Count Almaviva lives with his Countess on their estate near Seville. The Count has his eye on his wife’s maid Susanna, who is betrothed to the Count’s servant, Figaro. Much to Figaro’s dismay, the Count plans to seduce Susanna on wedding night. Meanwhile, Cherubino, the Count’s young page, is infatuated with the Countess, but has just been dismissed after being discovered with Barbarina, the gardener Antonio’s daughter.

The Respectable Ladies of Pardubice (1944)
The bickering of envious mistresses, the criminal intentions of fraudsters and the love of two young people are at the center of events, in the middle of which unfolds the fate of the city executioner Jiří, who longs to break free from his destiny and become a proper burgher. He is not heard, but he manages to expose the iniquities and their culprits, reunites a hard-pressed couple in love and his undeniable merits for the city and eventually bring him luck.

The Metropolitan Opera: Carmen (2024)
Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.

Hello, Dolly! (1969)
Dolly Levi is a strong-willed matchmaker who travels to Yonkers, New York in order to see the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder. In doing so, she convinces his niece, his niece's intended, and Horace's two clerks to travel to New York City.

Chicago (2002)
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.

West Side Story (1961)
In the slums of the upper West Side of Manhattan, tensions are high as a gang of Polish-Americans compete against a gang of recently immigrated Puerto Ricans, but this doesn't stop two romantics from each gang falling in love.

Rent (2005)
This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.

Štika v rybníce (1952)
Young bricklayers Franta Doubrav and his friend Béla meet two girls, Mařka and Vlasta, on their way back from a friend's wedding, but they only manage to call them by their name and the construction site they are currently working on. Imagine their surprise when they discover that Mařka is a trained bricklayer who has joined Franta's father's work crew, where she proposes a new way of working that will help catch up on the construction delays. As a young girl, however, she must first deal with the distrust of the older and more experienced bricklayers.
Die Entführung aus dem Serail (1998)
Legendary director Hans Neuenfels once again proves his great skill with this interpretation of Mozart’s “Entführung aus dem Serail” (Abduction from the Seraglio). This extraordinary production conducted by Lothar Zagrosek, and with Catherine Naglestad, Kate Ladner and Matthias Klink in the main roles, won the Bavarian Theatre Prize in 1999 and offers a refreshingly new view of one of the most frequently played operas worldwide. Special highlight: Neuenfels places an actor at every singer’s side who not only takes over his role for the spoken original scripts, but also interacts with his singing double and other characters of the piece. In recent decades, directors have sought to revitalise the somewhat naive plot of the “Entführung” with fresh interpretations. Hans Neuenfels, who produced his “first Mozart” here in Stuttgart, retains the story’s naivety and absurdity. He does this in a very stimulating and intelligent way.

Hairspray (2007)
Pleasantly plump teenager Tracy Turnblad auditions to be on Baltimore's most popular dance show - The Corny Collins Show - and lands a prime spot. Through her newfound fame, she becomes determined to help her friends and end the racial segregation that has been a staple of the show.

Oscar (1967)
This film originated as a play in Paris. The story focuses on the one-day adventures of Bertrand Barnier played with a genius of French cinema, Louis de Funes. In the same morning he learns that his daughter is pregnant, an employee stole a large amount of money from his company, his maid is about to resign in order to marry a wealthy neighbor and his body builder is interested in marrying his daughter. The seemingly complicated story-line is full of comedy or errors and some of the most hilarious mime scenes of the French cinema.

The Metropolitan Opera: Rigoletto (2013)
Michael Mayer’s acclaimed production, first seen in the 2012–13 season, sets the action of Verdi’s masterpiece in 1960 Las Vegas—a neon-lit world ruled by money and ruthless, powerful men. Piotr Beczała is the Duke, a popular entertainer and casino owner who will stop at nothing to get what he wants. Željko Lučić sings Rigoletto, his sidekick and comedian, and Diana Damrau is Rigoletto’s innocent daughter, Gilda. When she is seduced by the Duke, Rigoletto sets out on a tragic course of murderous revenge. Štefan Kocán is the assassin Sparafucile and Michele Mariotti conducts.

Stop the World: I Want to Get Off (1966)
The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.

3 Is a Family (1944)
Based on a play by Phoebe and Henry Ephron, "3 Is a Family" is a 1940s farce. Charlie Ruggles plays a hubby whose bungled business schemes force his wife, Fay Bainter, to enter the workplace. The couple's daughter, Marjorie Reynolds, shows up with her twin babies in tow. Son Arthur Lake arrives with his pregnant wife (Jeff Donnell). And overbearing maiden aunt Helen Broderick also decides to move in. Because his wife is away at work, poor old Charlie Ruggles is not only housekeeper, but nursemaid and servant as well.

An American in Paris: The Musical (2018)
Paris, after the end of the Second World War: GI Jerry Mulligan stays in the City of Lights after falling in love with a mademoiselle at first sight. Being a stranger, Jerry gets to know pianist Adam Hochberg, who - unbeknownst to Jerry - adores the same woman. The two of them have to work together for a ballet with said woman, who is promised to Henri Baurel. Henri also gets acquainted with Jerry and Adam.

La Cage aux Folles (1978)
Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.

Fishmans: Otokotachi no Wakare 98.12.28 @ Akasaka Blitz (2005)
Fishmans' legendary final live performance under the Fishmans name before frontman Shinji Sato's passing. The show was recorded and filmed at Akasaka Blitz, a Japanese music venue based in Minato, Tokyo, on December 28, 1998, and released as an album nine months later. The album title roughly translates to "A Men's Farewell: December 28th, 1998", a reference to the tour name to bassist Yuzuru Kashiwabara's departure and to signal an "end of an era" for the band's three piece era.

Paper Sleeve (1993)
The title character of this somewhat bitter comedy is Klára Zárubecká, a saleswoman at a train station buffet, a resolute and energetic woman who, with enviable enthusiasm, attempts to restore her family's reputation and thus ensure a happy future for her younger brother. In her everyday life, when Klára forces her customers to buy kittens, rejects a persistent admirer nicknamed Funebrák, and saves money for a large, albeit somewhat neglected villa, her stepbrother Fanda arrives with his girlfriend Erika, and her stepfather Viktor arrives with his mistress, wanting to borrow money from her, as he has done so many times before.

Il Trovatore (1985)
tt0253843. Il Trovatore (1985) Verona. Verdi / Italian. Reynald Giovaninetti conducts the Orchestra of the Arena di Verona in a performance of Verdi's 'Il Trovatore'. The international cast includes Giorgio Zancanaro and Rosalind Plowright. The Count Di Luna believes that his younger brother was murdered years before by a vengeful gypsy, but still hopes that he may be alive. When he attempts to court the beautiful Leonora, he is enraged to discover that she has a lover - the troubadour, Manrico. Manrico and the Count duel, and afterwards Manrico reveals to Azucena, the woman he believes to be his mother, that when he had the opportunity to kill the Count he felt something holding him back.