Several Puerto Rican Christmas tunes are performed on screen by Juan Rivera, Juan Ortiz Vargas, José Ramón Morales, and the Morgado Brothers.
Bolaño, Up Close and Personal (2008)
Generously included as a bonus DVD alongside the 502-page Bolaño salvaje, a book of essays about and reminiscences on the Chilean novelist/poet published by the Barcelona-based Editorial Candy. Bolaño cercano [a difficult to translate title approximating something like Bolaño, Up Close and Personal], which offers up a sympathetic portrait of Bolaño as a loving family man and tireless reader and writer and teases with ever so brief glimpses of his personal library and countless spiral notebooks filled with rough drafts of his novels and poetry and even comic book-like drawings and illustrations.
A Special Kind of Love (2008)
A follow-up of A LOVE STORY OF TODAY, where actors and crew discuss GUESS WHO'S COMING TO DINNER.
Making of a Cult Classic: The Unauthorized Story of 'The Goonies' (2010)
A retrospective documentary of the cult classic movie The Goonies. Including interviews with the cast, exploration of the film's locations and unique stories you wont hear anywhere else.
Genesis Climber Mospeada: Love Live Alive (1985)
After the original run of the television series, an OAV music video titled Genesis Climber Mospeada: Love Live Alive was specially (mostly due to demands of hardcore Mospeada fans) released in Japan in September 1985. The music video consisted of both old and new footage. The story of Love Live Alive chronicled the events after the ending of the original Mospeada, featuring Yellow Belmont as the main character. The music video focused on Yellow's concert and also on his flashback of past events.
Bats, Balls and Bradford Girls (2019)
This BBC Three film follows the first all Asian girls’ cricket team over the summer holidays as they train for their last ever tournament together. The team started at school four years ago when their only experience of cricket was their dads and brothers watching it on the TV. In spite of this, they took to it like naturals and began winning almost all of the tournaments they entered. Last year they lost out on becoming National champions at Lords by only one run.
A Capital Plan (1949)
This short documentary features a portrait of Ottawa in the mid-20th century, as the nascent Canadian capital grew with force but without direction. Street congestion, air pollution, and rail traffic were all the negative results of a city that had grown without being properly planned. French architect and urban designer Jacques Gréber stepped in to create a far-sighted plan for the future development of Ottawa. With tracks moved, factories relocated, and neighbourhoods redesigned as separate communities, Ottawa became the capital city of true beauty and dignity we know today.
One Hundred Years (1984)
A short animation set to and inspired by The Cure's One Hundred Years. Max Anderssons debut animation film won 1st Prize at Melbourne international Film Festival, 2nd Prize at Los Angeles Animation Celebration and a special prize at Berlin Film Festival.
Rafael Cancel Miranda: I'm Not Sorry for What I Did (2016)
Explores the trajectory of the young nationalist from the time of his incarceration, at 23 years of age, as a result of the attack on the United States Congress.
Her Violet Kiss (2021)
A woman attends a party where she is observed by and finally meets a mysterious guest.
Larisa (1980)
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
Skid Row (1956)
A day and night in the life of three alcoholic derelicts: "and the meek shall inherit the earth - six feet of it".
Budapest Portrait (Memories of a City) (1986)
Peter Hutton’s essay on the naturalization of the urban landscape. Voluptuously gray, worn and lived in, the city is like a stage set for an invisible drama.
How We Get Free (2023)
In Denver, an intrepid activist runs for office with the aim of eliminating cash bail.
The Poet of the Castle (1959)
A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.