Features four distinct, bizarre, existential tales about people whose lives are in transition, who are each asking questions about themselves, their environments, and about God(s).
Related Movies
Goodbye to Love (2004)
A man waits. He longs for and mourns for, his increasingly disconnected and disparate love for a person. Goodbye to Love is an epilogue of a romance, contemplative of a protagonist who meditates on the forking ways his liaisons have left him. Suspended in that final, desperate monochrome moment, Goodbye to Love geometrically traces the evaporating points of a love triangle in three spare, melancholic acts. An elegy to the demise of a feeling, and the longing that permeates
Virtual Love (1993)
A love story for the 90s: Valery falls in love with an identical twin, a virtual reality scientist, and finds she can have a more intimate relationship with him through the computer screen than in person. Or is it really him?
Lost Footage (2022)
How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.
Closed Vagina (1963)
Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive
Serenity (1961)
Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.
CFA Presents: Waxwing Slain (1968) by John Boggs (commentary by Charles Minnimatsu) (2020)
A former student of a recently deceased and forgotten '60s filmmaker provides commentary to the late director's film, offering a unique interpretation as only he could.
Totally F***ed Up (1994)
Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.
Superstar: The Karen Carpenter Story (1987)
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Within (NaN)
This psychedelic horror short inspired by vintage cinema follows a raped girl's descent into derangement and makes the audience feel as claustrophobic as the character.
The Game (1962)
In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.
Henry John and the Little Bug (2009)
Dinner time in a remote home of a prairie family turns nightmarish when a band of blood spattered outlaws break through the front door in search of food, horses, and women. Nothing is as it seems in this constantly twisting genre bender.
Goodbye Philippines (2016)
Goodbye Philippines surveys an undead landscape, textured by phantoms. It is as if this feeling of a legacy regards tradition and cultural custom as memories repossessed by the setting.
Big Bang Love, Juvenile A (2006)
An unknown future. A boy confesses to the murder of another in an all-boy juvenile detention facility. More an exercise in style than storytelling, the story follows two detectives trying to uncover the case. Homosexual tension and explosive violence drives the story which delivers some weird and fascinating visuals.
Diwan (1974)
Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quote many fine artist in a medium that runs in time, as he defeated the time changed, by themselves for change of scenery uses, as it interferes with the laws of chronology through the rewind ability of the camera or destroyed, which is a compelling and highly aesthetic experimental company.
Memoirs of a Strangler of Blondes (1971)
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
Seasonal Concerns (2024)
A triple exposure on EXR 50D 16mm film: two layers shot in summer, and the third captured on the cusp of winter. A collection of statues fading in and out of consciousness, around the Weissensee lake in northeast Berlin, where the filmmaker lives.
Crazy Love (1971)
Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".