Martha Gellhorn, Ruth Cowan, Dickey Chappelle: Three tenacious journalists who forged legendary reputations as war correspondents during a time when battlefields were considered no place for a woman. Their repeated delegation to the sidelines to cover the “woman’s angle” succeeded in expanding the focus of war coverage to bring home a new kind of story— a personal look at the human cost of war. Featuring an abundance of archival photos and interviews with modern female war correspondents, as well as actresses bringing to life the written words of these remarkable women.
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Explore the stories of women caught up in World War II, from the American Home Front to Auschwitz Concentration Camp in Poland. Included in this hour-long film are also the personal stories of the incredible women who served in a war that proved women were equal to men when it came to patriotism, service, or in some cases, self-preservation during watershed moments which called for steadfastness.
The Valkyrie Legacy (2008)
Created as a companion documentary to the film "Valkyrie," this documentary details the true story behind the plot to assassinate Adolph Hitler.
Cameramen at War (1943)
A tribute to the cameramen of the newsreel companies and the service film units, in the form of a compilation of film of the cameramen themselves, their training and some of their most dramatic film.
The Good War and Those Who Refused to Fight It (2002)
A documentary focusing on American conscientious objectors during WWII.
Admiral Chester Nimitz (2017)
Fleet Admiral Chester Nimitz used submarines, a vessel used to great effect by Germany in WWI and WWII to turn the tide of the War in the Pacific.
Rise of the Wahine (2014)
In the years following the Civil Rights movement and the passage of Title IX in 1972, Dr. Donnis Thompson (a headstrong African-American female coach), Patsy Mink (the first Asian-American U.S. congresswoman), and Beth McLachlin (the team captain of a rag-tag female volleyball team), battled discrimination from the halls of Washington D.C. to the dusty volleyball courts of the University of Hawaii, fighting for the rights of young women to play sports.
Battle of Okinawa in Color (2017)
By mid-1945, Hitler is dead and the war has ended in Europe. Halfway around the world, however, the fighting is still going strong on a small island in the Pacific. Okinawa was the site of the last battle of the last great war of the 20th century, with a casualty rate in the tens of thousands. Through it all, military cameramen risked their lives to film the conflict, from brutal land combat to fierce kamikaze attacks at sea. See the footage they captured and experience this intense battle the way the soldiers saw it -- in color.
Thanks Girls and Goodbye (1988)
Documentary using archival footage, newsreels and contemporary interviews with women of the WW2 Australian Women's Land Army.
Into the Deep: The Submarine Murder Case (2020)
In 2016, a young Austrialian filmmaker began documenting amateur inventor Peter Madsen. One year in, Madsen brutally murdered Kim Wall aboard his homemade submarine. An unprecedented revelation of a killer and the journey his young helpers take as they reckon with their own complicity and prepare to testify.
Crimean Conference (1945)
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The Russia We Lost (1992)
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Wie konnte es geschehen? - Teil 1: "Deutschland erwache..." (1914 - 1938) (2006)
In 1945, 160 German cities lay in ruins and the loss of millions of lives, billions in material assets and countless cultural treasures was mourned throughout Europe... With the question “How could it happen?”, the film goes back to the year 1914, when the “primal catastrophe of the 20th century” took its course with the First World War.
Japan's War in Colour (2005)
Using never-before-seen footage, Japan's War In Colour tells a previously untold story. It recounts the history of the Second World War from a Japanese perspective, combining original colour film with letters and diaries written by Japanese people. It tells the story of a nation at war from the diverse perspectives of those who lived through it: the leaders and the ordinary people, the oppressors and the victims, the guilty and the innocent. Until recently, it was believed that no colour film of Japan existed prior to 1945. But specialist research has now unearthed a remarkable colour record from as early as the 1930s. For eight years the Japanese fought what they believed was a Holy War that became a fight to the death. Japan's War In Colour shows how militarism took hold of the Japanese people; describes why Japan felt compelled to attack the West; explains what drove the Japanese to resist the Allies for so long; and, finally, reveals how they dealt with the shame of defeat.
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Service public (2022)
Salhia Brakhlia has filmed the set and behind the scenes of Franceinfo's breakfast show during a year. How to inform at the time of social media and fake news ? How careful are journalist with those news ? How do they connect to politicians during an presidential election campaign ? This unique immersion gives us a part of the answer.
The Nazi Jesus (2016)
While Nazi ideology dominated Europe, Adolf Hitler used all dogmas to his advantage and fed the cult of his personality. How did the Führer manage to transform the Bible, the Church and the symbols of Christianity into instruments of power, winning the support of the Germans? This documentary traces the rise of a little-known theological organization: the “German Christians”, which became the most powerful propaganda tool of the Third Reich.
Around the Statue of Liberty - A Walk Through the USA (1941)
Nazi propaganda film “exposes” the United States and its plans against Germany and the German people. Shows so-called signs of decay, gang-wars, slums, riots of blacks, etc. Small wonder, the comment is, that the Statue of Liberty turns it back on America.
Stripped for Parts: American Journalism on the Brink (2023)
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Paper City (2021)
Just after midnight on 10 March 1945, the US launched an air-based attack on eastern Tokyo; continuing until morning, the raid left more than 100,000 people dead and a quarter of the city eradicated. Unlike their loved ones, Hiroshi Hoshino, Michiko Kiyooka and Minoru Tsukiyama managed to emerge from the bombings. Now in their twilight years, they wish for nothing more than recognition and reparations for those who, like them, had been indelibly harmed by the war – but the Japanese government and even their fellow citizens seem disinclined to acknowledge the past.