As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
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Workers Leaving the Lumière Factory (1895)
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
My Little Underground (2014)
In this autobiographical animated short, Elise Simard crafts the story of a young girl seeking self-discovery and rebirth. Drifting between real and imagined events, the film uses time-lapse photography with ink and pastels, creating a haunting, compassionate exploration of addiction and existence.
Hymn of the Nations (1944)
Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.
Give Us the Earth! (1947)
This "Theater of Life" documentary was produced in cooperation with the International Committee, YMCA. It focuses on the work of Dr. Spencer Hatch, as he shows residents of small Mexican villages how to make their land better able to grow food and make them more independent.
Night and Fog (1959)
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Hypnerotomahia (1992)
An eight-minute Russian animation directed by Andrey Svislotskiy of Pilot Animation Studio LOOSELY based on the novel Poliphilo's Strife of Love in a Dream or The Dream of Poliphilus.
As You Are (2023)
A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?
Planet Sigma (2015)
On planet Sigma, enormous creatures are trapped inside the ice. And then, all of a sudden explosions erupt from subterranean volcanoes. The ice begins to melt; a global warming concludes the giants’ deep slumber and new life begins. The creatures crawl forth, out of the ice.
Quartet for the End of Time (2017)
A music documentary about Olivier Messiaen's transcendent masterpiece, that he composed in a World War II prison camp, and debuted there on January 15, 1941. This film was completed on the 75th Anniversary of that historic premiere, and features "The President's Own" United States Marine Band Ensemble performing in rehearsal and at The Phillips Collection, in Washington, D.C. (Note by H. Paul Moon)
Nisei (Second-generation) (2024)
Follows Iwao Ichikawa, a second-generation Japanese Mexican, navigating racial segregation in Mexicali, Baja California during WWII, offering a poignant exploration of identity and belonging amidst adversity.
Im Techno-Rausch - 60 Stunden Dauerparty (1996)
Documentary about the rave and techno scene of the 90s.
A New Romance of Celluloid: The Miracle of Sound (1940)
This short documentary, presented and directed by MGM sound engineer Douglas Shearer, goes behind the scenes to look at how the sound portion of a talking picture is created.
The Ax Fight (1975)
The Ax Fight (1975) is an ethnographic film by anthropologist and filmmaker Tim Asch and anthropologist Napoleon Chagnon about a conflict in a Yanomami village called Mishimishimabowei-teri, in southern Venezuela. It is best known as an iconic and idiosyncratic ethnographic film about the Yanomamo and is frequently shown in classroom settings.
Notes on the Circus (1967)
The short film is a montage of sped up clips of The Ringling Brothers Circus in action set to a musical track. The film is separated into four segments, each segment which focuses on different acts within the circus. The later segments often incorporate clips from earlier segments, mostly as background to the featured acts. The speed of the clips match the tempo of the soundtrack music.
But Milk Is Important (2012)
A man with social anxiety gets followed by a naive and clumsy creature. Terrified the man tries to escape, unaware that the creature is actually a helper with slightly unconventional methods.
First Born (2020)
Determined to gain favor in his family's eyes and match his sister's status, a boy must prove his worth and show his potential in an upcoming martial arts competition.
Europe by Bidon (2022)
Biodun is Nigerian. In this animated documentary, he tells the story of his journey on foot from Lagos to Paris, how he survives with a container (un bidon) and thanks to his courage. With his amazing patter, he transforms the events into extraordinary adventures.
Thoughts and Visions of a Severed Head (1991)
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.
vitreous (2015)
The nine virtual sculptures underlying vitreous resulted from experimental setups by Robert Seidel for generating three-dimensional clusters of fibrous refractions, as well as the gravitational lensing of different volumetric and chromatic densities. Singular elements gravitate towards each other, accumulating in a gigantic sculptural system, where each entity exists with its own visual axis and vanishing point. The impalpable luminous formations create prismatic interactions between the ridges and plateaux of the main colours floating in front of the infinite violet background.
