The film tells the story of James Morrison’s early years, painting the tenements of Glasgow, through to his dramatic encounter with a polar bear while painting melting icebergs in North West Greenland. As the artist struggles with imposing blindness, the film follows James, as he prepares for what turned out to be his last ever public exhibition at the Scottish Gallery in Edinburgh in January 2020.
Thomas Hart Benton (1989)
Thomas Hart Benton's paintings were energetic and uncompromising. Today his works are in museums, but Benton hung them in saloons for ordinary people to appreciate.
Gerhard Richter (2003)
Described in Art Review as the world’s most influential and expensive living artist, the German painter Gerhard Richter was enjoying enormous success in London with his retrospective show at Tate Modern entitled Panorama in 2011. This particular film was made some years ago at the time of his equally successful American retrospective at MOMA entitled “40 Years of Painting” and charts his entire artistic career. Born in Dresden in 1932, the year before Hitler came to power, Richter later grew up in communist East Germany, before escaping to the West just before the Wall went up in Berlin. Since then he has produced a large diverse body of work from his blurred photobased paintings to his gigantic abstractions, from his Baader Meinhof pictures to his perceptual installations using sheets of glass. Gerald Fox’s film caught up with the artist at his home in Cologne where he was undergoing a period of quiet reflection and preparation before beginning a new series of paintings.
Larry Wessel's Palace of Wonders (2021)
Larry Wessel invites you to explore the phantasmagorical worlds created by a variety of artists, writers, photographers, musicians and collectors.
Visite à Oscar Dominguez (1947)
This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.
Jim Dine (1966)
Jim Dine at work and at home. Includes footage of Dine discussing his life, his artistic development, and what is called "ugly" in his work. Examines a number of Dine's works from different periods, including his tie paintings, tool paintings, palettes, collages, and "happenings," and considers Dine's concern with objects in his work.
Takeda (2017)
Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.
Pieces of Lives, Pieces of Dreams (2012)
Algerian director Hamid Benamra turns his focus to Mustapha Boutadjine, a charming, mercurial collage artist in Paris whose very work methods embody resistance, and celebrate those who work to liberate others. Boutadjine creates his portraits of Third World artists such as Miriam Makeba, and Algerian figures such as Assia Djebar from pieces of paper torn from high end fashion magazines and other, glossy, glitzy publications. Using this material is as much an act of rejecting bourgeois standards, which are often anti-North African in France, as much as elevating these figures and making them the social and visual standard against which we should judge ourselves, not the runway models of Chanel.
Hand-Drawn: Documentary (NaN)
An indie documentary exploring the art form of hand-drawn animation through a contemporary lens in the digital era. Featuring insights and anecdotes by hand-drawn animation artists from around the world.
Placebo: Alt.Russia (2016)
As the band Placebo approach their 20th Anniversary they were given a unique opportunity to play ten cities throughout Russia. In a time when Russia was at the forefront of the world’s current affairs, little was actually reported outside Russia about the internal culture of the country. Fronted by Placebo’s Stefan Olsdal, the film explores the alternative cultures that are present within Russia’s major cities. As the tour travelled through the country the band went out and met various artists, architects, animators and musicians, finding out about the alternative creative culture and celebrating all they have to offer. From Krasnoyarsk in Siberia to St. Petersburg on the Baltic Sea, Placebo: Alt.Russia takes you on the band’s journey through Russia, meeting great characters on the way, investigating the alternative culture in Russia, and taking in the raw emotions of Placebo’s powerful concerts.
Pablo Picasso: The Legacy of a Genius (1981)
An assessment of the 20th century's best known artist and his vast achievements through the insights and speculations of over a dozen participants. Filmed on the 100th anniversary of Picasso's birth at MoMA, Musée Picasso, Walker Art Center, Museu Picasso Barcelona. Featuring Henry Moore, Anthony Caro, David Hockney, Roy Lichtenstein, Robert Rosenblum, Clement Greenberg, Roland Penrose and others.
Bone Wind Fire (2011)
A journey into the hearts, minds and eyes of Georgia O’Keeffe, Emily Carr and Frida Kahlo - three of the 20th century’s most remarkable artists.
China's Van Goghs (2016)
An intimate portrait of a peasant-turned oil painter transitioning from making copies of iconic Western paintings to creating his own authentic works of art.
Forging Condors (2018)
Latvian artist Miķelis Fišers, one of the brightest artists of his generation, leaves everything to go to Latin America to find inspiration for his creative work and disappears. His friend, film director Mārtiņš Grauds decides to search for him. The film reveals a moment of artistic creation. The filming crew has been looking for the artist in Peru, Mexico, Bolivia, Finland, Italy and Latvia.
Frida Kahlo & Tina Modotti (1983)
An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.