In 2002, Jason Padgett was the victim of a vicious beating outside a karaoke bar in Tacoma, Washington. Upon regaining consciousness, Padgett’s sight was forever altered by a condition called acquired savant syndrome. The brain trauma opened his eyes to an entirely new world—one filled with patterns and strobes, like a stop-motion film. This is a fascinating story into the hidden power of the mind and one man’s inspiring tale of courage and personal triumph.
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Since the renewed Intifada began in 2000, there have been over 75 Palestinian suicide bombings. This is the story of 0ne-the bombing of bus 32 in Jerusalem in June 2002. The film connects the stories of a group of ordinary Israelis-Jews and Arabs. Each of them holds a clue to someone who died that day.
Trauma in These Walls (NaN)
A filmmaker returns to a house from his past where a great tragedy happened, in order to find a closure within the space that already feels too foreign.
The Pleasure of Finding Things Out (1981)
Richard Feynman was a scientific genius with - in his words - a "limited intelligence". This dichotomy is just one of the characteristics that made him a fascinating subject. The Pleasure of Finding Things Out exposes us to many more of these intriguing attributes by featuring an extensive conversation with the acclaimed Nobel Prize winner. During the course of the interview, which was conducted in 1981, Feynman uses the undeniable power of the personal to convey otherwise challenging scientific theories. His colorful and lucid stories make abstract concepts tangible, and his warm presence is sure to inspire interest and awe from even the most reluctant student of science. His insights are profound, but his delivery is anything but dry and ostentatious.
things that won't die (2022)
After finding some videos she uploaded to YouTube when she was a child, Manuela attempts to follow the trail she herself has left on the Internet. A search that looks into all that things that won't never die and that, especially, thinks about the way we look at ourselves.
Cycle of Memory (2022)
Mel Schwartz escaped the Great Depression on a bicycle adventure he'd remember for the rest of his life... until Mel lost his memory to Alzheimer's. Now over seventy-five years later, his grandchildren set out to recreate his life-changing journey and find those memories before they slip away. Cycle of Memory explores the importance of intergenerational connection, healing painful pasts, and leaving a meaningful time capsule for the future.
The Cult Next Door (2017)
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Jacques Tati, tombé de la lune (2021)
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Relative (2022)
A filmmaker unearths a pervasive history of multigenerational trauma in her Italian-American family. As decades of secrets, home movies, and long-avoided conversations surface, a family once bound by tradition forges a new path forward.
The Prodigy: Evolution - Unauthorised (1997)
An unauthorised look into the life and music of the popular beat combo The Prodigy - one of the favourites of the club-going masses. It features interviews with the band and people who have played their part in the band's journey to success - a journey that has taken no prisoners and refused to be compromised. The video contains no musical performances by the band.
Reverberations (2022)
Thirty years after the end of the Lebanese Civil War (1975-1991), a filmmaker seeks to explore the trauma inflicted by the war on her family. Reverberations traces the history and politics of a nation in disarray in an intimate mother-daughter portrait that unravels the trauma that defined an era lost to history and a generation’s silence about its long-standing effects.
Total Trust (2023)
By exploring the relationship between the watched and the watching, our film uncovers the trauma and hope engendered by the Chinese all-surveilling state and lends a voice to those that stand in resilient defiance of such blatant abuse of power.
Begrijpt u nu waarom ik huil? (1969)
The work of Leiden professor Bastiaans on dealing with the trauma of war victims attracts the attention of filmmaker Louis van Gasteren. He decides to make a film about the psychotherapeutic treatment with LSD of a former concentration camp prisoner in the clinic of Bastiaans. Patient Joop is arrested in September 1941 and begins a long hellish journey through various camps, until he is liberated by the Russians. When he returns to his wife, he has become a completely different man. Joop suffers from nightmares and is incapable of normal human contact. With two cameras, Van Gasteren records approximately six and a half hours of the first treatment that Joop undergoes with Bastiaans (four more will follow later). Special attention is paid to details: Joop's hands, the sweat on his forehead, a tear running slowly down his cheek. Van Gasteren reduces the recordings to more than an hour.
How to Remember (NaN)
The story of a young Kurdish man who tries to remember his past traumatic experiences. A young migrant struggles to remember the memories of post-2015 Turkey while faced with the commemoration practices of the Holocaust. The film takes place in present-day Krakow, Poland, particularly in the former Nazi concentration camp in Plaszow.
Beautiful Young Minds (2007)
This BAFTA nominated documentary tells the story of some of the brightest mathematical brains of a generation. Each year, exceptionally gifted teenagers from over 90 countries compete for medals at the International Mathematical Olympiad. The film follows a group of brilliant teenagers as they battle it out to become the chosen six selected to represent the UK.
John Cage: I Have Nothing to Say and I Am Saying It (1990)
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Children of the Camps (1999)
Documentary following six Americans of Japanese ancestry who were held in U.S. internment camps during World War II.
The Genius of Leonardo Da Vinci (2018)
Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.
Landscape of our Body (2024)
As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.