This cacophony runs over me, over everything I see, everything I want to see: it's me.

Ruminative Meditations (2017)
Say Om as you reach home only to realize you never really left/stopped saying Om.

Leafing You Behind (2017)
Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

What Was It Supposed to Be Like? (2017)
Rather pointless, rather stilted, fetid; not what we want us going after.

Shirking; Shrieking Specter (2017)
Still it's really tall. Still it's really floundering/falling/fading.

Revisited Remunerations Rapturously Collapse When Recompensed (2017)
Your raging romp results only in rescinded regret @ the hands of radder cadets.

Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness' (2017)
Hiding inside&out, writhing about, taken out&in.

Aridity Enclosure 1 (2017)
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

Moonwalker (1988)
This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.

Beatles Electroniques (1969)
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.

Superstar: The Karen Carpenter Story (1987)
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

The Astronaut (2017)
A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.

Metaphysics of Sound (2008)
Adopting mainly hand contact printing with photographic enlarger, «Metaphysics of sound» started from September of 2006 and completed in July of 2007. With a 35mm soundtrack image, I made a hand-drawn soundtrack on the 16mm film strip. The sounds were made either by directly contact printing the 35mm sound tracks or collaging the scratch images. According to pattern of sound on the 20% blank of 16mm film strip (normally used as space for optical recording), I edited whole image and made structure of film. Hence the margin is a where image is sound, and vice versa. Later, I studied the sound patterns which varied according to the kinds of images used or the concentration of the image, and made various attempts at rearranging the structure of the sound with the image.

Global Groove (1973)
Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.