Celebrate International Women’s Day with this brand new inspiring film from LETTERS LIVE. In “LETTERS LIVE from the Archive: International Women’s Day”, remarkable letters are read by a diverse array of outstanding luminaries, including stunning performances from Olivia Colman, Gillian Anderson, Daisy Ridley, Caitlin Moran, Rose McGowan, Adwoa Aboah, Louise Brealey and more. Plus music from Roxanne Tataei.
The Glassblower (2016)
Marie violates tradition in a small German town of Lauscha, to become the first female glassblower in in 1890. Her glass ball decorations find a new market in America.
Geek Girls (2017)
When filmmaker Gina Hara sets out to explore the hidden half of nerd culture, she struggles through unexpected resistance. Welcome to the world of cute dresses, professional gamers, fake names and death threats.
LFG (2021)
Three months before the 2019 World Cup, the U.S. Women’s National Soccer Team filed a gender discrimination lawsuit against the United States Soccer Federation. At the center of this no-holds-barred account are the players themselves–Megan Rapinoe, Jessica McDonald, Becky Sauerbrunn, Kelley O'Hara and others–who share their stories of courage and resiliency as they take on the biggest fight for women's rights since Title IX.
Donna: Women in Revolt (1980)
The story of those Italian women who, for eighty years, have fought against power in all its forms.
Maria Montessori (2023)
Set in 1900, Lili d’Alengy, a Parisian cocotte at the height of her fame, flees Paris to hide her “idiot” daughter. There she meets Maria Montessori, who is pioneering a teaching method that may help the child.
Draw Me Egypt - Doaa El-Adl, A Stroke of Freedom (2023)
Doaa el-Adl, the first woman to be awarded the esteemed Journalistic Distinction in Caricature, serves as a catalyst for transformation within the predominantly male-dominated realm of Egyptian political cartoonists. Challenging patriarchal norms, she routinely confronts censorship, harassment, and even threats to her life. In a remarkable fusion of documentary, cartoons, and animation, Egyptian director Nada Riyadh breathes life into el-Adl's most renowned works. This dynamic and fearless presentation delves into the issue of violence against women, stretching the boundaries of freedom of speech in a society often characterized by restrictions. Through her exceptional talent, el-Adl not only champions women's rights but also serves as an inspiration for societal change.
You'll Have the Sky: The Life and Work of Anne Morrow Lindbergh (2016)
A film portrayal of a pioneering aviator and best-selling author whose extraordinary public life had a deep impact on her inner world.
Served Like a Girl (2017)
Five women veterans who have endured unimaginable trauma in service create a shared sisterhood to help the rising number of stranded homeless women veterans by entering a competition that unexpectedly catalyzes moving events in their own lives.
Defiance - Three Women And The Vote. (2019)
To achieve women's rights and gender equality, these three pioneers were willing to risk their livelihood and their future, as well as their reputations.
Requiem for a Tribe (2024)
Hajar is a 55-years-old Bahktiari woman from Iran who is betrayed by her family and forced to abandon her nomadic lifestyle. Climate change, urbanization and social issues have drastically diminished the traditional migratory activities of the Bakhtiari tribe from Southwestern Iran.
Father, Son and Holy War (1994)
Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.
From the Kitchen to Parliament: 2021 Edition (2021)
The road from the kitchen to parliament was long and rocky for Swiss women - four generations had to fight for the male electorate to grant women the right to political participation. Stéphane Goël's documentary traces this path with sensitivity and humor.
Whina (2022)
The story of Dame Whina Cooper, the beloved Māori matriarch who worked tirelessly to improve the rights of her people, especially women. Flawed yet resilient, Whina tells the story of a woman formed by tradition, compelled by innovation, and guided by an instinct for equality and justice whose legacy as the Te Whaea o te Motu (Mother of the Nation) was an inspiration to an entire country.
Copa 71 (2024)
The extraordinary story of the 1971 Women’s World Cup, which was held in Mexico City and witnessed by more than 100,000 fans. This landmark tournament was dismissed by FIFA and written out of sports history – until now, with dazzling archival footage and interviews with the former players.
The Magdalene Sisters (2002)
Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.
Kartini: Princess of Java (2017)
A woman of nobility battles patriarchal norms in order to improve educational access for women in early 1900s Indonesian society.
Fear Woman (1971)
The women of Ghana have a reputation for independence. They, rather than the men, sit enthroned at the market stalls and run a large proportion of the nation's retail trade. But Ghanaian women are now thrusting even more vigorously into the arena of power and influence
The Snow Calls (2020)
Mina is a young woman who has three daughters and now she is 9 months pregnant. She loves her life very much. Her husband would like to have a boy, but she hasn't been able to deliver a baby boy so far. The people of her society believe that a man must have at least one son and they put pressure on her. The relatives and her husband tell her that if the 4th baby is not a boy, she has to allow her husband to marry another woman so that she may give birth to a boy. Mina has decided not to know about her baby's gender till the day of the delivery to overcome all the stress and tensions, so she hasn't taken a Sonography test and she waits until the baby is born.
The Female Offender (1995)
An exploration of the space where femininity and criminality collide. The film collages archival footage clips culled from silent films, original footage and computer-generated imagery with a series of narratives drawn from true crime confessions, early criminological texts, and the filmmaker's own reflections. The result is a cool and piercing meditation on the way the categories of "woman" and "criminal" have been constructed.