Growing Native Great Lakes: Turtle Island (2018)

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The Great Lakes and connecting waterways have remained the center of traditional and contemporary economies for centuries. Meet the Ojibwe and a tribe that was relocated to this region—the Oneida Tribe of Wisconsin who care for these lands. Natural resources are the Tribes’ main economy, including the famous Red Lake walleye and wild rice lakes.

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Yuxweluptun: Man of Masks (1998)

This short documentary serves as a portrait of Lawrence Paul Yuxweluptun, one of Canada's most important painters. We meet him at the Bisley Rifle Range in Surrey, England, where he's literally shooting the Indian Act in a performance piece called "An Indian Shooting the Indian Act." It's in protest of the ongoing effects of the Act's legislation on Indigenous people. We then follow him back to Canada, for interviews with the artist and a closer look at his work.

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Woodland Spirits (2007)

In this documentary short, two men paddle a canoe across a remote part of northern Lake Superior. Each stroke brings them closer to the culmination of an artistic and spiritual journey, one that begins with ancient rock paintings from their Anishinaabe ancestors.

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Smudge (2005)

This short documentary follows three Indigenous women as they practice ancestral forms of worship: drumming, singing, and using sweetgrass. These ancient spiritual traditions may at first seem at odds with urban life, but to Indigenous people in Canada who are used to praying in natural settings, the whole world is sacred space.

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Black Thoughts (2020)

A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.

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Igloo (1932)

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Kevin Alec (1977)

In the mountainous country near Lillooet, British Columbia, eleven-year-old Kevin Alec of the Fountain Indian Reserve learns to make fishnets with his grandfather, and skin and tan hides with his aunt. He goes fishing with his grandmother and horseback riding with his brother. Life is full of wonderful things to do and to learn. Will Kevin eventually abandon his traditional way of life or will it be a source of continuing enrichment? This film is part of the Children of Canada series.

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Canyon Song (2016)

This short film follows Tonisha, Toneil and their family as they reclaim their Navajo history and reconnect with ancestors within the canyon walls.

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The Return of Nóouhàh-Toka’na (NaN)

Nóouhàh-Toka’na, known as swift fox in English, once roamed the North American Great Plains from Canada to Texas. Like bison, pronghorn and other plains animals, Nóouhàh-Toka’na held cultural significance for the Native Americans who lived alongside them. But predator control programs in the mid-1900s reduced the foxes to just 10 percent of their native range. At the Fort Belknap Indian Community in Montana, members of the Aaniiih and Nakoda tribes are working with the Smithsonian’s National Zoo and Conservation Biology Institute and other conservation partners to restore biodiversity and return Nóouhàh-Toka’na to the land.

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Act of War: The Overthrow of the Hawaiian Nation (1993)

This hour-long documentary is a provocative look at a historical event of which few Americans are aware. In mid-January, 1893, armed troops from the U.S.S Boston landed at Honolulu in support of a treasonous coup d’état against the constitutional sovereign of the Hawaiian Kingdom, Queen Lili‘uokalani. The event was described by U.S. President Grover Cleveland as an "act of war."

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Paralelo 10 (2012)

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Hunters and Bombers (1991)

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Mayan Renaissance (2012)

Mayan Renaissance is a feature length film which documents the glory of the ancient Maya civilization, the Spanish conquest in 1519, 500 years of oppression, and the courageous fight of the Maya to reclaim their voice and determine their own future, in Guatemala and throughout Central America. The film stars 1992 Nobel Peace Laureate and Maya Leader Rigoberta Mencu Tum. All of the images, voices, expert commentary and music in the film come directly from Central America, the heart of the Mayan World.

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Red Fever (2024)

Red Fever is a witty and entertaining feature documentary about the profound -- yet hidden -- Indigenous influence on Western culture and identity. The film follows Cree co-director Neil Diamond as he asks, “Why do they love us so much?!” and sets out on a journey to find out why the world is so fascinated with the stereotypical imagery of Native people that is all over pop culture. Why have Indigenous cultures been revered, romanticized, and appropriated for so long, and to this day? Red Fever uncovers the surprising truths behind the imagery -- so buried in history that even most Native people don't know about them.

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This May Be the Last Time (2014)

Filmmaker Sterlin Harjo's Grandfather disappeared mysteriously in 1962. The community searching for him sang songs of encouragement that were passed down for generations. Harjo explores the origins of these songs as well as the violent history of his people.

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De la rivière à la mer (2019)

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No Address (1988)

This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.

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American Interior (2014)

Two men. Two quests. Two centuries apart. Four ways to experience the search for a lost tribe. Film. Book. Album. App.

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Xapiri (2016)

Xapiri is a Yanomami term that characterizes the shamans, male spirits (xapiri thëpë) and also auxiliary spirits (xapiri pë). Xapiri is an experimental film about Yanomami shamanism that was filmed during a meeting of 37 shamans at the Watoriki Reserve, Roraima, in March of 2011. The film was designed to take into account two different notions of image: those of the Yanomami and ours. Therefore, it does not set out to explain shamanism, its methods or procedures, but to allow different cultures to visualize and feel the way in which the shamans “embody” the spirits, their bodies and voices.