It's time the times met each other over & over.

Superstar: The Karen Carpenter Story (1987)
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Beatles Electroniques (1969)
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.

Moonwalker (1988)
This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.

The Getty Address (2007)
James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.
The Eye & the Ear (1945)
Four types of visual interpretation of four songs by Karol Szymanowski. Polish words by Julian Tuwin, English translation by Jan Sliwinski.

Calypso (1955)
Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.

Metaphysics of Sound (2008)
Adopting mainly hand contact printing with photographic enlarger, «Metaphysics of sound» started from September of 2006 and completed in July of 2007. With a 35mm soundtrack image, I made a hand-drawn soundtrack on the 16mm film strip. The sounds were made either by directly contact printing the 35mm sound tracks or collaging the scratch images. According to pattern of sound on the 20% blank of 16mm film strip (normally used as space for optical recording), I edited whole image and made structure of film. Hence the margin is a where image is sound, and vice versa. Later, I studied the sound patterns which varied according to the kinds of images used or the concentration of the image, and made various attempts at rearranging the structure of the sound with the image.

Time Piece (1965)
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.

Ryuichi Sakamoto: async at the Park Avenue Armory (2018)
A live performance film capturing an intimate concert by composer, pianist and music producer Ryuichi Sakamoto in New York City. The performance marked the first public unveiling of Sakamoto’s new opus, async, hailed as one of the best albums of 2017 by Rolling Stone and Pitchfork.

Cremaster 5 (1997)
Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.

Bedways (2010)
A huge, run-down apartment in Berlin Mitte. Two women and a man, rehearsals for a movie about love and sex, that will never be shot. Acting and reality mingle into a dangerous mélange.

A Motion Selfie (2018)
"A Motion Selfie" is one-of-a-kind DIY filmmaking: a darkly comic chronicle following a year in the life of a washed-up viral video star and the sexually depraved stalker who becomes obsessed with his work.

Autobahn (1979)
An animated visual interpretation of the song "Autobahn," by German electronic pioneers Kraftwerk. A fast-paced experimental film which proved to be a groundbreaking combination of electronic and manual animation. One of the first films produced specifically for video disk.

Thick Air (2020)
An experimental music ensemble is recording an album. They want a very specific sound: the sound of thick air. The sound engineer struggles to understand and to find that sound. A tale of sleepless nights and loud music, a noise-injected collage composed of diaristic footage, a found narrative (memories of a popular 60s band), original music and field recordings.

The Experimental Rock of Instants Chavirés (Or How to Put an End to Jazz) (2018)
A documentary on underground and experimental rock acts performing at Les Instants Chavirés, a music venue in Montreuil, France. Performers include Thierry Madiot, Peter Brötzmann + Han Bennink, The Ex + Tom Cora, Roof, Hint + Quentin Rollet, Kampec Dolores, Prolapse, King Biscuit, Zeni Geva, Melt Banana, Purr, Badgewearer, Heliogabale + Didier Petit, Keiji Haino, Oxbow, US Maple, New Bad Things, Tiger Lillies, Marc Ribot, KK Null, Api Uiz, Labradford, Godspeed You Black Emperor, De Kift, Sophie Agnel & Roro Perrot.

--- -------- (Rock and Roll Movie) (1967)
A documentary about rock 'n' roll. The Canned Heat, City Lights, Seeds of Time, LA Tymes, Llyn Foulkes, Charlie Watts, Chris & Craig, Duke of Earl, Seeburg, Wurlitzer, The Trip, The Lynch Bldg., Top's, Pandora's Box, Maverick's Flat, someone's backyard. Riot in cell block number nine, riot on Sunset Strip. Hotrod, coin slot, go cart, bomp club. Hound Dog Man, King Creole. Kim Weston, The Shangri-Las, The Supremes, Earl - Jean. The Rainbows, Wolfman Jack, Ernie Bushmiller, Jimmy Reed, Ray Charles, The Who, The Coasters. Standing at the crossroads of love. Fats Domino, Chuck Berry, John Cale, Screaming Jay Hawkins, Howlin Wolf, James Brown - The King. Wax reclamation. Frankie Avalon, The Beatles, The Yardbirds, Great Balls of Fire, an early clue to a new direction. Standing, walking, jumping, singing, surfing. Radio, jukebox, scopitone, pinball, poolhall. Mick Jagger/Earth Angel. Preserved by the Academy Film Archive in 2008.

Alone. Life Wastes Andy Hardy (1998)
In a deconstruction of classic Hollywood codes, using repetitive single frame images, the re-editing of teenager movies produces an intense Oedipal drama.

The Very Eye of Night (1958)
Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.