Martha Gellhorn, Ruth Cowan, Dickey Chappelle: Three tenacious journalists who forged legendary reputations as war correspondents during a time when battlefields were considered no place for a woman. Their repeated delegation to the sidelines to cover the “woman’s angle” succeeded in expanding the focus of war coverage to bring home a new kind of story— a personal look at the human cost of war. Featuring an abundance of archival photos and interviews with modern female war correspondents, as well as actresses bringing to life the written words of these remarkable women.
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Art of War (2009)
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Saudi Women's Driving School (2019)
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Heil Hitler! Confessions of a Hitler Youth (1991)
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A Return to Memory (2024)
When Canada entered World War II, the National Film Board suddenly had an urgent new mission—and hundreds of women stepped forward, helping to create Canadian cinema as we now know it.
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She the People: Votes for Women (2020)
Today, it seems incredible that just a century ago, American women had no voice in democracy. Just as remarkable is that it took over 70 years of campaigns, marches, hunger strikes, and arrests to pass the constitutional amendment guaranteeing them the right to vote. Witness the decades-long fight for suffrage by heroic women who fought to claim their rights as citizens, told through rarely seen footage, expert opinions, and dozens of historic objects from the Smithsonian Institution. The legacy of their quest continues to shape our democracy.
Why We Fight: Prelude to War (1942)
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A documentary propaganda film produced by the U.S. Army Signal Corps about the Aleutian Islands Campaign during World War II. The film opens with a map showing the strategic importance of the island, and the thrust of the 1942 Japanese offensive into Midway and Dutch Harbor. Nominated for the Academy Award for Best Documentary Feature.