Say Om as you reach home only to realize you never really left/stopped saying Om.
Superstar: The Karen Carpenter Story (1987)
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
What Difference Does It Make? (2014)
A documentary that explores the challenges that a life in music can bring.
formula (2002)
formula, a constantly evolving work updated with each presentation, is a perfect synchronisation between sound frequencies and the movements on the screen. It places the viewer in a binary geometry of space and exploits the darkness to amplify one's perceptions. There is a complete integration of the various elements, composing music, images, lighting and orchestrating the relationships between them through a highly precise score.
Romantic Warriors IV: Krautrock (Part I) (2019)
The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.
Highlights (2017)
Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.
This Must Be My Face (2017)
10 minute experimental film. Warning: this video involves frequent strobing.
Mystery Hole//Boring Soul (2017)
Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.
Maybe That's Enough (2017)
Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.
Clipping: Splendor & Misery (2016)
A surreal post-apocalyptic drama by Patrick Kennelly inspired by the clipping. album “Splendor & Misery”
Good Stock On The Dimension Floor: An Opera (2014)
A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.
Chance Encounters With Oxygen (2021)
A psychedelic, avant-garde collage film designed to accompany PRPL PPL's experimental album of the same name.