom. He has a few ideas on how to embrace it.
Death in Vegas (2025)
The life, death, and resurrection of Elvis Presley, as he is transformed from man into product. Composed primarily of an illustrated biography filmed with a microscope camera.
Mother of Fog (2024)
In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)
Nostalgia for the Lake (2023)
A vision from Limbo, where the canoeist of the eternal lake floats in his boat, between sleep and wakefulness. When he sleeps, he dreams of the everyday of a parallel time. when he wakes up, the same song haunts him again and again. his boat, “ara” (time, in guarani) travels through time like a shooting star.
John Baldessari: Some Stories (1990)
Presented without commentary, this film reveals the thinking behind the work of John Baldessari over the course of his career, and provides clues to the understanding of the artist's paintings, photographic work and books.
An Asian Ghost Story (2023)
A cinematic and conceptually inventive film that explores the haunting memories of Asia’s late 20th-century modernization through the large-scale export of wigs during the Cold War. Yet, in every wig resides a ghost from the imperial past.
In The Pines (2022)
This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.
Ramba Zamba (2023)
Ramba Zamba: a theater with handicapped and non-handicapped people/actresses and actors, which has been living and working on inclusive integrative togetherness impressively every day for thirty years now. The film accompanies the mentally and physically impaired actresses and actors for six months through the theatrical production of the play GOLEM, from the beginning of rehearsals to the premiere. In doing so, the film is also partly influenced by the portrayed persons themselves, quasi inclusively co-determined, by them capturing their own view and perception, their view of reality itself on film.
Born In Summer (1998)
A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.
The Allegory of The Bla Bla Bla (Video Edition) (2023)
This work is an attempt to overcome alienation amidst the fragmented construction reality of everyday narrative. Rethinking the meaning of reflections and shadows, framed subjects, body movements, screen, as well as sounds that are constructed by connecting the expression of their existence with the history of representation in modern art.
SUGA | Agust D TOUR 'D-DAY' THE MOVIE (2024)
As the grand finale of the world tour, "SUGA | Agust D TOUR 'D-DAY' THE FINAL" marked the culmination of 25 concerts held in 10 cities, which captivated a total audience of 290,000 throughout its run. Experience the pulsating energy and excitement of "'D-DAY' THE FINAL" on screen, everything from the exquisite sounds traversing the boundary between "21st Century Pop Icon" BTS member SUGA and solo artist Agust D, electrifying performance, explosive energy, to special duet stages featuring fellow BTS members RM, Jimin, and Jung Kook.
Vestige (2023)
A room-scale VR creative documentary that uses multi-narrative and volumetric live capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love, Erik. Within an empty void, fragments of past memories appear of their life together.
The Sounds of 7am (2023)
This short film follows an intoxicated character's journey through the mystery, beauty and eeriness of his environment.
Hong Kong Mixtape (2023)
Political engagement spawned the wildest of wonderlands for Hong Kong’s creativity – but as a new law annihilates freedom of expression overnight, underground artists and creatives find themselves targets, and their works disappeared. Together we race to preserve the creative uprising amid China’s crackdown.
Dreamed to sea (2023)
A monster that lives in the darkest part of the sea, a dreamlike representation of the journey towards the depths of something that one wants to avoid and that is finally faced.
Half Serious, Half Kidding (2023)
Marc with a C is the stage name of Orlando indie/DIY singer-songwriter Marc Sirdoreus and was formally a persona enacted on stage for over 20 years. This documentary covers their career using only filmed stage performances, interviews, and other video and audio releases published online by Marc or their audience. Made from a myriad of videos with view counts ranging from 15 to 30k, it chronicles their attempts to use music and lyrics to connect to and understand others, as well as their relationship to attention and performance as social media swallows up small artists to turn art into content.