Questioning, Requesting (2017)

Every Ambulation a Betrayal (2017)

Return to 'burn' only to find out you're already in that urn.

Aridity Enclosure 1 (2017)

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

Always Aching & Bending Back (2017)

Slowed, stowed, achingly retold.

Roda Viva Roda Brasil (2019)

Álbum de videos 2013-2014 (2015)

This Cacophony Runs Over Me (2017)

This cacophony runs over me, over everything I see, everything I want to see: it's me.

Leafing You Behind (2017)

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

Remind Me Why I Came Here (2017)

It's time the times met each other over & over.

Kinda Cool to Expend This Much Drool (2017)

Don't ask me why, but I feel we're about to cry trying.

Ruminative Meditations (2017)

Say Om as you reach home only to realize you never really left/stopped saying Om.

Almost Anything (2017)

Centrist revelations abound among repetitions & revisitings.

No Impersonator , Perpetrator (2017)

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

What Was It Supposed to Be Like? (2017)

Rather pointless, rather stilted, fetid; not what we want us going after.

Superstar: The Karen Carpenter Story (1987)

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Shirking; Shrieking Specter (2017)

Still it's really tall. Still it's really floundering/falling/fading.

All this Roughness (2020)

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

Time (1966)

A concert at the Golden Circle with Don Cherry and his quintet was filmed and then processed to an art movie using various optical effects.

The Astronaut (2017)

A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.

E (2018)

In the unearthly world of E, hand-made meets hi-tech as characters appear to consume one another with their own, trafficked likenesses. Constructing her work entirely from laser-printed film stills (approximately 770 in total) lifted from Niklaus Schilling’s 1972 horror film, Nachtschatten, Zemlianski rips, layers, and paints these images with pastels and charcoal, then scans them back together into a bracing animation set to the eponymous song (“E”) by the Berlin-based band, Comb.

Time Piece (1965)

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.