Dissecting one of the most influential platforms of the contemporary social media landscape, TikTok, Boom. examines the algorithmic, socio-political, economic, and cultural influences and impact of the history-making app. This rigorous exploration balances a genuine interest in the TikTok community and its innovative mechanics with a healthy skepticism around the security issues, global political challenges, and racial biases behind the platform. A cast of Gen Z subjects, helmed by influencer Feroza Aziz, remains at its center, making this one of the most needed and empathetic films exploring what it means to be a digital native.
Related Movies
Data Sources: Who Are the Social Media Fraudsters? (2025)
They sell hacked profiles, provide fake comments and likes and boost fake news. Investigation into the social media fraudsters based in Vietnam.
The Antisocial Network: Memes to Mayhem (2024)
From Rickrolling to viral conspiracy theories, explore how an anonymous website evolved into a hub for real-world chaos in this documentary.
Instagram Is (2013)
In a culture immersed in technology, Instagram is reviving adventure, face to face community and real relationships. Through sharing the stories of friends old and new, "Instagram Is" sets out to discover the answer to the question "How can something so digital get people out from behind their devices and into the analog world?"
#monalisa (2020)
People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?
Propagande, les nouveaux manipulateurs (2021)
Fifteen years ago, social networks were seen as a new democratic ferment that, by promoting the dissemination of information and horizontal communication between citizens, would help people break their chains, from Eastern Europe to the Arab world. The story is different: the assault on the Capitol by Donald Trump's supporters, the chaotic reign of his counterpart Jair Bolsonaro, the offensives targeting Muslims in Narendra Modi's India, or the dazzling success of the racist slogans of Italian League leader Matteo Salvini have highlighted the devastating power on a global scale of the calls to hatred and disinformation that circulate in real time on social media.
The Crime Messenger (2025)
European police infiltrate SkyECC, an encrypted app created by Eap to protect privacy, and dismantle a vast trafficking network. Sky ECC was a subscription-based messaging platform, developed by the Canadian company Sky Global. The platform offers end-to-end encryption and has been widely used for criminal purposes, including drug trafficking, money laundering, and distribution of child sexual abuse material.
Untold: The Liver King (2025)
He built a supplement empire by devouring raw meat on social media. And he had the muscles to prove it. But, really, how did the Liver King get so huge?
The American Question (2024)
An 8-year journey into divided America, The American Question examines the insidious roots of polarization and distrust through past the past and present, revealing how communities can restore trust in each other to unite our country.
From Local to Social (2024)
Using local media footage from the London Borough of Southwark spanning the past 20 years, this documentary discusses complex social issues including gang violence, knife crime, and mental and sexual health.
How I Won the UK Election (2025)
What happens when a YouTuber runs for Prime Minister? Well this documentary will show you, enjoy my friends.
The Social Dilemma (2020)
This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.
Elon Musk’s Twitter Takeover (2023)
Compulsive Twitterer, Elon Musk bought himself his favorite social network in 2022, and brutally shaped it according to his desires. This punchy investigation relates the stormy relations between the platform and the billionaire, and their impact on the public debate.
Out from the Ashes (2024)
Milena, a young woman from Ukraine, who along with her mother and grandmother (and cat), desperately struggle to escape their war- torn home while an army of supporters on the opposite side of the world fight to keep them safe. Milena survived the destruction of Mariupol, cowering for a month in the basement of a bombed-out building, watching her home and history burn. She managed to contact Ken Pontac, long-time Facebook friend and father figure. Their conversations bolstered Milena's spirits while Ken listened with growing apprehension.
The Murder of Gabby Petito: Truth, Lies and Social Media (2021)
Examines Gabby's life through the curated lens she created and immerses the viewer in the world of social media sleuthing that was crucial to the case.
David Baddiel Social Media, Anger and Us (2021)
This is a thoughtful and mature documentary that considers whether online rage has real-world consequences. Baddiel has experienced antisemitic abuse on Twitter, where he has 785,000 followers. He has had brushes with what is called “cancel culture” and “callout culture”, when users have criticised his use of blackface on TV in the 1990s, for which he has apologised. He is also a self-confessed social media addict – by which he really means Twitter, his primary focus here – and self-aware enough to admit that while he feels he needs it to promote his work, he also understands that he has a psychological need for an audience, and by extension, for audience approval.
Why I'm Not on Facebook (2014)
One man's soul searching decision on whether or not he should join Facebook sets him off on an epic journey of self-discovery as he weighs the pros and cons of becoming a member of the world's largest social networking site. Along the way he talks with family, friends, total strangers and even celebrities whose lives have all been touched in one way or another by Facebook. From the long lost high school friend who uses it to stay in touch with classmates, to the pick-up artist who trolls the site to score with women, to the criminal who tracks your every movement to know when to rob your house, the best and the worst of Facebook is on display.