The Story of an Encounter is a documentary that captures the unexpected encounter between México and Cirque du Soleil creators in the mist of the creation of LUZIA, Cirque du Soleil next big top show. It is a cultural and intimate story of the meeting of creative minds seen through personal interactions and relationship building of the show creators. Filmed in Mexico City, Tijuana, Oaxaca and Montréal, this series features: Daniele Finzi Pasca (Co-author and Director of LUZIA), Patricia Ruel (Direction of Creation), Simon Carpentier (Composer), Eugenio Caballero (Set and Props Designer) as well as Majo Cornejo and Rodrigo de la Mora (Musicians).
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Centinelas del Silencio (1971)
Sentinels of Silence is a 1971 short documentary film on ancient Mexican civilizations. The film was directed and written by Mexican filmmaker Robert Amram, and is notable for being the first and only short film to win two Academy Awards.
ABUHADBA (2024)
From the slow waitings for opening of the big top to the loneliness in the dressing room backstage, Abuhadba follows the life of a small circus in Chile run entirely by a traditional circus family.
Grazing the Sky (2013)
Grazing the Sky is a compelling look at the lives of trapeze artists and other circus performers. The film was shot for over two years covering 11 countries, including the Americas, Europe and the Near East. It follows the nomadic lives of circus performers. The audience follows 10 protagonists as they try to reach perfection and meet their lofty goals. The documentary sheds light on the contemporary circus world, and focuses on performers who devote themselves to the greatest show on earth.
Migrant Mother (2021)
Migranta tells the stories of Vicky, Betty and Lety, (three mothers who have come to Canada from Mexico as part of the federal government’s Seasonal Agricultural Worker Program) as they face calculated risks, difficult choices and harsh realities while navigating, work and life in Canada while being separated from families and communities they support.
Wild Window: Bejeweled Fishes (2016)
Bejeweled Fishes captures the spectacular beauty of the myriad fishes inhabiting coral reefs of the Tropical and Eastern Pacific. This Wild Window was captured in the Maldives Islands, Fiji, the Philippines, Mexico, California, and Indonesia.
The Jump (2019)
Luis Rivera, the best Mexican high jumper of the history, seeks to inspire a generation by qualifying for the Olympic Games as he finishes his doctorate studies. Injuries threaten his dream while his younger brothers follow in his path and example.
The Silence of the Princess (2014)
Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. The moment seemed to trigger a promising career, but her public image faded little by little until disappearing. Forty years later the traces of her existence have not been entirely erased.
Mexican Police on Parade (1943)
This Traveltalk series short showcases the Mexico City police department's various units as they participate in a yearly festival. Included are a marching band, a parade of patrol cars, the motorcycle unit, equestrian unit, and the department's pistol team.
Ammunition Smuggling on the Mexican Border: Incidents of the Mexican Revolution (1914)
Around the film hang fascinating questions about border politics, which I’ll touch on in an introduction before the screening. One of Eugene Buck’s motivations for making the film may have been his rough cross-examination during his kidnappers’ first trials, in October 1913, when defense attorneys cast him as a confused and unreliable witness against idealistic freedom fighters. On film he could reproduce the pursuit, the shootouts, his kidnapping, and his friend’s murder just as he had testified. Reenacting the crime on film may have been the best revenge—and a way to honor the sacrifice of Deputy Ortiz, a twenty-year police veteran and, for the era, a rare Mexican American lawman.
Muerte es Vida (Death is Life) (2016)
Monarch butterflies have brought hope to the darkest times of people's lives. In Mexico, when they arrive for Day of the Dead, they are thought to be souls of the departed. Coincidence?
Arkhé (2023)
“Archeology” and “Archive” share the same roots. Both words come from “Arkhé”, the Greek word for “origin”. In the ruins of buildings, lost forever by earthquakes, as in the depth of the archives, we dig. What happened the morning of the big earthquake? The morning of September 19th 1985 is fading away in our memories. These recordings have never been seen. Unedited images of the catastrophe dug out by the archaeological adventure of an archivist that suffered with them. He dug and suffered until he could no longer see.
Thunder Over Mexico (1933)
As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.
Takeda (2017)
Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.
Zapatista Women (1995)
April 1994 in the Lacandona Jungle, Chiapas, México. The Zapatista women talk about the living conditions of Mexican indigenous populations and the life of peasant women. They explain the reasons for their struggle and their uprising.
Chavela (2017)
Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.
Black Waters (NaN)
“Aguas Negras” is an experimental documentary about the Cuautitlán River. The film examines the passage of time and the pollution of the river by focusing on conversations with multiple generations of women in the filmmaker's family that have grown up by the river in a municipality identified as having the highest perception of insecurity in the State of Mexico.
