On the Tanua Island, the shaman announces the approach of the Nagol Ritual. Sowa, a young dreamy Melanesian, has to honor her father and the ancestral traditions. But she doesn’t feel ready to face the consequences of this challenge.
Butt Fantasia (2019)
With the help of a magic hat, a man contemplates the good and bad times his butt has been through.
House of Existence (2022)
There it stands, the house, drawn in pencil. It begins to fall apart. Bricks come loose from the wall, the front door falls off its hinges and walls break away. Everything sinks into endless nothingness.
Life Is But a Dream (2022)
An undertaker digs up an abandoned grave to get wood to build a coffin for the savior of his village, but in doing so, he awakens the ghost of an ancient swordsman, and the ghost wants his coffin back.
Agent 327: Operation Barbershop (2017)
Agent 327 is investigating a clue that leads him to a shady barbershop in Amsterdam. Little does he know that he is being tailed by mercenary Boris Kloris.
Garlic Boy (2007)
Frank Capra, with a twist. Garlic Boy is a boy - who's also a stalk of garlic - who goes out into the world to "do good for others." His mother gave him a case of her special "garlic tonic" and Garlic Boy uses this tonic to cure "folk of what ails them."
Strings (2023)
The hands of a puppeteer control the bodies of two dancers who compete with each other.
The Song of the River (2017)
A stop-motion animation that dissolves a conversation on friendship, longing and loss into a seamless loop that follows a furry creature paddling through a swampy river scene. The subtitles are neither clearly attributed to the scenery, nor to the characters in it.
Flores (2017)
In a natural crisis scenario, the entire population of Azores is forced to evict due to an uncontrolled plague of hydrangeas, a common flower in these islands. Two young soldiers, bound to the beauty of the landscape, guide us to the stories of sadness of those forced to leave and the inherent desire to resist by inhabiting the islands. The filmic wandering becomes a nostalgic and political reflection on territorial belonging and identity, and the roles we assume in the places we came from.
The Burden (2017)
A shopping center along a large highway is the scene of an apocalyptic musical. Animation with a strong sense of form set to auto-tuned music by Klungan. About liberation through great catastrophy.
Grandpa Walrus (2018)
On the windy and cloudy beach, Granny is praying, Mum is shouting, the sisters don’t care, Lucas is alone. Grandpa was a weird guy, now he's dead.
CODA (2014)
This short animation draws on advanced digital technologies to offer a new vision of dance in cinema. With motion capture (MoCap) and particle processing, designers Denis Poulin and Martine Époque create virtual dancers free of their morphological appearance. In this balletic and hypnotic film, dynamic traces carry the motion of the real dancers behind the on-screen movements. Addressing environmental themes by way of metaphor, CODA is a fused universe where space and time collide, deploy, and dissolve. In this technically and formally innovative film, luminous bodies in the infinite space of the cosmos transform and evolve to the rhythms of Stravinsky’s Rite of Spring.
Historia de un ciprés (1960)
A man with an umbrella emerges from his grave to be momentarily reunited with his lost loved one.
Understanding the Law: The Worm (2000)
In this animated short, Mrs. Popcorn is shocked to discover a worm in her canned drink. When the beverage company refuses to accept the blame, she's outraged! An intrepid consumer, Mrs. Popcorn takes the company to court for negligence. Understanding the Law: The Worm is episode two in a series of short films designed to demystify everyday aspects of Canadian civil law. Wry humour and a whimsical style make this informative series lively and memorable.
Doomsday for Pests (1946)
Facing mounting insect deaths, concerned bugs view a documentary film about Sherwin-Williams's lethal new PESTROY pesticide coating.
URVAN (2021)
This work, "URVAN", is a mysterious and somewhat nostalgic cyberpunk action that mixes "unusual" and "everyday" with the motif of Obon, which welcomes and sends out spirits in Sasebo City, Nagasaki Prefecture.
Enough of Myself (2023)
Do you ever wonder why you are the way you are? One day I decided to ask myself this question and I have been struggling to put the answer together ever since. “Enough of Myself” is my visualization of this process. When I finally had the headspace to consider my own emotions, it turned out to be a lot harder than I had thought. When you start to examine your own thoughts and patterns, the digging doesn’t stop. You keep digging deeper and finding new connections that you might have preferred stay hidden. But to ignore these things is to give in to them. Growth requires a certain level of vulnerability, not just towards others but towards yourself as well. To grow beyond those negative patterns, you need to look them in the eye first. In my film I tried to capture this emotional process in an array of animations. I hope that I haven’t just captured my own emotional process, but some deeper universal emotions as well.
Fracture (1977)
Fracture (1977) is a short animated film from France by the Brizzi Brothers (Paul and Gaëtan), a duo better known for their work on feature-length animated films such as Asterix versus Caesar (1985), and a number of films for Disney. Fracture is their earliest work, and isn’t remotely Disney-like, delivering an SF / fantasy scenario of alien inexplicabilities that makes it an animated counterpart of the comic strips that were running in Métal Hurlant (and its US counterpart, Heavy Metal) in the late 1970s.