Drawing upon a vast and richly visual archive and featuring a host of performers, historians and aficionados, this four-hour mini-series follows the rise and fall of the gigantic, traveling tented railroad circus and brings to life an era when Circus Day would shut down a town and its stars were among the most famous people in the country.
Cirque du Soleil: Quidam (1999)
A young girl has already seen everything there is to see and her world has lost all meaning. Her anger shatters her world and she finds herself in the universe of QUIDAM, where she is joined by a playful companion, as well as another mysterious character who attempts to seduce her with the marvelous, the unsettling and the terrifying.
Cirque du Soleil: Alegria (2001)
Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.
Cirque du Soleil: Saltimbanco (1997)
From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.
Cirque du Soleil: Varekai (2003)
Icarus is the main character of Varekai, who falls to the ground, breaking his legs as he does. He is suddenly in a strange, new world full of creatures he has never seen before. Parachuted into the shadows of a magical forest, a kaleidoscopic world populated by fantastical creatures, this young man sets off on an adventure both absurd and extraordinary.
Silent Forests (2019)
This documentary takes audiences into the heart of Africa's Congo Basin to meet the men and women trying to save the forest elephant from extinction.
Serengeti Shall Not Die (1959)
The film tells of the beginnings of the Serengeti National Park in Tanzania. At the end of the 1950s, the Tanzanian National Park Administration wanted to fence in the protected area around the Ngorongoro Crater. Bernhard and Michael Grzimek were invited by the national park administration in 1957 to get a precise picture of the animal migrations and to provide the national park administration with the values they needed for their project. Using a new counting method with two airplanes, the Grzimeks found out that the migration of the herds was different than assumed.
Mister Biscuit (1999)
Noel Mason's vaudevillian skills are appreciated by his younger audience, but he is not making enough money at the children's shows to pay his costs, his old car does not go very well, and he is dyslexic and unable to understand the contracts employers give him. The situation starts to look more hopeful when Noel answers a newspaper advertisement to join an entertainment agency.
Prater (2007)
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
Wild Daze (2020)
In Africa, poachers brutally maim and kill elephants for their ivory, much of which is exported to China or smuggled into the United States. The profits help fund terrorist organisations, and are used to buy guns and artillery. WILD DAZE takes an unflinching look at these problems from various perspectives, and shows how the slaughter has decimated the elephant population, left survivors traumatised, and seriously harmed the forests of Eastern and Southern Africa.
Kimana Tuskers (2021)
There are fewer than 20 tuskers left on earth, where ivory still sweeps the ground. Filmed throughout the Greater Amboseli ecosystem in Kenya, Kimana Tuskers is a short film of epic proportions. Follow the famous tusker known as Craig, and the younger elephant bulls who entrust their lives to him as they navigate a vanishing landscape through the Kimana Wildlife Corridor. This is the passage of experience, a brotherhood, built on respect, trust and loyalty, and what awaits them is the promised land, so that one day their sons will rise to be kings…
Tricicle: un último gesto (2022)
Presenter and comedian Andreu Buenafuente interviews Joan Gràcia, Paco Mir and Carles Sans moments after the conclusion of their last performance at the Liceu Theater in Barcelona, the culmination of their forty-three-year career on stages all over the world as Tricicle, a brilliant, ineffable, unforgettable, irreplaceable comedy trio.
Sunshine in Soho (1956)
1950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.
Balakrishna (2019)
When an extraordinary new resident – Balakrishna, an Indian elephant – arrived in the town of East River, Nova Scotia, in 1967, no one was more in awe of the creature than young Winton Cook, who became inseparable from his mammoth new friend. Using painterly animation, photographs and home-movie treasures, Balakrishna transmits the wistfulness of childhood memories, while evoking themes of friendship and loss, and issues of immigration and elephant conservation.
The White Caravan (2022)
The neon sign ‘Circus’ illuminates the wide street of Naples’ suburbs: four circus families were abandoned by the institutions, and now they’re awaiting the pandemic will disappear, like a magic show. The circus has stopped, but their lives go on.
An Apology to Elephants (2013)
Elephants are among the most majestic and intelligent creatures on Earth--but for hundreds of years, they have suffered at the hands of humans. Narrated by Lily Tomlin, this documentary short traces our long history with elephants and explores the many problems that arise when they are brought to live in captivity in zoos and circuses.
Grazing the Sky (2013)
Grazing the Sky is a compelling look at the lives of trapeze artists and other circus performers. The film was shot for over two years covering 11 countries, including the Americas, Europe and the Near East. It follows the nomadic lives of circus performers. The audience follows 10 protagonists as they try to reach perfection and meet their lofty goals. The documentary sheds light on the contemporary circus world, and focuses on performers who devote themselves to the greatest show on earth.