Throughout Hong Kong’s history, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, a controversial extradition bill was introduced that would allow Hongkongers to be tried in mainland China. This decision spurred massive protests, riots, and resistance against heavy-handed Chinese rule over the City-State. Award-winning director Kiwi Chow documents the events to tell the story of the movement, with both a macro view of its historical context and footage and interviews from protestors on the front lines.
Related Movies
The Scars (2019)
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
It's Hard Being Loved by Jerks (2008)
The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.
The Time It Takes (2021)
Follows a group of young Australians who stutter as they take part in a 10-week performing arts program to create a unique theatre piece, which they’ll perform for family and friends.
Chodorkowskis neue Freiheit (2016)
Released from prison, former oil oligarch Mikhail Khodorkovsky expounds on his newfound freedom and complex relationship with Vladimir Putin.
Nach dem Sturm (2019)
The protests of 1968 had a significant impact on the great cities of the world. But people like to forget that the periphery went through the same social upheavals – Central Switzerland, for example. This is hardly surprising: in the founding cantons of the Old Swiss Confederacy, society followed a strict order; tradition, shaped by centuries of Catholic rule, seemed untouchable. But in the 1960s, the local youth could not take these stifling conditions anymore: starting in 1969, resistance broke out across Central Switzerland.
House Orders (1975)
In buildings where foreign workers lived in Germany, there were strict rules of conduct, defined by the house rules and supervised by the building superintendents. Many rights regarding the freedom of movement, communication and behavior were abused. Interviews with the tenants and with the "orderlies" which point out absurd situations and clashes caused by these restrictions.
Encantado, le Brésil désenchanté (2018)
Considered for a few years the “country of the future”, Brazil has seen since 2013 a deep disenchantment between the middle and popular classes that culminated with the rise of Jair Bolsonaro to the Presidency in 2018. Enchanted portrays this recent Brazilian history from a homonymous neighborhood of the Rio suburb transfigured by the 2016 Olympics. From Rio to Paris, a political and poetic testimony of Brazil through the eyes of the first generation of the popular class to study abroad.
Taipeilove* (2019)
Taipeilove* is a documentary on the perception of homosexuality in the Taiwanese society. As Taiwan is the first country in Asia that is in the process of legalizing same-sex marriage, the documentary follows activists, politicians and experts in the Taiwanese society who have been fighting for marriage equality and navigating their lives through the hardship of coming-out, reaction of families, abandonment and finding love.
His Name was Robeson (1998)
The film tells about a previously unknown episode of Paul Robeson’s biography — a secret conversation in 1949 in a room at the Moscow Hotel with the Jewish poet Itzik Feffer, who told Robeson the circumstances of Mikhoels' death. Paul Robeson Jr. shares his memories, having learned about this secret just before the death of his father, and it is the first time he tells the filmmakers about it.
Because I Choose Freedom (2022)
Matthew Leung Ming-hong had been working as a breaking-news reporter for six years in Hong Kong but recently emigrated to the United Kingdom because of concerns about growing restrictions on journalists working in the city. Three Hong Kong media outlets popular with the opposition have folded in just six months, following the introduction of a controversial national security law in Hong Kong on June 30, 2020, raising fears about the future of press freedom in the city. The 29-year-old is starting a new life in Britain’s northern city of Manchester and plans to eventually resume his journalism career in Europe.
In Delusion: Trump and the American Catastrophe (2020)
In 2020, the USA experienced a multiple catastrophe: No other country in the world was hit so badly by the coronavirus pandemic, the economic slump was dramatic, and so was the rise in unemployment. A rift ran through society. In the streets there were protests of both camps with violent riots, authoritarian traits were evident in the actions of the leader of the nation. And all of this in the middle of the election year, when the self-centered president fought vehemently for his re-election. From the start of his presidency, Donald Trump had divided American society, incited individual sections of the population against one another, fueled racism, hatred, xenophobia and prejudice, insulted competitors and denigrated critical journalists as enemies of the people. The documentary shows how this could happen and what role the targeted disinformation of certain sections of the population through manipulative media played.
HyperNormalisation (2016)
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
Information for/from Outsiders: Chronicles from Kashmir (2019)
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
