A travelogue about India. But it is more than a video about a foreign place. We follow the director's itinerary and witness his chance encounters with people and also public events, some of which continue to shape India's politics today.
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The Endless Summer (1966)
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
Glimpses of Peru (1937)
This Traveltalk series short brings us to Lima, Peru where we see a modern city.
Rocky Mountain Grandeur (1937)
This Traveltalk short visits Rocky Mountain National Park and a nearby dude ranch in Colorado.
Temples of India (1938)
Hindu temples at Benares and Belur and the mythologies associated with them.
Around Snowdonia (1937)
A timeless landscape steeped in history that is little changed today, but was surely made to be filmed!
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In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
Information for/from Outsiders: Chronicles from Kashmir (2019)
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
The Coast of Commerce (1962)
Take a revealing tour along a coast of contrasts, from the folksy freshness of Whitby to the coaly Tyne, queen of all rivers.
Cheddar (1916)
Pure tranquillity in rural Somerset, a world away from the war raging on the continent.
Traceable (2014)
Traceable follows Laura Siegel, a fashion designer who takes a critical look at the fashion supply chain and fast fashion industry, travels through India in order to meet and work together with the artisans who create the majority of the clothing that we wear. The film explores our growing disconnect of how and who makes our clothing, thus instilling a need for traceability in the fashion industry.
Dartmouth, River Dart and Dartmoor (1910)
Whistlestop tour of Dartmouth in Devon, taking in the 17th century Butterwalk arcade and medieval castle.
Arrival (1980)
To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.
Cavalcade of San Francisco (1940)
This Traveltalk series short celebrates San Francisco, past and present.
Cairo 'City of Contrast' (1938)
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The Price of Cheap (2021)
The Price of Cheap tells the stories of modern slaves in textiles manufacturing supply chains and the brave individuals fighting on the ground against immeasurable odds to help them. We follow a man named Joseph Raj, who runs an organization called T.E.S.T. (Trust for Education and Social Transformation) in Tamil Nadu, India as he goes on raids to rescue underage children from unsafe and labour intensive factories. We hear from the survivors he has helped rescue, hear of their horrific experiences, and desire for education and change. Academics and social justice workers weigh in on why the issue of forced labour persists.
Czechoslovakia on Parade (1938)
This FitzPatrick Traveltalk series short looks at Czechoslovakia before World War II, including images of bridges, churches, and castles in Prague, also a non-military parade through the city.
Guru, A Hijra Family (2016)
Set in a small town in the region of Tamil Nadu, in southern India, the film follows the days and works of a hijra family. Silky, Mahima, Trisha, Durga, Kuyili, Priyanka, Vasundhara and Yamuna, under the firm protection of their guru Lakshmi Ma, deliver snippets of their marginal but sovereign existence. From a millenia-old sacred tradition to getting by every second, "Guru" composes with them a poem of intertwined voices in which the world is a tough playground, where the third gender is primarily the resistance force of a life shared.
